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Publications (10 of 82) Show all publications
Sundholm, J. (2023). La otra vida digital de los cines menores migrantes latinoamericanos en Suecia: dispositivos y trazos digitales. In: Josetxo Cerdán; Miguel Fernández Labayen (Ed.), Imaginarios digitales en los cines hispánicos: Historias de pertenencia y desarraigo (pp. 263-279). Berlin: Peter Lang Publishing Group
Open this publication in new window or tab >>La otra vida digital de los cines menores migrantes latinoamericanos en Suecia: dispositivos y trazos digitales
2023 (Spanish)In: Imaginarios digitales en los cines hispánicos: Historias de pertenencia y desarraigo / [ed] Josetxo Cerdán; Miguel Fernández Labayen, Berlin: Peter Lang Publishing Group, 2023, p. 263-279Chapter in book (Refereed)
Place, publisher, year, edition, pages
Berlin: Peter Lang Publishing Group, 2023
Series
Hispanic Studies in the Global Context, ISSN 2364-8112 ; 24
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-220101 (URN)10.3726/b20595 (DOI)9783631762271 (ISBN)9783631897799 (ISBN)
Available from: 2023-08-15 Created: 2023-08-15 Last updated: 2023-10-17Bibliographically approved
Sundholm, J. (2022). Avant-Garde Anomalies and Transnational Trajectories: The Place and Time of Gunvor Nelson’s Collage Films of the 1980s. In: Benedikt Hjartarson; Tania Ørum; Camilla Skovbjerg Paldam; Laura Luise Schultz (Ed.), A Cultural History of the Avant-Garde in the Nordic Countries Since 1975: (pp. 190-196). Leiden: Brill Academic Publishers
Open this publication in new window or tab >>Avant-Garde Anomalies and Transnational Trajectories: The Place and Time of Gunvor Nelson’s Collage Films of the 1980s
2022 (English)In: A Cultural History of the Avant-Garde in the Nordic Countries Since 1975 / [ed] Benedikt Hjartarson; Tania Ørum; Camilla Skovbjerg Paldam; Laura Luise Schultz, Leiden: Brill Academic Publishers, 2022, p. 190-196Chapter in book (Refereed)
Abstract [en]

This essay is a presentation and study of the Swedish-American avant-garde film-maker Gunvor Nelson’s remarkable production of five diverse animation films from the years 1983 to 1990. The films were produced during the final breakthrough of video art and the decline of American avant-garde film. At the time Nelson was an American citizen, but most of her actual work on the films took place in her native country, Sweden. Nevertheless, the primary culture and context of the work was the United States.

The essay claims that Nelson’s collage films of the 1980s challenge not only some principles of avant-garde film but also the status of the avant-garde film institution as the films coincide with the transformation of avant-garde film into video art and thus the emergence of a new institutional apparatus. The significance of her films as avant-garde acts lies in their status as film-based media and their transgressive aesthetics. Thus they challenge an art world marked by the commercialisation of digital video.

Place, publisher, year, edition, pages
Leiden: Brill Academic Publishers, 2022
Series
A Cultural History of the Avant-Garde in the Nordic Countries ; 41
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-208813 (URN)10.1163/9789004515956_013 (DOI)9789004444560 (ISBN)9789004515956 (ISBN)
Available from: 2022-09-06 Created: 2022-09-06 Last updated: 2023-04-26Bibliographically approved
Sundholm, J. (2022). Filmromanen Money (1916) och början på det långa 1900-talet. In: Hilda Forss; Hanna Lahdenperä; Julia Tidigs (Ed.), Tanke/Världar: Studier i nordisk litteratur (pp. 63-75). Helsingfors: Helsingfors universitet
Open this publication in new window or tab >>Filmromanen Money (1916) och början på det långa 1900-talet
2022 (Swedish)In: Tanke/Världar: Studier i nordisk litteratur / [ed] Hilda Forss; Hanna Lahdenperä; Julia Tidigs, Helsingfors: Helsingfors universitet, 2022, p. 63-75Chapter in book (Refereed)
Place, publisher, year, edition, pages
Helsingfors: Helsingfors universitet, 2022
Series
Nordica Helsingiensia, ISSN 1795-4428, E-ISSN 2737-2960 ; 61
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-208654 (URN)978-951-51-5070-7 (ISBN)978-951-51-5069-1 (ISBN)
Note

