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”ТРИ” МУЗЬІКАЛЬНЬІХ ПЕРИОДА ИНГМАРA БЕРГМАНА КАК ЗЕРКАЛО ШВЕДСКОЙ КИНОМУЗЬІКИ (Ingmar Bergman's 'Three Musical' Periods as a Mirror for Swedish Film Music)
Stockholm University, Faculty of Humanities, Department of Cinema Studies.
2007 (English)In: ОБСЕРВАТОРИЯ КУАЬТУРЬІ (Observatoria Kultury), no 1, 57-59 p.Article in journal (Other academic) Published
Abstract [en]

One can roughly speak, in Ingmar Bergman’s productions, of three musical periods consisting of Crisis (1946) to Prison (1949), Thirst (1949) to The Virgin Spring (1960), and Through a Glass Darkly (1961) to The Magic Flute (1975). The article follow this differentiation to illustrate how Bergman’s influence on the music increased from period to period. It also illustrates how this changed the way music was used in Swedish film production.

Place, publisher, year, edition, pages
2007. no 1, 57-59 p.
Keyword [en]
Ingmar Bergman, filmmusik, 1930-tal, 1940-tal, 1950-tal, 1960-tal
National Category
Studies on Film
URN: urn:nbn:se:su:diva-16847OAI: diva2:183367
Available from: 2007-10-09 Created: 2007-10-09 Last updated: 2011-01-11Bibliographically approved

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Natzén, Christopher
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