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(Re)Framing the Concept of Aesthetic Autonomy: Frames of Separation and Engagement in Wallace Stevens' "Secret Man"
Han, Gül Bilge
Stockholm University, Faculty of Humanities, Department of English.
ORCID iD:
0000-0002-3911-4908
2014 (English)
In:
Reframing Concepts in Literary and Cultural Studies: Theorizing and Analyzing Conceptual Transfers / [ed] Nora Berning, Ansgar Nünning, Christine Schwanecke, Trier: Wissenschaftlicher Verlag Trier, 2014, p. 157-170
Chapter in book (Refereed)
Place, publisher, year, edition, pages
Trier: Wissenschaftlicher Verlag Trier, 2014. p. 157-170
Series
Studies in English Literary and Cultural History (ELCH) ; 61
Keywords [en]
modernism, autonomy, wallace stevens, 1930s, Great Depression
National Category
Languages and Literature General Literature Studies
Research subject
Literature
Identifiers
URN:
urn:nbn:se:su:diva-141958
ISBN:
9783868215632 (print)
OAI: oai:DiVA.org:su-141958
DiVA, id:
diva2:1089910
Available from:
2017-04-21
Created:
2017-04-21
Last updated:
2022-02-28
Bibliographically approved
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http://d-nb.info/1059308851/04
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ieee
modern-language-association-8th-edition
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apa
ieee
modern-language-association-8th-edition
vancouver
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de-DE
en-GB
en-US
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