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The Politics and Pedagogies of Contemporary Sámi Performance for Young Audiences
Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.ORCID iD: 0000-0002-3405-1282
Number of Authors: 12024 (English)In: The drama review, ISSN 1054-2043, E-ISSN 1531-4715, Vol. 68, no 3, p. 131-150Article in journal (Refereed) Published
Abstract [en]

With Sámi mythology and storytelling as dramaturgical anchors, Giron Sámi Teáhter uses the key aesthetic elements of yoik (Sámi song) and duodji (Sámi arts and crafts) to revitalize and promote Sámi language and culture. The troupe’s work nourishes pride in young Sámi audiences in their rich cultural heritage, which for centuries was suppressed by settler colonialism across Sápmi, the land of the Sámi people, which stretches across the Northern part of Norway, Sweden, and Finland all the way to the Kola Peninsula in Russia.

Place, publisher, year, edition, pages
2024. Vol. 68, no 3, p. 131-150
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General Literature Studies
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URN: urn:nbn:se:su:diva-237794DOI: 10.1017/S1054204324000212Scopus ID: 2-s2.0-85207448704OAI: oai:DiVA.org:su-237794DiVA, id: diva2:1927122
Available from: 2025-01-14 Created: 2025-01-14 Last updated: 2025-01-14Bibliographically approved

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Gindt, Dirk

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