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Narrative Machines, or, from 'Bottom to Top': Early Discourses on the Novel and Film
Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
2003 (English)In: Nordicom Review, ISSN 1403-1108, E-ISSN 2001-5119Article in journal (Refereed) Published
Abstract [en]

There is a certain tendency in the contemporaryhistoriography of early film studies to construe mo-dernity as a model for the textual analysis of spe-cific, isolated moments in film history. Furthermore,film history – and other media histories – is usuallystudied and written within the academic boundariesof different departments. We are given the historyof media according to media and communications,film studies, art history, literature and so on. Veryseldom are we offered a perspective founded on aninterdisciplinary or comparative approach.Therefore, I will both criticise some trends inearly film historiography and argue in favour of theimportance – and necessity – of employing a histo-rico-dialectical and comparative analysis. I supportmy argument and discussion by comparing theparadigmatic interpretations of “modernity vs.early film” and the Finnish discourses on early filmin the 1920s and the early novel in the 1850s.

Place, publisher, year, edition, pages
2003.
National Category
Studies on Film
Research subject
Film Studies
Identifiers
URN: urn:nbn:se:su:diva-101817OAI: oai:DiVA.org:su-101817DiVA: diva2:706028
Available from: 2013-01-21 Created: 2014-03-17 Last updated: 2017-12-05Bibliographically approved

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CiteExportLink to record
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Citation style
  • apa
  • ieee
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  • vancouver
  • Other style
More styles
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  • de-DE
  • en-GB
  • en-US
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  • nn-NO
  • nn-NB
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  • Other locale
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Output format
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