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Publications (10 of 16) Show all publications
Snickare, M. (2018). Shaping the Centre of the World: Hedwig Eleonora and the Imagery at Drottningholm Palace. In: Kurt Almqvist, Susanna Hakelius Popova (Ed.), Royal Castles and Palaces: Symbolic Values in Modern Times (pp. 79-101). Stockholm: Axel and Margaret Ax:son Johnson Foundation
Open this publication in new window or tab >>Shaping the Centre of the World: Hedwig Eleonora and the Imagery at Drottningholm Palace
2018 (English)In: Royal Castles and Palaces: Symbolic Values in Modern Times / [ed] Kurt Almqvist, Susanna Hakelius Popova, Stockholm: Axel and Margaret Ax:son Johnson Foundation , 2018, p. 79-101Chapter in book (Refereed)
Place, publisher, year, edition, pages
Stockholm: Axel and Margaret Ax:son Johnson Foundation, 2018
Keywords
baroque, 17th century architecture, staircase, royal patronage
National Category
Art History
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-185072 (URN)978-91-88717-03-0 (ISBN)
Available from: 2020-09-15 Created: 2020-09-15 Last updated: 2022-02-25Bibliographically approved
Snickare, M. (2017). A Productive Conflict: the Colosseum and Early Modern Religious Performance. In: J. R. Mulryne, Krista de Jonge, Pieter Martens, R. L. M. Morris (Ed.), Architectures of Festival in Early Modern Europe: Fashioning and Re-Fashioning Urban and Courtly Space (pp. 11-25). New York: Routledge
Open this publication in new window or tab >>A Productive Conflict: the Colosseum and Early Modern Religious Performance
2017 (English)In: Architectures of Festival in Early Modern Europe: Fashioning and Re-Fashioning Urban and Courtly Space / [ed] J. R. Mulryne, Krista de Jonge, Pieter Martens, R. L. M. Morris, New York: Routledge, 2017, p. 11-25Chapter in book (Refereed)
Place, publisher, year, edition, pages
New York: Routledge, 2017
Series
European Festival Studies ; 4
Keywords
Performance, Performativity, Colosseum, Rome, Procession, Possesso
National Category
Art History
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-155395 (URN)10.4324/9781315567808-2 (DOI)9781472432001 (ISBN)9781317178934 (ISBN)
Available from: 2018-04-19 Created: 2018-04-19 Last updated: 2024-01-15Bibliographically approved
Snickare, M. (2017). Bildhandlingar: Att skapa mening med Titusbågen. In: Malin Hedlin Hayden, Mårten Snickare (Ed.), Performativitet: Teoretiska tillämpningar i konstvetenskap: 1 (pp. 1-16). Stockholm: Stockholm University Press
Open this publication in new window or tab >>Bildhandlingar: Att skapa mening med Titusbågen
2017 (Swedish)In: Performativitet: Teoretiska tillämpningar i konstvetenskap: 1 / [ed] Malin Hedlin Hayden, Mårten Snickare, Stockholm: Stockholm University Press, 2017, p. 1-16Chapter in book (Refereed)
Place, publisher, year, edition, pages
Stockholm: Stockholm University Press, 2017
Series
Basic readings in culture and aesthetics, ISSN 2002-6463 ; 1
Keywords
interpretation of art, aesthetics, visual culture, art history, performativity
National Category
Arts
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-184640 (URN)10.16993/bal.b (DOI)9789176350478 (ISBN)9789176350478 (ISBN)
Available from: 2020-08-28 Created: 2020-08-28 Last updated: 2024-01-15Bibliographically approved
Hedlin Hayden, M. & Snickare, M. (Eds.). (2017). Performativitet: Teoretiska tillämpningar i konstvetenskap: 1. Stockholm: Stockholm University Press
Open this publication in new window or tab >>Performativitet: Teoretiska tillämpningar i konstvetenskap: 1
2017 (Swedish)Collection (editor) (Refereed)
Abstract [sv]

Vad betyder performativitet? Och vad innebär det att tala om något som performativt? Den här läroboken vill klargöra och kritiskt belysa ett viktigt men ibland svårfångat begrepp.

