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  • 1.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Ai Weiwei @ Helsinki på Helsinki Art Museum 25 september, 2015 – 28 februari, 20162015In: Kinarapport, ISSN 1404-3874, Vol. 4, 72-75 p.Article, book review (Other (popular science, discussion, etc.))
  • 2.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Aspects on writing about contemporary Chinese Art: The bridal couple as a theme, 1980–20062007Conference paper (Other academic)
  • 3.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Frankenstein and his Bride in a Conceptual Chinese Work of Photography2014Conference paper (Other academic)
  • 4.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Frankenstein’s monster as translation: Articulations of artistic creativity, individuality and freedom of expression2016In: Journal of Contemporary Chinese Art, ISSN 2051-7041, Vol. 3, no 1-2, 47-67 p.Article in journal (Refereed)
    Abstract [en]

    This article presents an interpretation of conceptual artist Qiu Zhen’s photographic work Me and My Bride: Satan’s Wedding No. 5 (2008) within the theoretical framework of Homi K. Bhabha’s Third Space. Because of its hybrid status and the work’s subtle likeness to certain visual elements related with the story of Frankenstein the interpretation is closely connected to that narrative. More specifically, the article uses this particular literary-photographical and cross-cultural panorama to explore artistic creativity, individuality and freedom of expression as articulated in this conceptual and postmodern work that was produced in the wake of preparing for the 2008 Olympic Games. The article further explores how something foreign like Frankenstein may engage with ‘Chineseness’ and how ‘Chineseness’ may be emphasized through the usage of something foreign. Thus this article approaches the concept of ‘Chineseness’ as a wearer of a foreign coat, negotiating the hybrid as a highly performative but softly speaking political product on the Chinese art scene.

  • 5.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Från salong till iscensättning: Fotografiet i Kina2015Conference paper (Other academic)
    Abstract [sv]

    Föreläsningen handlar om hur fotografiet nådde Kina och hur mediet sedan starten influerats av västerländsk, inhemsk kinesisk kultur och japanska trender. Med utgångspunkt i porträtt och salongsfoto på 1840-talet följer föreläsnigen utvecklingen fram till dagens internationellt uppmärksammade iscensatta fotografi och diskuterar hur det kan tolkas och förstås.

  • 6.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Oriental Languages.
    "I do, I do, I do, I do" i Kina: Bröllopsfotografier av två kinesiska konstnärer2006In: Kina-rapport, ISSN 0345-5807, Vol. 4, 50-59 p.Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Konsten i dagens Kina berättar om bröllop ur andra synvinklar än det romantiska. Det finns både fotografier och målningar vilka vänder och vrider på kärleksidealen och konstnärerna funderar kring bröllopets och bindningens roll i ett modernt kinesiskt samhälle.

  • 7.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Oriental Languages.
    I Kinas konst är allt och inget möjligt2014In: Svenska dagbladet, ISSN 1101-2412, no 30 juliArticle in journal (Other (popular science, discussion, etc.))
  • 8.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Kinesisk konst på OpenART i Örebro2015In: Kinarapport, ISSN 1404-3874, Vol. 4, 78-79 p.Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    I år har den femte upplagan av Örebros konstbiennal OpenART gått av stapeln. Den är sedan 2013 den största konstbiennalen i Skandinavien och brukar visa verk av ett sjuttiotal konstnärer från olika delar av världen i stadsrummet och på museer. I år bidrog inte mindre än 13 kinesiska konstnärer och var därmed efter Sverige den mest representerade nationen. De två kinesiska utställningarna "Möten" och "Utan hämningar" fanns att beskåda 14juni–6 september och visade konstverk av Ai Weiwei, Chen Zhiguang, Cheng Dapeng, Chi Peng, Fu Zhongwang, Hu Weiyi, Li Binyuan, Liao Yijun, Song Dong, Wang Rui, Xu Bing, Yang Mushi och Yin Xiuzhen. Svensk-kinesiska föreningen var på plats och höll en visning i början av augusti. Här recenseras OpenARTs stora satsning på kinesisk samtidskonst.

