Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
"Punctured Rear Tire on an Enfeebled Meditative Wreck!" The Critical Reception of Bengt Hambræus’s Music during the 1950s
Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology. Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
1998 (English)In: Crosscurrents and Counterpoints: Offerings in Honor of Bengt Hambræus at 70 / [ed] Per F. Broman; Nora A. Engebretsen; Bo Alphonce, Göteborg: Förlag Göteborgs Universitet, 1998, p. 102-120Chapter in book (Other academic)
Place, publisher, year, edition, pages
Göteborg: Förlag Göteborgs Universitet, 1998. p. 102-120
Series
Skrifter från avdelningen för musikvetenskap, ISSN 1103-2251 ; 51
National Category
Musicology
Research subject
Musicology
Identifiers
URN: urn:nbn:se:su:diva-142888ISBN: 91-85974-45-5 (print)OAI: oai:DiVA.org:su-142888DiVA, id: diva2:1093273
Available from: 2017-05-05 Created: 2017-05-05 Last updated: 2022-03-29Bibliographically approved

Open Access in DiVA

No full text in DiVA

Authority records

Tillman, Joakim

Search in DiVA

By author/editor
Tillman, Joakim
By organisation
MusicologyDepartment of Culture and Aesthetics
Musicology

Search outside of DiVA

GoogleGoogle Scholar

isbn
urn-nbn

Altmetric score

isbn
urn-nbn
Total: 47 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf