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The memory practices of immigrant filmmakers: Minor cinemas and the production of locality
Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.ORCID iD: 0000-0002-7595-5130
2016 (English)In: Crossings: Journal of Migration and Culture, ISSN 2040-4344, E-ISSN 2040-4352, Vol. 7, no 1, 63-74 p.Article in journal (Refereed) Published
Abstract [en]

This article presents a case study of independent immigrant film-making from the 1980s and the early 1990s in Sweden. The aim is twofold: to analyse the memory practices of exilic and diasporic subjects and to stress that what Zuzana M. Pick has coined as the subjective paradoxes and privileges of exile implies an agential understanding of memory. Hence, the study of memory and migration in relation to film practice before the digital turn calls for a theory of cultural production and an approach in which film is not primarily considered a means for representation but an act in itself.

Place, publisher, year, edition, pages
2016. Vol. 7, no 1, 63-74 p.
Keyword [en]
memory, migration, immigrant filmmaking, minor cinemas, exile, diaspora
National Category
Media and Communications
Research subject
Cinema Studies
Identifiers
URN: urn:nbn:se:su:diva-128120DOI: 10.1386/cjmc.7.1.63_1OAI: oai:DiVA.org:su-128120DiVA: diva2:913094
Projects
Immigrantfilm som kulturpraktik
Funder
Swedish Research Council, 2012-499
Available from: 2016-03-19 Created: 2016-03-19 Last updated: 2016-03-21Bibliographically approved

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CiteExportLink to record
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Citation style
  • apa
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