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The revelation of TV memories in The Black Power Mixtape 1967-1975
Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.ORCID iD: 0000-0003-4706-3300
2012 (English)In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 2, no 2, 113-119 p.Article in journal (Refereed) Published
Abstract [en]

The timely subject of revolutionary struggle and the exotic record of films intended for a Swedish TV audience propelled the recent success of The Black Power Mixtape 1967–1975 by Göran Hugo Olsson (2011). The film exemplifies the processes of selection and re-enactment that are immanent to compilation aesthetics, while drawing attention to the overlooked archive memory of public television.

Place, publisher, year, edition, pages
2012. Vol. 2, no 2, 113-119 p.
Keyword [en]
compilation film, documentary, narrative imagination, public broadcasting, historical representation, television history, TV archives
National Category
Studies on Film
Research subject
Cinema Studies
URN: urn:nbn:se:su:diva-131351DOI: 10.1386/jsca.2.2.113_1OAI: diva2:937977
"Med kameran som vapen och vittnesmål"
Swedish Research Council
Available from: 2016-06-16 Created: 2016-06-16 Last updated: 2016-06-22Bibliographically approved

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