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  • 1.
    al Rawaf, Rawaf
    Stockholms universitet, Naturvetenskapliga fakulteten, Stockholm Resilience Centre.
    Social-Ecological Urbanism: Lessons in Design from the Albano Resilient Campus2017Independent thesis Advanced level (degree of Master (Two Years)), 80 poäng / 120 hpOppgave
    Abstract [en]

    Currently there is a demand for practical ways to integrate ecological insights into practices of design, which previously have lacked a substantive empirical basis. In the process of developing the Albano Resilient Campus, a transdisciplinary group of ecologists, design scholars, and architects pioneered a conceptual innovation, and a new paradigm of urban sustainability and development: Social-Ecological Urbanism.  Social-Ecological Urbanism is based on the frameworks of Ecosystem Services and Resilience thinking. This approach has created novel ideas with interesting repercussions for the international debate on sustainable urban development. From a discourse point of view, the concept of SEU can be seen as a next evolutionary step for sustainable urbanism paradigms, since it develops synergies between ecological and socio-technical systems. This case study collects ‘best practices’ that can lay a foundational platform for learning, innovation, partnership and trust building within the field of urban sustainability. It also bridges gaps in existing design approaches, such as Projective Ecologies and Design Thinking, with respect to a design methodology with its basis firmly rooted in Ecology.

    Fulltekst (pdf)
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    Social-Ecological Urbanism - Lessons in Design from the Albano Resilient Campus (Abstract)
  • 2. Berry, John W.
    et al.
    Westin, Charles
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Socialantropologiska institutionen.
    Virta, Erkki
    Vedder, Paul
    Rooney, Rosanna
    Sang, David
    Design of the study: Selecting societies of settlement and immigrant groups2022Inngår i: Immigrant Youth in Cultural Transition: Acculturation, Identity, and Adaptation Across National Contexts / [ed] John W. Berry; Jean S. Phinney; David L. Sam; Paul Vedder, New York: Routledge, 2022, s. 15-46Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This chapter describes the design and the contextual backgrounds of the societies of settlement and the immigrant groups involved in the ICSEY project. The cultural principle requires the elaboration of some features of the societies of settlement, and of the immigrant groups that have come to settle in them, and an account of the nature of their intercultural relationships. Although the percentage of immigrants residing in a society is one indicator of cultural diversity, other indicators are available in the literature. Australia has a high level of immigration, with 24.6% of the population of nearly 20 million not born in the country. Israel is a country of high immigration, with 37.4% of its population of almost 6 million having been born abroad. Israel is thus high on actual diversity. Two thirds of the US population believe that rates of immigration should be reduced.

  • 3.
    Bork Petersen, Franziska
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    Modelling Defiguration2013Inngår i: Performance Research, ISSN 1352-8165, E-ISSN 1469-9990, Vol. 18, nr 6, s. 157-160Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    For the presentation of his autumn/winter 2012 collection in Paris and subsequently in Copenhagen, Danish designer Henrik Vibskov installed a mobile catwalk. The article investigates the choreographic impact of this scenography on those who move through it. Drawing on Dance Studies, the analytical focus centres on how the catwalk scenography evokes a ‘defiguration’ of the walking models and to what effect.

    Vibskov’s mobile catwalk draws attention to the walk, which is a key element of models’ performance but which usually functions in fashion shows merely to present clothes in the most advantageous manner. Stepping on the catwalk’s sloping, moving surfaces decelerates the models’ walk and makes it cautious, hesitant and shaky: suddenly the models lack exactly the affirmative, staccato, striving quality of motion, and the condescending expression that they perform on most contemporary catwalks. Vibskov’s catwalk induces what the dance scholar Gabriele Brandstetter has labelled a ‘defigurative choregoraphy’: a straying from definitions, which exist in ballet as in other movement-based genres, of how a figure should move and appear (1998). The catwalk scenography in this instance determines the models’ walk. Furthermore, letting the models set off sound through triggers with attached sound samples gives them an implied agency. This calls into question the designer’s unrestricted authorship.

