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The Emergence of text-composition and its interactions with concrete music: An Analysis of Lars-Gunnar Bodin’s Semikolon - Séance IV
Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
2015 (English)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [en]

This paper handles a short comparative study between concrete music and text-sound composition through the musical analysis of Lars-Gunnar Bodin’s Semikolon - Séance IV (1965). The aim of this study is to show some similarities between those two genres from historical and musical points of view. In the former, the research will show how musique concrète and text-sound composition were born at the crossroads of early creative approaches in music and in literature based on the remarkable contribution of recording devices. The latter will discuss with the help of musical analysis of Bodin’s Semikolon, how text-sound composition and concrete music adopted some parallel philosophical concepts during the process of composition. 

Place, publisher, year, edition, pages
2015.
Keyword [en]
electroacoustic music, text-sound composition, sound poetry, musique concrète
National Category
Musicology
Research subject
Musicology
Identifiers
URN: urn:nbn:se:su:diva-125333OAI: oai:DiVA.org:su-125333DiVA: diva2:892409
Conference
LGB_80. A Symposium about and with Lars-Gunnar Bodin, November 5, 2015
Available from: 2016-01-10 Created: 2016-01-10 Last updated: 2017-05-17Bibliographically approved

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