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Lo squalo, le strategie di marketing della Universal e la construzione della "Jawsmania"
Stockholm University, Faculty of Humanities, Department of Media Studies.ORCID iD: 0000-0003-1286-073X
2015 (Italian)In: Cinergie, ISSN 2280-9481, Vol. 7Article in journal (Refereed) Published
Abstract [en]

Jaws (Steven Spielberg, 1975) set a new standard for Hollywood film production by introducing the concept of “summer blockbuster,” but it also changed the way in which people thought about sharks. Almost 40 years after the release of the movie, the idea of sharks as ferocious man-hunters still underpins public opinion. This conceptualization of sharks as ruthless killers is mythical rather than factual, and in this presentation I intend to track the mechanisms that rooted the idea deep into popular culture. My research addresses the problematic of media constructions through a case study of the movie Jaws by looking into the production process, and applying Barbara Klinger’s interpretation of Epiphenomena (1989). Through intensive archival work, the paper studies how cinema travels into popular culture, by following the traces of the movie into other media, and the surrounding texts linked to marketing and merchandising; underlining its position as an integral part in the construction of myths, while tying to prove the connection between the movie and the stigmatized portrayal of sharks.

Place, publisher, year, edition, pages
2015. Vol. 7
Keyword [it]
jaws, spielberg, marketing, epiphenomena, new hollywood
National Category
Studies on Film Media and Communications
Research subject
Cinema Studies
Identifiers
URN: urn:nbn:se:su:diva-118453OAI: oai:DiVA.org:su-118453DiVA: diva2:823289
Available from: 2015-06-18 Created: 2015-06-18 Last updated: 2015-06-29Bibliographically approved

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
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  • vancouver
  • Other style
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Language
  • de-DE
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  • en-US
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  • nn-NB
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  • Other locale
More languages
Output format
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