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The Serpent, the Mirror and the Woman with Two Faces: An Allegorical Reading of L’incoronazione di Poppea
Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
2014 (English)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [en]

An interpretation of Busenello's and Monteverdi's opera "L'incoronazione di Poppea" (1643) as an allegory of the virtue of prudence.

Place, publisher, year, edition, pages
2014.
Keyword [en]
opera busenello monteverdi incoronazione di poppea renzi
National Category
Performing Art Studies
Research subject
Theatre Studies
Identifiers
URN: urn:nbn:se:su:diva-112488OAI: oai:DiVA.org:su-112488DiVA: diva2:779279
Conference
The Power of Affections: Poetry, Music, and Spectacle in Seventeenth-Century Italian Opera Librettos, Pennsylvania, United States, November 13-14, 2014
Projects
Performing Premodernity
Funder
Riksbankens Jubileumsfond, 1276404
Available from: 2015-01-12 Created: 2015-01-12 Last updated: 2017-06-27Bibliographically approved

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Schneider, Magnus Tessing
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CiteExportLink to record
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Citation style
  • apa
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