  • 9.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Oriental Languages.
    Kinesiska konstsamlare lockas till Sverige: Svenska auktionshus i blickfånget2014In: Kina-rapport, ISSN 0345-5807, no 2, 16-20 p.Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Liksom den kinesiska ekonomin har den kinesiska konstmarknaden växt explosionsartat det senaste decenniet. Kinesiska köpare söker sig nu utomlands i jakten på föremål. Sverige har av tradition fina samlingar av östasiatisk konst och de svenska auktionshusen märker av det nyväckta intresset för den äldre kinesiska konsten även i Sverige.

  • 10.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Lars Nittves M+ i Hongkong: decenniets största och mesta museiprojekt2015In: Kina-rapport, ISSN 0345-5807, no 3, 14-19 p.Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    M+museet för visuell kultur i Hongkong öppnar portarna för kinesisk samtidskonst och visuell kultur i ett unikt museiprojekt i Asien. 2018 står byggnaden på 60 000 kvm på plats med Herzog & de Meuron som arkitekt. M+ är dock mycket mer än byggnaden. Lars Nittve berättar under ett samtal i Umeå 2014 om hur det är att skapa ett nytt slags museum enligt demokratisk modell som inte tidigare funnits i Hongkong.

  • 11.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    M+: looking at the world from a Hong Kong perspective2015Conference paper (Other academic)
    Abstract [en]

    M+ is the Museum of Art and Visual Culture in Hong Kong that is currently under construction. The new Hong Kong museum will open its doors to the world in 2019. The idea of placing a museum like M+ in the larger cultural infrastructure project of West Kowloon Cultural District (WKCD) came from a group of people that the Hong Kong Government put together in 2006. This group, known as the Museum Advisory Group, was to think through what kind of museum Hong Kong needed besides the already existing museums it already had. The initiative for this new museum thus initially came from the Hong Kong government. The funding comes from the Hong Kong Special Administrative Region and the decision to move ahead came in 2008–but it took until 2010 until Lars Nittve, at the time director of Moderna Museet in Stockholm, was contacted and asked to become its visionary leader. M+ is a distinct Hong Kong project, looked upon with scepticism from Beijing. This paper puts the project of M+ in the contexts of the rising international interest in contemporary Chinese art after the turn of the millenium, the rising prices on this art on the international market, the rising economic status of contemporary Chinese art on the mainland, adding the ambitious museum building boom on the mainland since around the Shanghai Expo in 2010. What are the main differences between the art museum projects on the mainland and the building of M+ in Hong Kong? How is it to work with this museum project in the Hong Kong SAR environment? What does the existence of a museum like M+ mean to China and the World?

  • 12.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Oriental Languages.
    Med oppositionen som drivkraft: Samtal med konstnären, curatorn och innovatören Huang Rui2009In: Kina-rapport, ISSN 0345-5807, Vol. 3, 7-11 p.Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Huang Rui har alltid strävat efter att gå sin egen väg. Han engagerade sig i demokratirörelsen 1978-79 och var med om att bilda konstnärsgruppen Stars. Efter femton år i exil återvände han till Kina och deltog i uppbygganden av konstnärsområdet 798 i Peking.

  • 13.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Oriental Languages.
    Optimism or Pessimism?: On Humour Lily Lau's manhua2005Conference paper (Other academic)
  • 14.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Oriental Languages.
    Samtida konst från Kina i en gäckande skrattspegel2014In: Kina-rapport, ISSN 0345-5807, Vol. 3, 4-10 p.Article in journal (Other (popular science, discussion, etc.))
  • 15.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Striptease à la Duchamp in China2016In: Orientaliska Studier, ISSN 0345-8997, no 146, 9-30 p.Article in journal (Other academic)
  • 16.
    Aggeklint, Eva
    et al.
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Ho, Hang Kei
    Introducing M+ as capital for a Hong Kong specific cultural identity2015Conference paper (Other academic)
    Abstract [en]

