Change search
ReferencesLink to record
Permanent link

Direct link
Byzantine Visual Culture: Conditions of "Right" Belief and some Platonic Outlooks
Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
2016 (English)In: Numen, ISSN 0029-5973, E-ISSN 1568-5276, Vol. 63, no 2-3, 210-244 p.Article in journal, Editorial material (Refereed) Published
Abstract [en]

Monumental picture programs of Byzantine churches exist within a spatial and liturgical setting of rituals that depend on circumstances that create a distinction from profane to sacred. The core theme is the epic narrative of the holy drama of the incarnated son, i.e., the image of God (eikon tou theou), acknowledged as indivisibly as much human as divine. In a Byzantine religious sense, images of Christ prove the incarnation, yet human salvation depends on faith in the incarnation but also in the transcendent unknowable God. From the perspective of visual culture, the dilemma is that divine nature is, in a religious sense, transcendent and unknowable, beyond words and categorizations, unintelligible, as opposed to human nature, which is intelligible. This article concerns the strategy of Byzantine visual culture to weave together expressible and inexpressible in order to acknowledge “right belief,” without trespassing the theology and mode of thought of the church fathers on the triune mystery of the Christian God and the incarnation. In a Byzantine religious sense, circumscribed by time and space, the human condition is inconsistent with cognition of what God is. Nonetheless, salvation depends on faith in that God is, a “fact” acknowledged through holy images. Particular theoretical and methodological focus will be on how the three fourth-century Cappadocian fathers and Dionysius the Areopagite, but also Maximus the Confessor discuss God’s unintelligibility but also intelligibility, with some comparative Platonic outlooks.

Place, publisher, year, edition, pages
2016. Vol. 63, no 2-3, 210-244 p.
Keyword [en]
Byzantine aesthetics, Orthodox theology, Byzantine and medieval art, Cappadocian fathers, Greek patristics and ancient philosophy, Byzantine churches, Cappadocia, Byzantine Istanbul, Byzantine Ravenna, Saint Catherine's Monastery church, Sinai, meta-images, apophatic theology
National Category
Philosophy, Ethics and Religion
Research subject
Religionsfilosofi; Byzantine Studies
URN: urn:nbn:se:su:diva-128735DOI: 10.1163/15685276-12341421ISI: 000372537200005OAI: diva2:916345
Available from: 2016-04-01 Created: 2016-04-01 Last updated: 2016-04-25Bibliographically approved

Open Access in DiVA

No full text

Other links

Publisher's full text

Search in DiVA

By author/editor
Karahan, Anne
By organisation
Department of Culture and Aesthetics
In the same journal
Philosophy, Ethics and Religion

Search outside of DiVA

GoogleGoogle Scholar
The number of downloads is the sum of all downloads of full texts. It may include eg previous versions that are now no longer available

Altmetric score

Total: 10 hits
ReferencesLink to record
Permanent link

Direct link