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The Poet and the Nun: Role Doubling and Petrarchan Allegory in Gli amori d’Apollo e di Dafne
Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
2015 (English)Other (Other academic)
Abstract [en]

A reconstruction of the doubling plan for Busenello's and Cavalli's opera "Gli amori d'Apollo e di Dafne" (1640), with an interpretation.

Place, publisher, year, pages
2015. , 18 p.
Keyword [en]
opera, venice, busenello, cavalli, ovid, petrarch, daphne
National Category
Performing Art Studies
Research subject
Theatre Studies
Identifiers
URN: urn:nbn:se:su:diva-112447OAI: oai:DiVA.org:su-112447DiVA: diva2:779199
Projects
Performing Premodernity
Funder
Riksbankens Jubileumsfond, 1276404
Note

Performing Premodernity is a five-year research project based at the Department of Culture and Aesthetics at the University of Stockholm. It is one of eight Premodernity projects funded by Riksbankens jubileumsfond (The Swedish Foundation for Humanities and Social Sciences). Concentrating on repertoire from the years 1760-1815 and through both academic and artistic research the project aims to contribute to the revitalizing of historically informed performance today.

Available from: 2015-01-12 Created: 2015-01-12 Last updated: 2017-02-02Bibliographically approved

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Citation style
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