Studies of rock art normally depart from a classification of type, style and what the motifs represents or depicture. South Scandinavian rock art, however, are often vague, incomplete and fragmentary. In this chapter, it is argued that certain rock art motifs, mainly boats and anthropomorphs, were deliberately made incomplete as a part of a vitalist technology with the aim to affect the world. An important aspect of such visual vagueness, intentional or not, is that it can function as a punctum in Roland Barthes terminology and evoke affect among the beholder. The incomplete motifs also stress the making of rock art as a continuous process in which details can be added over time to enhance certain aspects or radically alter the motif. The chapter is illustrated with examples of Bronze Age rock art of the Mälaren district in central-eastern Sweden.