DOI för hela verket: 10.31885/978951515069

Available from: 2022-09-03 Created: 2022-09-03 Last updated: 2024-01-29Bibliographically approved
Andersson, L. G. & Sundholm, J. (2022). Immigrant Film Co-Operatives in Sweden: The Most Typical Avant-Garde. In: Benedikt Hjartarson; Tania Ørum; Camilla Skovbjerg Paldam; Laura Luise Schultz (Ed.), A Cultural History of the Avant-Garde in the Nordic Countries Since 1975: (pp. 703-714). Leiden: Brill Academic Publishers
Open this publication in new window or tab >>Immigrant Film Co-Operatives in Sweden: The Most Typical Avant-Garde
2022 (English)In: A Cultural History of the Avant-Garde in the Nordic Countries Since 1975 / [ed] Benedikt Hjartarson; Tania Ørum; Camilla Skovbjerg Paldam; Laura Luise Schultz, Leiden: Brill Academic Publishers, 2022, p. 703-714Chapter in book (Refereed)
Abstract [en]

The subtitle of this essay echoes the title of David E. James’s book The Most Typical Avant-Garde, which makes the claim that the various minor cinemas of Los Angeles (amateur, immigrant, artists’ etc.) constitute the most distinctive avant-garde “on behalf of cultural practices that are commonly supposed not to even have existed”. The heterogeneous Swedish avant-garde scene has definitely been conditioned by migrational and transnational practices; however, this essay deals with a specific forgotten aspect of Swedish avant-garde film history: the immigrant film-makers and their co-operatives and organisations. Our aim is to show that they have existed and why they should be considered as part of “the most typical avant-garde”. We focus on the description and analysis of three films by three different organisations that became cohorts of multilingual and collective film-making, ranging from purely organisational structures (Kaleidoscope, in the 1980s) to collective youth recreation work in the suburbs (Tensta filmförening, in the 1970s and 1980s) and to a co-op for self-organised and self-financed film-making (Cineco, in the late 1970s and early 1980s).

