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Scenisk rumkunst. Kosmos+
Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.ORCID iD: 0000-0002-2577-9538
2015 (Danish)In: Skønhedens Hotel: Hotel Pro Forma: Et laboratorium for scenekunst / [ed] Kathrine Winkelhorn, Erik Exe Christoffersen, Aarhus: Aarhus Universitetsforlag, 2015, 197-211 p.Chapter in book (Refereed)
Abstract [da]

Hvad er forbindelsen mellem scenekunst og rummet? Her menes der ikke det arkitektoniske rum, men verdensrummet, kosmos. Koblingen kan forekomme én søgt eller marginal, men den eksisterer. Hotel Pro Forma er et af de teatre, der har bidraget til erfaringen af verdensrummet på scenen. Med udgangspunkt i begrebet space art, rumkunst, vil jeg i dette essay se på forbindelsen mellem scenekunst og rummet med Hotel Pro Formas forestilling Kosmos+ (2014-15) som hovedeksempel. Forestillingen søger på forskellig vis at fremstille astronomiske fænomener, promovere erobringen af rummet og at skildre menneskelige erfaringer i mødet med kosmos. Jeg indskriver Kosmos+ i den del af rumkunsten, der kan kaldes scenisk. På baggrund af en analyse af Kosmos+ vil jeg vise, hvordan forestillingen relaterer til filosoffen og idehistorikeren Dorthe Jørgensens begreb om skønhedserfaring. Gennem sådanne erfaringer udfolder Kosmos+ sit eksistentielle, spirituelle og politiske potentiale for publikum: at erfare det både frygtindgydende og befriende ved at blive del af det, der er større end én selv.

Abstract [en]

What is the connection between the performing arts and space? Here I am not aiming at architectural space, but space, cosmos. The connection may seem speculative or marginal, but it does exist. Hotel Pro Forma is one of the theaters, which have contributed to the experience of space on stage. Based on the concept of space art, in this essay I explore the connection between the performing arts and space using Hotel Pro Forma's performance Cosmos+ (2014-15) as the main example. In various ways the performance seeks to present astronomical phenomena, promote the conquest of space and portray human experience of the encounter with the cosmos. I include Cosmos+ in the portion of space art that may be called "space art on stage". Based on an analysis of Cosmos + I show how the performance relates to the philosopher Dorthe Jørgensen's concept of the experience of beauty. Through such experiences Cosmos+ unfolds its existential, spiritual and political potential for the audience: to experience the both terrifying and liberating sensation of being part of that which is greater than oneself.

Place, publisher, year, edition, pages
Aarhus: Aarhus Universitetsforlag, 2015. 197-211 p.
Keyword [da]
Performanceteater, teater, scenekunst, forestillingsanalyse, Hotel Pro Forma, space art, verdensrummet, kosmologi, skønhedserfaring, Kirsten Dehlholm, Dorthe Jørgensen
National Category
Performing Art Studies
Research subject
Theatre Studies
Identifiers
URN: urn:nbn:se:su:diva-121785ISBN: 9788771243277 (print)OAI: oai:DiVA.org:su-121785DiVA: diva2:861413
Available from: 2015-10-16 Created: 2015-10-16 Last updated: 2016-04-18Bibliographically approved

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