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Affective Historiography: Archival Aesthetics and the Temporalities of Televisual Nation-Building
Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.ORCID-id: 0000-0002-1003-3418
Rekke forfattare: 12016 (engelsk)Inngår i: International Journal of Communication, E-ISSN 1932-8036, Vol. 10, s. 5270-5283Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

In his study of nationalism, Benedict Anderson famously identified a notion of simultaneity across homogeneous, empty time as the temporal structure underpinning nationness as imagined community. Since the 18th century, Anderson argued, time was spatialized as newspapers and novels were the prime cultural forms of imagining a community across space. In the era of televisual nation-building, another kind of temporality has emerged as a form for thinking about and feeling the nation. Archival aesthetics, it is argued, is a mode of affective historiography that mobilizes a double temporality: While constructing chronologies in its remixing of archive footage, reproducing conventional narratives of epochs and events, it also engenders, via reappropriations of popular music and cinema, a transhistorical, even mythical notion of the nation as a community of feeling across time. Through a discussion of Finnish TV documentaries by Peter von Bagh, this article returns to Homi K. Bhabha's theorizing of the pedagogical and the performative as the two, intertwined modes of narrating the nation.

sted, utgiver, år, opplag, sider
2016. Vol. 10, s. 5270-5283
Emneord [en]
television, historical documentary, affect, nation-building, broadcasting, intimate public
HSV kategori
Identifikatorer
URN: urn:nbn:se:su:diva-139343ISI: 000391120900001OAI: oai:DiVA.org:su-139343DiVA, id: diva2:1073220
Tilgjengelig fra: 2017-02-09 Laget: 2017-02-09 Sist oppdatert: 2022-05-10bibliografisk kontrollert

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Koivunen, Anu

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