Bokens bidrag tar upp konkreta tolkningssituationer och visar på direkta tillämpningar av begreppet. Genom att lyfta fram konstverk och andra bilder från olika historiska perioder och sammanhang visar vi hur performativitet är ett mångsidigt och användbart begrepp vid bildtolkning. Syftet är att förmedla den kritiska potential ett begrepp har när det aktiveras i relation till olika studieobjekt.

Boken riktar sig i första hand till studenter i konstvetenskap och andra ämnen där frågor om visualitet och visuella praktiker är centrala. Utgångspunkten är att boken inte bara ska ge en teoretisk förståelse av begreppet utan framförallt peka ut vägar och möjligheter till praktisk tillämpning.

Place, publisher, year, edition, pages
Stockholm: Stockholm University Press, 2017. p. 114
Series
Basic readings in culture and aesthetics, ISSN 2002-6463 ; 1
Keywords
konstvetenskap, konstteori, performativitet
National Category
Art History
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-155444 (URN)10.16993/bal (DOI)978-91-7635-047-8 (ISBN)978-91-7635-045-4 (ISBN)
Available from: 2018-04-21 Created: 2018-04-21 Last updated: 2022-03-16Bibliographically approved
Snickare, M. (2015). Gränsöverskridandets estetik: om barockens hovkultur. In: Merit Laine (Ed.), Hedvig Eleonora: den svenska barockens drottning (pp. 75-85). Stockholm: Kungl. Husgerådskammaren
Open this publication in new window or tab >>Gränsöverskridandets estetik: om barockens hovkultur
2015 (Swedish)In: Hedvig Eleonora: den svenska barockens drottning / [ed] Merit Laine, Stockholm: Kungl. Husgerådskammaren , 2015, p. 75-85Chapter in book (Other academic)
Place, publisher, year, edition, pages
Stockholm: Kungl. Husgerådskammaren, 2015
Series
Skrifter från Kungl. Husgerådskammaren, ISSN 0281-1332 ; 15
Keywords
barock, hovkultur, ceremoni
National Category
Art History
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-125683 (URN)9789185551286 (ISBN)
Available from: 2016-01-15 Created: 2016-01-15 Last updated: 2022-02-23Bibliographically approved
Snickare, M. (2014). Gränser och gränsöverskridanden: Om barocken och samtidskonsten. In: Estelle af Malmborg, Linda Hinners (Ed.), Barockt: (pp. 10-21). Stockholm: Art and Theory
Open this publication in new window or tab >>Gränser och gränsöverskridanden: Om barocken och samtidskonsten
2014 (Swedish)In: Barockt / [ed] Estelle af Malmborg, Linda Hinners, Stockholm: Art and Theory , 2014, p. 10-21Chapter in book (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Stockholm: Art and Theory, 2014
Keywords
barock, neobarock, globalisering
National Category
Arts
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-111232 (URN)9789198157314 (ISBN)
Projects
The King's Tomahawk. Collecting and Displaying Non-European Objects in Seventeenth Century Sweden (RJ)
Funder
Riksbankens Jubileumsfond, P09-0108:1-E
Available from: 2014-12-29 Created: 2014-12-29 Last updated: 2022-02-23Bibliographically approved
Snickare, M. (2014). Kontroll, begär och kunskap: Den koloniala kampen om Goavddis. RIG: Kulturhistorisk tidskrift, 97(2), 65-77
Open this publication in new window or tab >>Kontroll, begär och kunskap: Den koloniala kampen om Goavddis
2014 (Swedish)In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 97, no 2, p. 65-77Article in journal (Refereed) Published
Abstract [en]

Discipline, Desire, and Knowledge. The Colonial fight over Goavddis

This article deals with goavddis (ceremonial Sami drums) as objects at the centre of colonial struggle between Swedish officials and the Sami in the decades around 1700. For the Sami, goavddis were a matter of cultural and religious identity, and of the relation between the profane and the sacred; they were aesthetic objects whose meaning and power was actualized in ritual and musical performances. For the colonizers, the goavddis were caught up in ambivalent acts of discipline and desire. As instruments for heathen practice they were confiscated by Swedish officials and clergy in a systematic, often brutal, effort to discipline the Sami population and conform it to the Orthodox Lutheran State church. At the very same time, however, they became desirable collectibles among the Swedish and European elites. The need to destroy and the desire to possess – so this article claims – were two sides of the same coin. It was about taking control of the goavddis, subordinating them to the gaze of the colonizer, and ranging them under a colonial system of knowledge.

