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Mimetiskt syskonskap: En representationsteoretisk undersökning av relationen fiktionsprosa-fiktionsfilm
Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
2008 (Swedish)Doctoral thesis, monograph (Other academic)
Abstract [en]

The dissertation deals with two different subjects: on the one hand the interrelations of narrative prose fiction and narrative fiction film, on the other hand fictional narration and intermediality as such. The first part discusses the concepts of medium and intermediality, and presents some general theoretical models. Of special importance is the three level structure of fictional representations: sign vehicle, meaning and fictional content. The second part focuses on the qualities of the sign vehicle, and on different kinds of meaning and fictional content. The sign vehicle of language and literature is digital, and consists of replicas of types. The film medium is analogue, the cinematic sign is a copy. The conventionality of literary fictions is primary, i. e. literary meaning depends on the conventions of language. The conventionality of film narratives is secondary, mediated by non-conventional meaning. The second part also deals with specific, general, generic, concrete and abstract meaning, and discusses the concepts of metaphor, symbol and expression. Part three focuses on iconic and index relations, i. e. relations of similarity and contiguity, of the fictional representation. Cinematic narratives are characterized by primary iconicity, i. e. all meaning and fictional content are dependent on the iconic relation between the poles of the representation. The iconicity of prose fiction is, by contrast, secondary, mediated by conventional sign relations. Also abductive and performative, fictional and non-fictional indexical signs, and different kinds of implications and lacunas are discussed. Part four deals with the concepts of fictionality and narrative perspective, such as the fictional stance, the narrator and focalization. Four different notions of fictionality are scrutinized and brought together, and narrative perspective is described and analyzed in terms of two different game fictions: epic games and perceptual games. Depending on the semiotic resources, the possibilities and limits of prose fiction and fiction film described in the first three parts of the dissertation, fictional games are shown to be more or less rich and realistic.

Place, publisher, year, edition, pages
Stockholm: Acta Universitatis Stockholmiensis, 2008. , 452 p.
Series
Stockholm studies in history of literature, ISSN 0491-0869 ; 52
Keyword [en]
semiotics, narratology, literary theory, film theory, aesthetic theory, representation, medium, fictionality, narrative, meaning, intermediality, iconicity, indexicality, metaphor, narrative perspective, fiction, film
National Category
General Literature Studies
Research subject
Literature
Identifiers
URN: urn:nbn:se:su:diva-7447ISBN: 978-91-85445-86-8 (print)OAI: oai:DiVA.org:su-7447DiVA: diva2:198300
Public defence
2008-04-19, Auditorium 215, Humanistvillan, Frescativägen 24-26, Stockholm, 10:00 (English)
Opponent
Supervisors
Available from: 2008-03-28 Created: 2008-03-19 Last updated: 2012-07-11Bibliographically approved

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fulltext(2977 kB)2576 downloads
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c3926dd63236713c5b1a92170e180f35c5001cb65516073b0fed922f5602ef31b9776697
Type fulltextMimetype application/pdf

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
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More styles
Language
  • de-DE
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  • en-US
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  • nn-NO
  • nn-NB
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  • Other locale
More languages
Output format
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  • asciidoc
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