  • 4.
    Brooks, Eva
    et al.
    Aalborg University, Denmark.
    Dau, Susanne
    University College North, Denmark.
    Selander, Staffan
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Perspectives on Innovative Designs and Learning2022Inngår i: Design, Learning, and Innovation: 6th EAI International Conference, DLI 2021, Virtual Event, December 10-11, 2021, Proceedings / [ed] Eva Brooks; Jeanette Sjöberg; Anders Kalsgaard Møller, Cham: Springer, 2022, s. 183-194Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Digitalization has changed ways of learning as well as challenged conditions for creativity in different landscapes of learning. This raises questions about how to approach learning and design in new ways. To address these queries, this conceptual symposium paper presents three perspectives on how innovative designs and learning in analogue and digital activities can promote new metaphors, theories, and methodologies to study these kinds of processes. The first perspective adds a focus on the environment and spaces based on ecological understanding of design and learning with a pivot point on boundaries and people’s wayfinding. The second perspective adds a focus on activities with artifacts and people’s engagement in creative and playful processes of making and breaking as part of a design and learning process. The third perspective takes the position of collaborative design in educational settings, with a focus on context and sequences, framing and fixing points, and on the choice of material and semiotic resources to express/represent knowledge. Despite differences in these perspectives, they can be used in different educational practices to understand people’s engagement in design and learning. The paper shows that differences in perspectives not necessarily represent division or disagreement, but rather exploratory routes that can generate new learning, understanding and resources to approach societal and educational challenges.

  • 5.
    Castaldo Lunden, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Beyond the Screen: The Perils of Researching Costume Design History2021Konferansepaper (Annet vitenskapelig)
  • 6.
    Castaldo Lundén, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Barbarella's wardrobe: Exploring Jacques Fonteray’s intergalactic runway2016Inngår i: Film Fashion and Consumption, ISSN 2044-2823, E-ISSN 2044-2831, Vol. 5, nr 2, s. 185-211Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Jane Fonda’s intergalactic adventure, Barbarella (Dino De Laurentiis Cinematografica, 1968), looms large in popular culture despite its mild reception in 1968. Disguised under its sartorial splendor, the film’s narrative clearly negotiates social anxieties of the late ‘60s. Similarly, the production design of the film incorporates contemporary elements from art, architecture and fashion. Paco Rabanne is frequently credited as the creator of Fonda’s onscreen parade of highly stylized costumes. Yet, the Spanish designer only created one of her eight outfits. The paper addresses this misconception by exploring how the film’s mise-en-scène captured the contemporary design trends beyond Rabanne’s participation, perpetuating Barbarella as a symbol of its own times.

  • 7.
    Castaldo Lundén, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Fearless Fashion: Rudi Gernreich2020Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 24, nr 5, s. 783-794Artikkel, forskningsoversikt (Fagfellevurdert)
    Fulltekst (pdf)
    fulltext
  • 8.
    Castaldo Lundén, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Reporting fashion: Fashioning moving images from newsreels to web series2022Inngår i: Insights on Fashion Journalism / [ed] Rosie Findlay, Johannes Reponen, London: Routledge, 2022, s. 69-87Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    Fashion has historically relied on visual culture for representation and promotion. Since the early days of film, moving images mediated culture, functioning as entertainment and style guides for working-class women. The fashion and media industries have crossed paths ever since. Far from stopping this dynamic, the advent of the Internet garnered new opportunities to produce and disseminate fashion-related audio-visual content. In recent years, media companies targeting younger audiences began producing short Web series for free streaming on company websites and platforms such as YouTube. This chapter locates fashion newsfilms and Web series within journalistic discourse through their connection to broadcasting and the printed press. Departing from archival sources and resting on the notion of glocalisation, it argues for the historical role of fashion newsfilms as key to a geopolitical reconfiguration that demarcated the centre and periphery, positioning the West at the centre of an imagined global fashion and beauty culture. In so doing, this chapter situates fashion Web series as the materialisation of early aspirations to expand modern consumer culture within a complex matrix of emerging, dominant, and residual cultural flows, co-opting countercultural discourses of fashion, dress, and beauty and reducing them to branding tags for corporate media products.

  • 9. Dahl, Ulrika
    et al.
    Vänskä, AnnamariStockholms universitet.Lönngren, Ann-Sofie
    Lambda Nordica: child2011Collection/Antologi (Fagfellevurdert)
  • 10.
    Dahlgren, Anna
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Appraised, displayed and concealed: Fashion photography on the Swedish museum stage2014Inngår i: Fashion and museums: Theory and practice / [ed] Marie Riegels Melchior, Birgitta Svensson, New York: Bloomsbury Academic, 2014, s. 61-74Kapittel i bok, del av antologi (Fagfellevurdert)
  • 11.
    Essen, Anna
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Företagsekonomiska institutionen.
    Östlund, Britt
    Laggards as Innovators?: Old Users as Designers of New Services & Service Systems2011Inngår i: International Journal of Design, ISSN 1991-3761, E-ISSN 1994-036X, Vol. 5, nr 3, s. 89-98Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Involving users in the design process is increasingly discussed as the quickest and most reliable way to capture the needs of users and consumers. In parallel, the fastest growing population segment in Asia and the West is older people. This article asks whether their involvement in the design process could accelerate a growing service market and if so, how? It addresses a knowledge gap that constrains service provision for a growing market of older people and which underestimates older people's potential contribution in the early phases of the development of new services. The current role of older users is limited to that of test persons later in the design process or as objects of randomized samples that explore consumers' reactions to existing products. The present case study provides an empirical example of how old users can be involved in the early stages of service design. In doing this, the article questions the concept of old users as laggards. It suggests great potential to include such users - been arounds - as sources of innovation in the earlier phases of the design process if they have the right tools and opportunities to act. In identifying unsatisfied needs and potential market solutions, the inclusion of old users in user-driven projects can contribute to the generation of business ideas.

