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(Re)Framing the Concept of Aesthetic Autonomy: Frames of Separation and Engagement in Wallace Stevens' "Secret Man"
Stockholm University, Faculty of Humanities, Department of English.ORCID iD: 0000-0002-3911-4908
2014 (English)In: Reframing Concepts in Literary and Cultural Studies: Theorizing and Analyzing Conceptual Transfers / [ed] Nora Berning, Ansgar Nünning, Christine Schwanecke, Trier: Wissenschaftlicher Verlag Trier, 2014, 157-170 p.Chapter in book (Refereed)
Place, publisher, year, edition, pages
Trier: Wissenschaftlicher Verlag Trier, 2014. 157-170 p.
Series
Studies in English Literary and Cultural History (ELCH), 61
Keyword [en]
modernism, autonomy, wallace stevens, 1930s, Great Depression
National Category
Languages and Literature General Literature Studies
Research subject
Literature
Identifiers
URN: urn:nbn:se:su:diva-141958ISBN: 9783868215632 (print)OAI: oai:DiVA.org:su-141958DiVA: diva2:1089910
Available from: 2017-04-21 Created: 2017-04-21 Last updated: 2017-09-12Bibliographically approved

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Han, Gül Bilge
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