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Companion for the videography 'Monstrous Organizing-The Dubstep Electronic Music Scene'
Stockholm University, Faculty of Social Sciences, Stockholm Business School. Aalto University, Finland.
Number of Authors: 22018 (English)In: Organization, ISSN 1350-5084, E-ISSN 1461-7323, Vol. 25, no 3, p. 320-334Article in journal (Refereed) Published
Abstract [en]

This companion essay contributes to video-based organizational research by critically assessing conventional representational modes of videographic practice and conceptualizing an expressive' ontology for videographic research. We offer an image of thought that foregrounds the creative and powerfully affective potential of both videographic work and spectatorship. To advance this perspective and to inspire future research, we present our videography (length 30 minutes) that integrates various 'expressive' elements in montage form. We use the film to scrutinize the potential of video-based research and several methodological considerations tied to it. In doing so, we argue that video-based organizing of research activities can be seen as monstrous', an entire emergent mode of aesthetic storytelling that comes into being not in capturing' or recording', but rather as an affective production of potentialities.

Place, publisher, year, edition, pages
2018. Vol. 25, no 3, p. 320-334
Keywords [en]
Deleuze, expressive videography, monstrous organizing, music scenes, video
National Category
Economics and Business
Identifiers
URN: urn:nbn:se:su:diva-156597DOI: 10.1177/1350508417738572ISI: 000432098800002OAI: oai:DiVA.org:su-156597DiVA, id: diva2:1211077
Available from: 2018-05-30 Created: 2018-05-30 Last updated: 2018-05-30Bibliographically approved

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