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Nils Krok’s Social Pathos and Paul Garbagni’s Style: Ingeborg Holm as Objekt Lesson
Stockholm University, Faculty of Humanities, Department of Cinema Studies.
2010 (English)In: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 22, no 1, 73-94 p.Article in journal (Refereed) Published
Abstract [en]

This essay examines Victor Sjöström's Ingeborg Holm in terms of its exhibition and preservation history. Produced by Swedish Biograph in 1913, the film survives today in a truncated copy derived from a 1915 reissue. Key stylistic elements identified in the scholarly reception of Sjöström's film are discussed in relation to its influential predecessor, Paul Garbagni's I lifvets vår/Första älskarinnan (In the Springtime of Life, Swedish Biograph, 1912). Sjöström was a featured actor in Garbagni's film. A sketch of the institutional background of Swedish cinema in 1912, when Garbagni arrived at the brand new SB studio at Lidingö, introduces the discussion of Garbagni and Sjöström's work.

Place, publisher, year, edition, pages
London: John Libbey Publishing , 2010. Vol. 22, no 1, 73-94 p.
Keyword [en]
Ingeborg Holm (1913), I lifvets vår/Första älskarinnan (In the Springtime of Life, 1912), Victor Sjöström, Paul Garbagni, Svenska Biografteatern
National Category
Studies on Film
Research subject
Cinema Studies
URN: urn:nbn:se:su:diva-41666OAI: diva2:332038
Available from: 2010-07-30 Created: 2010-07-30 Last updated: 2010-08-05Bibliographically approved

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