    In the last decade the Hong Kong government has shown an interest in promoting large scale cultural development projects including Art Basel Hong Kong, the West Kowloon Cultural District (WKCD) as well as M+ The Museum of Arts and Visual Culture, all presenting Hong Kong as a cultural hub. The development of those projects can be seen as a way for the city to diversify its economy through creative industries (CI) and urban entrepreneurship (Raco and Gilliam, 2012), making the place more appealing for international workers and global tourism. However, ongoing grassroots political movements such as the 2014 Umbrella Movement suggest that the Beijing government is keen to intervene with Hong Kong’s affairs. As a result, its cultural identity is being challenged. In this paper we argue that the study of the yet conceptual M+ museum contribute with accruing capital of cultural identity when compared to likewise huge museum projects in mainland China. We will further argue that the Hong Kong museum will represent an original that other museums in the world may wish to copy.

  • 17.
    Agnes, Holmerin
    Stockholm University, Faculty of Humanities, Department of Art History.
    Laurie Lipton- En surrealistisk realist2013Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Syftet med denna uppsats är att ta reda på om Laurie Lipton är en surrealistisk konstnär eller ej. Hur påverkas Lipton av utomstående verkliga/realistiska faktorer?  Vilka känslor, tankar och åsikter uttrycker hennes verk?

    Det huvudsakliga materialet i denna uppsats är bildanalyser av Liptons verk, där analyserandet sker utifrån semiotik, genus, psykoanalys och surrealism. Bilderna jämförs med varandra för att se ett mönster i Liptons val av gestaltningar och teman. Detta i kombination av fakta som presenteras om Lipton, surrealism, realism och tidigare forskning, ska bidra med ett sammanfattande resultat och en avslutande diskussion kring Liptons konstnärskap som surrealist eller ej, i slutet av uppsatsen. Resultaten konstaterar att Lipton bör kategoriseras som en surrealist. Möjligtvis kan hon kallas för en surrealistisk realist på grund av hennes återkommande realistiska innehåll i sin konst.

  • 18.
    Ahlbäck Åkestam, Maria (Mia)
    Stockholm University, Faculty of Humanities, Department of Art History.
    Mastering Desires: Images of Love, Lust and Want in Fourteenth Century Vadstena2013In: Pangs of Love and longing: Configurations of desire in Premodern litterature / [ed] Anders Cullhed, Carin Franzén, Anders Hallengren, Mats Malm, Newcastle upon Tyne: Cambridge Scholars Publishing, 2013, 500, 235-252 p.Chapter in book (Refereed)
    Abstract [en]

    Lady Birgitta Birgersdotter (ca 1303–1373), Saint Birgitta of Sweden, was born and lived in an environment with noble ideals and with extensive international contacts. She was a wife and mother of eight, and a lady at the court of king Magnus Eriksson and Magistra to Queen Blanche of Sweden. Lady Birgitta was a traveller and a pilgrim. As a widow, she chosed the spiritual life not by retreat to a nunnery, but by leaving the country with the aim of founding a new monastic order. Birgitta and her large entourage began the journey to Rome in 1349.

    Her background in the highest nobility, and a courtly culture that she highly esteemed, is reflected in her revelations. I will argue that this courtliness is also communicated in the use of imagery in Vadstena monastery the years around 1400. But pictures were not without its problems, as will become apparent in another example in the very same context.

    The Revelations were written down in Latin and in Old Swedish from the 1340s in Sweden to her death in Rome in July1373. Saint Birgitta had reason to reflect on issues like desire not only from her own private perspective, but also because her Revelations in the end formed the basis for an international monastic order. On the one hand there were bodily desires that should be mastered, on the other there was a religious desire for God.

    The revelations were widely spread. During the canonization to en elite among the clergy, kings and noblemen and later they were used in the Birgittine convents, and quoted in innumerable sermons and spread to cathedrals and the parish churces. Therefore, they can be used when the aim is to highlight the use of imagery and devotional life in the Middle Ages. These texts reached far beyond the scholarly and monastic environment.

