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Deus Absconditus, Between visible and invisible in the films of Tarkovsky
Stockholm University, Faculty of Humanities, Department of Cinema Studies.
2006 (English)In: Through The Mirror: Reflections on the Films of Andrei Tarkovsky, Cambridge Scholars Press, Cambridge , 2006Chapter in book (Refereed)
Abstract [en]

The essay attempts to define filmic space in Tarkovsky's work from the "figures of negation" appearing in Stalker, Nostalghia and Sacrificatio and their relation to off screen space. Focussing on the frame, it redefines Tarkovsky's images as "liminary images", constantly on the verge between the space of the film image and the limitless space off frame.

Place, publisher, year, edition, pages
Cambridge Scholars Press, Cambridge , 2006.
Keyword [en]
Tarkovsky, film aesthetics, film frame, off screen space, via negativa
National Category
Studies on Film
Identifiers
URN: urn:nbn:se:su:diva-19498ISBN: 1904303110 (print)OAI: oai:DiVA.org:su-19498DiVA: diva2:186022
Available from: 2007-11-12 Created: 2007-11-12Bibliographically approved

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CiteExportLink to record
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