National Category
Arts
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-111230 (URN)
Projects
The King's Tomahawk. Collecting and Displaying Non.-European Objects in Seventeenth-Century Sweden (RJ)
Funder
Riksbankens Jubileumsfond, P09-0108:1-E
Available from: 2014-12-29 Created: 2014-12-29 Last updated: 2022-02-23Bibliographically approved
Snickare, M. (2012). Body, movement, space: baroque revisited. In: Liberty Paterson (Ed.), Show time: koreografi i international samtidskunst (pp. 60-69). Holte: Gl. Holtegaard
Open this publication in new window or tab >>Body, movement, space: baroque revisited
2012 (English)In: Show time: koreografi i international samtidskunst / [ed] Liberty Paterson, Holte: Gl. Holtegaard , 2012, p. 60-69Chapter in book (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Holte: Gl. Holtegaard, 2012
Keywords
Baroque, Neo-Baroque
National Category
Art History
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-125689 (URN)978-87-88499-09-4 (ISBN)
Available from: 2016-01-15 Created: 2016-01-15 Last updated: 2022-02-23Bibliographically approved
Snickare, M. (2012). De la procession à l'oeuvre d'art totale: Les transformations de la cérémonie funéraire royale dans la Suède du XVIIe siècle. In: Juliusz A. Chroscicki, Mark Hengerer, Gérard Sabatier (Ed.), Les funérailles princières en Europe XVIe-XVIIIe siècle: Volume 1: Le grand théâtre de la mort (pp. 335-353). Paris: Éditions de la Maison des sciences de l'homme
Open this publication in new window or tab >>De la procession à l'oeuvre d'art totale: Les transformations de la cérémonie funéraire royale dans la Suède du XVIIe siècle
2012 (French)In: Les funérailles princières en Europe XVIe-XVIIIe siècle: Volume 1: Le grand théâtre de la mort / [ed] Juliusz A. Chroscicki, Mark Hengerer, Gérard Sabatier, Paris: Éditions de la Maison des sciences de l'homme, 2012, p. 335-353Chapter in book (Refereed)
Place, publisher, year, edition, pages
Paris: Éditions de la Maison des sciences de l'homme, 2012
Keywords
procession, cérémonie funéraire royale
National Category
Art History
Research subject
Art History
Identifiers
urn:nbn:se:su:diva-125686 (URN)10.4000/books.editionsmsh.17794 (DOI)978-2-7351-1426-9 (ISBN)
Projects
Performativity and Performance in Baroque Art
Funder
Swedish Research Council
Available from: 2016-01-15 Created: 2016-01-15 Last updated: 2022-04-27Bibliographically approved
Snickare, M. (2012). How to Do Things with the Piazza San Pietro: Performativity and Baroque Architecture. In: Peter Gillgren, Mårten Snickare (Ed.), Performativity and Performance in Baroque Rome (pp. 65-83). Farnham/Burlington: Ashgate
Open this publication in new window or tab >>How to Do Things with the Piazza San Pietro: Performativity and Baroque Architecture
2012 (English)In: Performativity and Performance in Baroque Rome / [ed] Peter Gillgren, Mårten Snickare, Farnham/Burlington: Ashgate, 2012, p. 65-83Chapter in book (Refereed)
Abstract [en]

Taking the Piazza San Pietro as a point of departure, this article explores the possible relationship between performativity and Baroque architecture. Can the concept of performativity serve as a useful tool for the interpretation of Baroque space? Can it contribute to our understanding of the architectural discourse in the seventeenth century? A hypothesis is that the interpretative strategies enabled by the concept of performativity bear some affinity to the ways in which architecture was experienced, conceived of, and theorized in the seventeenth century.

Place, publisher, year, edition, pages
Farnham/Burlington: Ashgate, 2012
Series
Ashgate, Visual Culture in Early Modernity
Keywords
Piazza San Pietro, Performativity, Baroque Architecture, Richard Lassels, Lievin Cruyl
National Category
Art History
Research subject
History Of Art
Identifiers
urn:nbn:se:su:diva-77719 (URN)9781409420996 (ISBN)
Projects
Performativity in Baroque Art
Available from: 2012-06-19 Created: 2012-06-19 Last updated: 2022-02-24Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-5925-3657

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