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The Crossroads of Art: the Subjective, the Performative, and the Aesthetic.: Featuring Poussin´s Eliezer and Rebecca at the well (1648)
Stockholm University, Faculty of Humanities, Department of the History of Art.
2002 (English)In: WORD & IMAGE, Vol. 18, no 4, 357-371 p.Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [en]

The article is an analysis of a painting by Nicolas Poussin, Eliezer and Rebecca at the well, 1648, stating the interrelation between subjective, aesthetic, and performative aspects in interpretation of visual art. In contrast to interpretations focused on subject matter or theme of ideas this analysis goes further considering how the scene is installed in the address to the beholder and in the grouping of figures and in juxtapositions of elements and colours.

Place, publisher, year, edition, pages
2002. Vol. 18, no 4, 357-371 p.
Keyword [en]
Nicolas Poussin, Eliezer and Rebecca, Interpretation, Aesthetics
Identifiers
URN: urn:nbn:se:su:diva-14956OAI: oai:DiVA.org:su-14956DiVA: diva2:181476
Available from: 2008-11-12 Created: 2008-11-12 Last updated: 2011-01-13Bibliographically approved

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