Change search
ReferencesLink to record
Permanent link

Direct link
Mimetiskt syskonskap: En representationsteoretisk undersökning av relationen fiktionsprosa-fiktionsfilm
Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
2008 (Swedish)Doctoral thesis, monograph (Other academic)
Abstract [en]

The dissertation deals with two different subjects: on the one hand the interrelations of narrative prose fiction and narrative fiction film, on the other hand fictional narration and intermediality as such. The first part discusses the concepts of medium and intermediality, and presents some general theoretical models. Of special importance is the three level structure of fictional representations: sign vehicle, meaning and fictional content. The second part focuses on the qualities of the sign vehicle, and on different kinds of meaning and fictional content. The sign vehicle of language and literature is digital, and consists of replicas of types. The film medium is analogue, the cinematic sign is a copy. The conventionality of literary fictions is primary, i. e. literary meaning depends on the conventions of language. The conventionality of film narratives is secondary, mediated by non-conventional meaning. The second part also deals with specific, general, generic, concrete and abstract meaning, and discusses the concepts of metaphor, symbol and expression. Part three focuses on iconic and index relations, i. e. relations of similarity and contiguity, of the fictional representation. Cinematic narratives are characterized by primary iconicity, i. e. all meaning and fictional content are dependent on the iconic relation between the poles of the representation. The iconicity of prose fiction is, by contrast, secondary, mediated by conventional sign relations. Also abductive and performative, fictional and non-fictional indexical signs, and different kinds of implications and lacunas are discussed. Part four deals with the concepts of fictionality and narrative perspective, such as the fictional stance, the narrator and focalization. Four different notions of fictionality are scrutinized and brought together, and narrative perspective is described and analyzed in terms of two different game fictions: epic games and perceptual games. Depending on the semiotic resources, the possibilities and limits of prose fiction and fiction film described in the first three parts of the dissertation, fictional games are shown to be more or less rich and realistic.

Place, publisher, year, edition, pages
Stockholm: Acta Universitatis Stockholmiensis, 2008. , 452 p.
Stockholm studies in history of literature, ISSN 0491-0869 ; 52
Keyword [en]
semiotics, narratology, literary theory, film theory, aesthetic theory, representation, medium, fictionality, narrative, meaning, intermediality, iconicity, indexicality, metaphor, narrative perspective, fiction, film
National Category
General Literature Studies
Research subject
URN: urn:nbn:se:su:diva-7447ISBN: 978-91-85445-86-8OAI: diva2:198300
Public defence
2008-04-19, Auditorium 215, Humanistvillan, Frescativägen 24-26, Stockholm, 10:00 (English)
Available from: 2008-03-28 Created: 2008-03-19 Last updated: 2012-07-11Bibliographically approved

Open Access in DiVA

fulltext(2977 kB)2465 downloads
File information
File name FULLTEXT01.pdfFile size 2977 kBChecksum MD5
Type fulltextMimetype application/pdf

By organisation
Department of Literature and History of Ideas
General Literature Studies

Search outside of DiVA

GoogleGoogle Scholar
Total: 2465 downloads
The number of downloads is the sum of all downloads of full texts. It may include eg previous versions that are now no longer available

Total: 3746 hits
ReferencesLink to record
Permanent link

Direct link