Place, publisher, year, edition, pages
Leiden: Brill Academic Publishers, 2022
Series
A Cultural History of the Avant-Garde in the Nordic Countries ; 41
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-208814 (URN)10.1163/9789004515956_047 (DOI)9789004444560 (ISBN)9789004515956 (ISBN)
Funder
Swedish Research Council
Available from: 2022-09-06 Created: 2022-09-06 Last updated: 2023-04-26Bibliographically approved
Fernández Labayen, M. & Sundholm, J. (2022). Promoting and Curating US Experimental Cinema in Europe: "The Western American Experimental Film" Tour in 1963 and the New American Cinema. Framework, 63(1-2), 183-195
Open this publication in new window or tab >>Promoting and Curating US Experimental Cinema in Europe: "The Western American Experimental Film" Tour in 1963 and the New American Cinema
2022 (English)In: Framework, ISSN 0306-7661, E-ISSN 1559-7989, Vol. 63, no 1-2, p. 183-195Article in journal (Refereed) Published
Keywords
Experimental Film, Film History, New American Cinema, Curating
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-214108 (URN)
Funder
Swedish Research Council, 2020-00923
Available from: 2023-01-23 Created: 2023-01-23 Last updated: 2023-04-20Bibliographically approved
Sundholm, J. (2021). Finland Returning to War on Screen: The Unknown Soldier of 2017. In: Marianne Stecher-Hansen (Ed.), Nordic War Stories: World War II as History, Fiction, Media, and Memory (pp. 314-329). New York: Berghahn Books
Open this publication in new window or tab >>Finland Returning to War on Screen: The Unknown Soldier of 2017
2021 (English)In: Nordic War Stories: World War II as History, Fiction, Media, and Memory / [ed] Marianne Stecher-Hansen, New York: Berghahn Books, 2021, p. 314-329Chapter in book (Refereed)
Place, publisher, year, edition, pages
New York: Berghahn Books, 2021
Keywords
Unknown Soldier, Väinö Linna, Memory, Film History
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-190831 (URN)978-1-78920-961-7 (ISBN)978-1-78920-962-4 (ISBN)
Available from: 2021-03-02 Created: 2021-03-02 Last updated: 2022-02-25Bibliographically approved
Sundholm, J. (2021). History in the Making: Minor Immigrant Film Studies as Memory Activism. In: Annimari Juvonen; Verena Lindemann Lino (Ed.), Negotiations of Migration: Reexamining the Past and Present in Contemporary Europe (pp. 167-184). Berlin/Boston: Walter de Gruyter
Open this publication in new window or tab >>History in the Making: Minor Immigrant Film Studies as Memory Activism
2021 (English)In: Negotiations of Migration: Reexamining the Past and Present in Contemporary Europe / [ed] Annimari Juvonen; Verena Lindemann Lino, Berlin/Boston: Walter de Gruyter, 2021, p. 167-184Chapter in book (Refereed)
Place, publisher, year, edition, pages
Berlin/Boston: Walter de Gruyter, 2021
Series
Culture & Conflict, ISSN 2194-7104 ; 18
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-195555 (URN)10.1515/9783110712018-009 (DOI)978-3-11-071195-0 (ISBN)978-3-11-071201-8 (ISBN)978-3-11-071209-4 (ISBN)
Available from: 2021-08-23 Created: 2021-08-23 Last updated: 2021-11-24Bibliographically approved
Sundholm, J. (2021). History is, media studies is. NECSUS : European Journal of Media Studies, 10(2), 93-97
Open this publication in new window or tab >>History is, media studies is
2021 (English)In: NECSUS : European Journal of Media Studies, E-ISSN 2213-0217, Vol. 10, no 2, p. 93-97Article in journal (Other academic) Published
Keywords
Archive, Historiography, Film Studies, Media Studies
National Category
Media and Communications
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-200059 (URN)10.25969/mediarep/17276 (DOI)
Available from: 2021-12-22 Created: 2021-12-22 Last updated: 2022-08-11Bibliographically approved
Sundholm, J. (2021). The Time of Our Lives. In: Brenda Hollweg, Marianna Christofides (Ed.), Marianna Christofides: Days In Between (pp. 114-122). Berlin: Hatje Cantz Verlag
Open this publication in new window or tab >>The Time of Our Lives
2021 (English)In: Marianna Christofides: Days In Between / [ed] Brenda Hollweg, Marianna Christofides, Berlin: Hatje Cantz Verlag, 2021, p. 114-122Chapter in book (Other academic)
Place, publisher, year, edition, pages
Berlin: Hatje Cantz Verlag, 2021
Series
Zeitgenössische Kunst
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-191848 (URN)978-3-7757-4882-7 (ISBN)
Available from: 2021-04-01 Created: 2021-04-01 Last updated: 2022-02-25Bibliographically approved
Sundholm, J. (2020). Anna Estera Mrozewicz: Beyond Eastern Noir. Reimagining Russia and Eastern Europe in Nordic Cinemas [Review]. European Journal of Scandinavian Studies, 50(2), 389-392
Open this publication in new window or tab >>Anna Estera Mrozewicz: Beyond Eastern Noir. Reimagining Russia and Eastern Europe in Nordic Cinemas
2020 (Swedish)In: European Journal of Scandinavian Studies, ISSN 2191-9399, E-ISSN 2191-9402, Vol. 50, no 2, p. 389-392Article, book review (Other academic) Published
National Category
Studies on Film
Research subject
Cinema Studies
Identifiers
urn:nbn:se:su:diva-185974 (URN)10.1515/ejss-2020-2014 (DOI)
Available from: 2020-10-20 Created: 2020-10-20 Last updated: 2022-02-25Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-7595-5130

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