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A vanguard claiming ground: Swedish artists on the market and within the state 1930–1955
Stockholm University, Faculty of Social Sciences, Stockholm Centre for Organizational Research (SCORE).
2019 (English)In: A cultural history of the avant-garde in the Nordic countries 1925-1950 / [ed] Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum, Leiden: Brill Academic Publishers, 2019, p. 597-614Chapter in book (Refereed)
Abstract [en]

As a complement to the story of how parts of the interwar architecture and painting were appropriated by official culture, this essay shows how visual artists in Sweden not only actively occupied parts of the market but also very successfully seized central positions within the state. The first part of the essay focuses on the vanguard’s triumphal advances in the market. The second part shows how the artists and gallery owners presented in the first part also gained influence on central parts of the state and thus succeeded in influencing the development of both the market and the policies of the state.

Place, publisher, year, edition, pages
Leiden: Brill Academic Publishers, 2019. p. 597-614
Series
Avant-garde critical studies, ISSN 1387-3008 ; 36
National Category
Other Social Sciences
Identifiers
URN: urn:nbn:se:su:diva-176955DOI: 10.1163/9789004388291_035ISBN: 9789004366794 (print)ISBN: 9789004388291 (electronic)OAI: oai:DiVA.org:su-176955DiVA, id: diva2:1377450
Available from: 2019-12-11 Created: 2019-12-11 Last updated: 2019-12-18Bibliographically approved

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CiteExportLink to record
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