The article deals with the creation of a hacktivist channel in France in 2013. The channel pretends to evaluate the information and invite critical guests that are not considered in traditional media. The aim of the article is to study how this channel presents the guests and the topics to see if there is a journalistic innovation. By using the tools of critical discourse analysis and conversational analysis, it is possible to describe the way the guests are presented and connected to the topic promoted by the article. The scenography is also worth being described as the guests have long interviews with a hidden journalist without any montage. In reality, the technique is all the more interesting as it allows the guest to correct his/her reputation. The development of a prior ethos to a discursive ethos is important as the channel can take an advantage of its original position in the sphere of media. Last but not least, the focus on those techniques helps to see if this kind of critical media is a new form of alternative journalism.
This research was supported by the Department of Romance Studies and Classics (Stockholm University), under a specific research programme on Romance languages, Romling (the number of the grant is SU-165-0030-18 2.1.1). It also received the support of the research network “Language and Power” from Stockholm University (the number of the grant is SU-158A-2.1.1-0075-19).