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The crossroads of art:the subjective, the performative, and the aesthetic:featuring poussin's eliezer and rebecca at the well (1648)
Stockholm University, Faculty of Humanities, Department of the History of Art.
2002 (English)In: Word&image: A journal of verbal/visual enquiry, ISSN 0266-6286, Vol. october-december, no 4, 357-371 p.Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [en]

A theoretical analysis of the poussin painting rebecca and eliezer at the well, pursuing methodological issues of art history, specifically the interplay between subjective, performative, and aesthetic aspects

Place, publisher, year, edition, pages
2002. Vol. october-december, no 4, 357-371 p.
Identifiers
URN: urn:nbn:se:su:diva-13648OAI: oai:DiVA.org:su-13648DiVA: diva2:180168
Available from: 2008-01-14 Created: 2008-01-14 Last updated: 2011-01-13Bibliographically approved

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Rossholm Lagerlöf, Margaretha
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