    This paper focuses on expressions of the ambivalent relationship as indicated above. My intention is to highlight the often complex relation between text and image, and to include adopting of form between secular and spiritual imagery in the discussion. As desires involves feelings, I will pay attention to expressions of the senses. The question is if and how the presumed ambivalence between worldly and spiritual, is evident in the Revelations and imagery in Vadstena? What visual codes were used? How was imagery used, and what attitudes towards imagery can we trace through text and images?

  • 19.
    Ahmed, Ishtiaq
    Stockholm University, Faculty of Social Sciences.
    The Lahore film industry: a historical sketch2012In: Travels of Bollywood cinema: from Bombay to LA / [ed] Anjali Gera Roy, Beng Huat Chua, New Delhi: Oxford University Press, 2012, 55-77 p.Chapter in book (Refereed)
  • 20. Ahrland, Åsa
    et al.
    Nolin, Catharina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Ett nytt trädgårdshistoriskt översiktsverk2016In: Bulletin för trädgårdshistorisk forskning, ISSN 1652-2362, E-ISSN 2001-1261, Vol. 29, 30-31 p.Article in journal (Other academic)
  • 21.
    Aili, Hans
    Stockholm University, Faculty of Humanities, Department of French, Italian and Classical Languages, Classical Languages.
    The Manuscripts of Revelaciones S. Birgittae2009In: Santa Brigida, Napoli, l'Italia: atti del convegno di studi italo-svedese, Santa Maria Capua Vetere, 10-11 maggio 2006 / [ed] Olle Ferm, Alessandra Perriccioli Saggese, Marcello Rotili, Napoli: Arte tipografica , 2009, 153-160 p.Conference paper (Other academic)
  • 22. Aili, Hans
    et al.
    Ferm, OlleGustavson, Helmer
    Röster från svensk medeltid1990Collection (editor) (Other (popular science, discussion, etc.))
  • 23.
    Aili, Hans
    et al.
    Stockholm University, Faculty of Humanities, Department of French, Italian and Classical Languages.
    Svanberg, Jan
    Department of the History of Art.
    Imagines Sanctae Birgittae: The Earliest Illuminated Manuscripts and Panel Paintings Related to the Revelations of St. Birgitta of Sweden2003Book (Other academic)
  • 24.
    al Rawaf, Rawaf
    Stockholm University, Faculty of Science, Stockholm Resilience Centre.
    Social-Ecological Urbanism: Lessons in Design from the Albano Resilient Campus2017Independent thesis Advanced level (degree of Master (Two Years)), 80 credits / 120 HE creditsStudent thesis
    Abstract [en]

    Currently there is a demand for practical ways to integrate ecological insights into practices of design, which previously have lacked a substantive empirical basis. In the process of developing the Albano Resilient Campus, a transdisciplinary group of ecologists, design scholars, and architects pioneered a conceptual innovation, and a new paradigm of urban sustainability and development: Social-Ecological Urbanism.  Social-Ecological Urbanism is based on the frameworks of Ecosystem Services and Resilience thinking. This approach has created novel ideas with interesting repercussions for the international debate on sustainable urban development. From a discourse point of view, the concept of SEU can be seen as a next evolutionary step for sustainable urbanism paradigms, since it develops synergies between ecological and socio-technical systems. This case study collects ‘best practices’ that can lay a foundational platform for learning, innovation, partnership and trust building within the field of urban sustainability. It also bridges gaps in existing design approaches, such as Projective Ecologies and Design Thinking, with respect to a design methodology with its basis firmly rooted in Ecology.

  • 25.
    Alexander, John
    Stockholm University.
    Screen play: audiovisual narrative & viewer interaction1999Doctoral thesis, monograph (Other academic)
    Abstract [en]

    How does the viewer, interact, with the on-screen narratives of film, television and computer? What new forms of interaction can be realised with the emerging narratives of CD-ROM and Internet?

    This study considers screen play in terms of the game the viewer plays with audiovisual narrative, and how the viewer negotiates with a story to interpret, revise and reconstruct new stories of their own.

