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The Dissemination of the ‘Gesamtkunstwerk’ around 1900 A survey: A survey
Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
2009 (English)In: Música em Contexto. Revista do Programa de Pós-Graduação Música em Contexto da Universidade de Brasília, ISSN 1980-5802, Vol. 1, no 1, 27-52 p.Article in journal (Refereed) Published
Abstract [en]

The article explores the reception of Richard Wagner’s work (1813-1883) and especially the concept of the ‘Gesamtkunstwerk’ within the European context around 1900, in Germany and Austria as well as in France, Italy and Nordic Countries such as Sweden and Finland. It also discusses the relationships between Wagner and Brazil especially those established with D. Pedro II, as well as the Wagnerian reception within the Latin-American context.

Place, publisher, year, edition, pages
Brasília: Universidade de Brasília , 2009. Vol. 1, no 1, 27-52 p.
Keyword [en]
Wagner, Gesamtkunstwerk, reception, wagnérisme, Pfitzner, Strauss, Schreker, Debussy, Saint-Saëns, Alfvén, Peterson-Berger, Sibelius, Melartin, Smetana, Dvořák, Dom Pedro II, Brazil
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URN: urn:nbn:se:su:diva-64818OAI: diva2:459107
Available from: 2011-11-24 Created: 2011-11-24 Last updated: 2011-12-12Bibliographically approved

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Knust, Martin
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