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Opera Seria as a Site of Movement and Arrest
Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
2014 (English)Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

The paper focuses on Italian opera from the early eighteenth century and provides images of how the site of the historical performance generated experiences of movement and arrest through visual, aural and verbal media. Inspired by Erika Fischer-Lichte's performative aesthetics, and American musicologist Martha Feldman's performative model predicated upon ritual practices, this kind of opera is seen in the light of two kinds of sites: the imaginary site represented on stage, on the one hand, and the site of the performance, on the other.

Place, publisher, year, edition, pages
2014.
Keyword [en]
opera, performativity, narrativity
National Category
Musicology
Research subject
Musicology
Identifiers
URN: urn:nbn:se:su:diva-114892OAI: oai:DiVA.org:su-114892DiVA: diva2:794966
Conference
Movement & Arrest in Early Modern Culture, Stockholm, Sweden, November 5-7, 2014
Available from: 2015-03-13 Created: 2015-03-13 Last updated: 2017-06-13Bibliographically approved

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CiteExportLink to record
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Citation style
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