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The Museum as a Repository for Local Identity and Social Capital: Audience development in performing the exhibition – two cases from Łódź
Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.ORCID-id: 0000-0003-2616-2289
Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.ORCID-id: 0000-0002-2577-9538
2015 (engelsk)Inngår i: Sztuka i Dokumentacja / Art and Documentation, ISSN 2080-413X, nr 12, s. 87-94Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

Drawing on the theoretical perspective of performance studies, Daria Kubiak and Kim Skjoldager-Nielsen look at two attempts at deliberate audience emancipation through exhibition design. They analyze the performative ‘scripts’ inscribed in the way the Film Museum in Łódź shows its collection and in the exhibition Atlas of Modernity at the Muzeum Sztuki in Łódź, and provide a critical assessment of their potential to act as repositories for local identity and generators of social and cultural capital. As several shortcomings are identified in the analysis, certain ideas and postulates are put forward to remedy them and contribute to designing exhibitions that would perform archives as “theaters for development”.

sted, utgiver, år, opplag, sider
2015. nr 12, s. 87-94
Emneord [en]
Performance Studies, Performativity, Audience Development, Exhibition Design, Curation, Museum Studies
HSV kategori
Forskningsprogram
teatervetenskap
Identifikatorer
URN: urn:nbn:se:su:diva-120289OAI: oai:DiVA.org:su-120289DiVA, id: diva2:851481
Tilgjengelig fra: 2015-09-05 Laget: 2015-09-05 Sist oppdatert: 2020-01-23bibliografisk kontrollert

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