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The Poet and the Nun: Role Doubling and Petrarchan Allegory in Gli amori d’Apollo e di Dafne
Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies. (Performing Premodernity)
2015 (English)In: Performing Premodernity Online, Vol. 1, 1-18 p.Article in journal (Other academic) Published
Abstract [en]

A reconstruction of the doubling plan for Busenello's and Cavalli's opera "Gli amori d'Apollo e di Dafne" (1640), with an interpretation.

Place, publisher, year, edition, pages
Stockholm: Performing Premodernity , 2015. Vol. 1, 1-18 p.
Keyword [en]
opera venice busenello cavalli ovid petrarch daphne
National Category
Performing Art Studies
Research subject
Theatre Studies
URN: urn:nbn:se:su:diva-112447OAI: diva2:779199
Performing Premodernity
Riksbankens Jubileumsfond, 1276404
Available from: 2015-01-12 Created: 2015-01-12 Last updated: 2015-04-21Bibliographically approved

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Schneider, Magnus Tessing
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ReferencesLink to record
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