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The Serpent, the Mirror and the Woman with Two Faces: An Allegorical Reading of L’incoronazione di Poppea
Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies. (Performing Premodernity)
2014 (English)Conference paper, Abstract (Other academic)
Abstract [en]

An interpretation of Busenello's and Monteverdi's opera "L'incoronazione di Poppea" (1643) as an allegory of the virtue of prudence.

Place, publisher, year, edition, pages
Keyword [en]
opera busenello monteverdi incoronazione di poppea renzi
National Category
Performing Art Studies
Research subject
Theatre Studies
URN: urn:nbn:se:su:diva-112488OAI: diva2:779279
The Power of Affections: Poetry, Music, and Spectacle in Seventeenth-Century Italian Opera Librettos: Philadelphia, 13-14 November 2014
Performing Premodernity
Riksbankens Jubileumsfond, 1276404
Available from: 2015-01-12 Created: 2015-01-12 Last updated: 2015-01-12

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Schneider, Magnus Tessing
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Department of Musicology and Performance Studies
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ReferencesLink to record
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