    Aspects of game and narrative theories, cognitive psychology and phenomenology, as well as recent research in the fields of cinema, television and computer studies, are incorporated within a screen play theory, which positions the viewer both as player and storyteller. Thus, screen play can be defined as a fusion of the external screen narrative and the internal and individual scenario.

    In addressing the divide between player and game ?, the mystic gulf, between viewer and narrative ? a re-assessment of early film theory plays an important part in coming to terms with the fin du siècle playground represented by the cinematographe a century ago, and the digital IT playground of the present, and an emergent narrative, in whatever form it may take.

  • 26.
    Alfengård, Robin
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Visuell exotism i måleri och modefotografi: En postkolonial bildanalys av Paul Gauguin och Jean-Paul Goude2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsen fungerar som en fallstudie av två målningar av Paul Gauguin samt två fotografier av Jean-Paul Goude för att undersöka huruvida exotism har tagit sig i uttryck genom dessa avbildningar. Resultaten jämförs därefter för att undersöka skillnader och likheter mellan de valda studieobjekten i förhållande till frågor rörande exotism. Uppsatsen genomsyras av tre huvudfrågor vilka behandlar studiematerialet i förhållande till exotism och etniska stereotyper. Teorier som använts i uppsatsarbetet har hämtats ifrån Edward Said förklaring av begreppet orientalism samt förtydligandet av ett ”vi och dem”-förhållande. Uppsatsen är uppdelad i tre kapitel där det första kapitlet behandlar de separata konstnärskapen, studieobjektens medier samt de skilda perioder i vilka objekten utfärdades i. I det andra kapitlet görs en bildanalys och i det tredje kapitlet jämförs resultaten.

     

    Resultatet av arbetet har visat att det finns en liknande exotifiering, samt ett användande av etniska stereotyper både i Gauguins målningar men såväl som i Goudes fotografier. Dock skiljer sig förståelsen för den uttryckta exotismen mellan studiematerialet då det är hämtat från olika perioder. Skillnaderna mellan studiematerialet påverkas även av genre och medium. 

