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Thesen zur Theorie des Filmstils: Intensionalität, Kontingenz und Wes Andersons Hotel Chevalier
Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
2016 (German)In: Filmstil: Perspektivierungen eines Begriffs zwischen Ästhetik, Praxis und Theorie / [ed] Julian Blunk, Tina Kaiser, Dietmar Kammerer, Chris Wahl, Munich: Edition text + kritik, 2016, p. 71-90Chapter in book (Refereed)
Place, publisher, year, edition, pages
Munich: Edition text + kritik, 2016. p. 71-90
Keywords [de]
Style, Film, Cinema, Wes Anderson, Theory, Stylistics, Film Form, Philosophy, Intension
National Category
Studies on Film
Research subject
Aesthetics; Cinema Studies
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URN: urn:nbn:se:su:diva-141862ISBN: 9783869165103 (print)OAI: oai:DiVA.org:su-141862DiVA, id: diva2:1089535
Available from: 2017-04-20 Created: 2017-04-20 Last updated: 2022-02-28Bibliographically approved

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Kirsten, Guido

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CiteExportLink to record
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