  • 27.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    An inventory of Swedish music vol. III: twenty 19th-century composers from Du Puy to Söderman2013Book (Refereed)
  • 28.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Anders Edling: Emil Sjögren.2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92Article, book review (Other academic)
  • 29.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Aspects Concerning the Institutionalisation of Swedish Musical life in the 19th Century and the Case of Grand Opéra in Stockholm.2010In: Musikleben des 19. Jahrhunderts in nördlichen Europa. Strukturen und Prozesse/19th-Century Musical Life in Nothern Europe. Structures and Processes: / [ed] Toomas Siitan, Kristel Pappel und Anu Sooro, Hildesheim, Zürich, New York: Georg Olms Verlag , 2010Conference paper (Other academic)
  • 30.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Berättelsen om hur Rienzipartituret hamnade i Stockholm2016In: Tidskriften Opera, ISSN 1651-3770, Vol. 5, 68-71 p.Article in journal (Other (popular science, discussion, etc.))
  • 31.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Die Königliche Schwedische Hofkapelle und die Meyerbeer-Tradition in Stockholm2008In: The Opera Orchestra in 18th and 19th Century Europe: II: The Orchestra in the Theatre - Composers, Works and Performance, Berlin: Berliner Wissenschafts Verlag , 2008Chapter in book (Other academic)
  • 32.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Musikvetenskap.
    Die Rezeption des Rienzi in Stockholm 1844–19052015In: Wagnerspectrum, ISSN 1614-9459, Vol. 22, 85-114 p.Article in journal (Other academic)
  • 33.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Franz Berwald Sämtliche Werke, Band 25, Supplement. Ola Eriksson, Michael Kube, Bonnie Lomnäs och Erling Lomnäs. Red: Margareta Rörby. Kassel: Bärenreiter, 20122014In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 96, no 1, 3-6 p.Article, book review (Other academic)
  • 34.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ”Hur Figaro kom till Sverige”2014In: Figaros bröllop / [ed] Astrid Pernille Hartmann, Göteborg: Göteborgsoperan , 2014, 50-54 p.Chapter in book (Other academic)
  • 35.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Hur importen byggde upp kulturlivet: Essärecension av Tomi Mäkelä ”Fredrik Pacius, kompositör i Finland”2010In: Hufvudstadsbladet, ISSN 0356-0724, no 21/1Article, book review (Other (popular science, discussion, etc.))
  • 36.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Johann Gottlieb Naumann und die Hofkapelle in Stockholm2006In: Johann Gottlieb Naumann und  die Europäischen Musikkultur des Ausgehenden 18. Jahrhunderts: Bericht über das internationale Symposium vom 8. bis 10. Juni 2001 im Rahmen der Dresdner Musikfestspiele 2001 / [ed] Ortrud Landmann und Hans-Günther Ottenberg, Hildesheim, Zürich, New York: Georg Olms Verlag , 2006, 227-248 p.Chapter in book (Refereed)
  • 37.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ”Judinnan i Sverige”2014In: Judinnan / [ed] Astrid Pernille Hartmann, Göteborg: Göteborgsoperan , 2014, 32-37 p.Chapter in book (Other academic)
  • 38.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    La juive in Stockholm- traces and interpretations2014In: Abstract: konferensens hemsida, 2014Conference paper (Refereed)
  • 39.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Ludvig Norman. Konsertstycke för piano och orkester F-dur op 54.2008Other (Other (popular science, discussion, etc.))
  • 40.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    ’… musikens högsta och rikaste konstform …’ – aspekter på instrumentation, orkestrering och satsteknik i Alfvéns tre första symfonier2012In: Hugo Alfvén – liv och verk i ny belysning / [ed] Gunnar Ternhag och Joakim Tillman, Hedemora: Gidlunds , 2012, 41-64 p.Chapter in book (Refereed)
  • 41.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Opera as a showcase for the modern: the Stockholm opera 1790-18202015Conference paper (Other academic)
  • 42.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Orginalpartitur till Wagners Rienzi återfunnet på Operan2016In: OV-revyn, ISSN 0282-7700, 14-16 p.Article in journal (Other (popular science, discussion, etc.))
  • 43.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Recension/review: Kube, Michael, Eriksson, Ola, Lomnäs, Bonnie och Lomnäs, Erling (2012): Franz Berwalds Sämtliche Werke, Band 25, Supplement. (Kassel, Basel, London, New York och Prag: Bärenreiter-Verlag) ISMN 979-0-006-49532-02014In: Svensk tidskrift för musikforskning, ISSN 2002-021X, Vol. 96, no 1, 3-6 p.Article, book review (Other academic)
  • 44.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Rienzi in Swedish (1865): the case of the Stockholm score2015In: The Wagner Journal, ISSN 1755-0173, Vol. 9, no 2, 19-34 p.Article in journal (Other academic)
  • 45.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Robert Schumann 200 år2010In: Musikmagi, Berwaldhallens programtidning, no janArticle in journal (Other (popular science, discussion, etc.))
  • 46.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Ständigt denne Mozart2014In: Programtidning : Radiokören, Sveriges Radios Symfoniorkester, no mars, 6-7 p.Article in journal (Other (popular science, discussion, etc.))
  • 47.
    Ander, Owe
    Stockholm University.
    "Svenska sinfoni-författares karaktäristiska orkester-egendomligheter": aspekter på instrumentations-, orkestrerings- och satstekniken i Berwalds, Lindblads och Normans symfonier2000Doctoral thesis, monograph (Other academic)
  • 48.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    The Rienzi score in Stockholm – a recently discovered Wagner autograph?2014In: Dokumenterat : bulletin från Musik- och teaterbiblioteket, ISSN 1404-9899, no 46, 35-59 p.Article in journal (Other academic)
  • 49.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Tomi Mäkelä: Fredrik Pacius, kompositör i Finland2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92Article, book review (Other academic)
  • 50.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Traces of a performance: A presentation and critical examination of the sources regarding the Rienzi premiere in Stockholm 18652015Conference paper (Refereed)
1234567 1 - 50 of 2333
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