  • 12. Genç, Çağlar
    et al.
    Buruk, Oğuz ’Oz’
    Jabari, Shiva
    Jones, Lee
    Ragozin, Kirill
    Hartman, Kate
    Virkki, Johanna
    Kunze, Kai
    Juhlin, Oskar
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap. Bergen University, Norway.
    Häkkilä, Jonna
    Toolkits & Wearables: Developing Toolkits for Exploring Wearable Designs2022Inngår i: CHI EA '22: Extended Abstracts of the 2022 CHI Conference on Human Factors in Computing Systems / [ed] Simone Barbosa; Cliff Lampe; Caroline Appert; David A. Shamma, New York: Association for Computing Machinery (ACM), 2022, s. 1-5, artikkel-id 111Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Designing wearables is a complex task that includes many layers, such as wearability, interactivity, functionality, social and cultural considerations. For decades now, prototyping toolkits are proposed to aid diverse types of audiences in exploring the design of smart accessories and garments. However, the task of designing toolkits for wearables has not received a comprehensive discussion and systematic reflection. In this workshop, we look into challenges, opportunities, and lessons learned in using, developing and evaluating wearable toolkits by focusing on their target groups, purposes, effects on the final designs. By bringing together researchers and practitioners who are experienced with the design, use and assessment of wearable toolkits, we see a particular opportunity in providing a broader perspective on defining the future of wearable toolkit designs.

  • 13.
    Hallengren, Anders
    Stockholms universitet, Humanistiska fakulteten, Institutionen för litteraturvetenskap och idéhistoria.
    Aladdins lampa1983Inngår i: Värld och vetande, ISSN 0346-4873, nr 10, s. 289-296Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    Setting out from a detailed examination of a just previously unearthed two-thousand-year-old oil lamp from Syria—from the time when the country was a Roman province—the author discusses the dynamics of cultural development. Lighting and enlightenment are closely linked, and oil lamps are found from all parts of the world and have been used for millennia up to our own time. The object's name ‘lamp’ in modern European languages is derived from the ancient Greek origin of our civilization, and the artefact epitomises a source of illumination which has a hidden enchantment like the magic lamp of Aladdin in the Arabian Nights.

  • 14.
    Hettithanthri, Upeksha
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap. NSBM Green University Town, Pitipana, Homagama, Sri Lanka.
    Hansen, Preben
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Munasinghe, Harsha
    George Brown College, Toronto, Canada.
    Exploring the architectural design process assisted in conventional design studio: a systematic literature review2023Inngår i: International journal of technology and design education, ISSN 0957-7572, E-ISSN 1573-1804, Vol. 33, nr 5, s. 1835-1859Artikkel, forskningsoversikt (Fagfellevurdert)
    Abstract [en]

    The architectural design process is a unique process that has its inherent phases with specific activities within. Exploring and identifying the real design process which occurs within the conventional design studio is the key focus of this study. This study was carried out by adopting systematic literature review methodology. The most relevant articles for the review were identified by applying an inclusion and exclusion criteria based on a rubric developed to find answers to the research questions developed. For the literature review, 50 articles were selected by eliminating the non-related and non-suitable articles based on the rubric developed. The data was analysed by the content analysis based on the Grounded Theory. Grounded Theory was applied to generate a theory based on the data or findings. The results have given data to draw a Design Process model which is specific for architectural design studio practice. It is evident that the lack of integrating the intended user in the design process has impacted the solutions. Furthermore, many scholars have discussed the architectural design process, but there is a significant gap in discussing the involvement of users and context during the design process. 

  • 15.
    Hettithanthri, Upeksha
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap. NSBM Green University, Sri Lanka.
    Hansen, Preben
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Munasinghe, Harsha
    George Brown College, Canada.
    Exploring the Collaborative Design Process at Conventional Design Studio2022Inngår i: Innovative Technologies and Learning: 5th International Conference, ICITL 2022, Virtual Event, August 29–31, 2022, Proceedings / [ed] Yueh-Min Huang; Shu-Chen Cheng; João Barroso; Frode Eika Sandnes, Cham: Springer, 2022, s. 218-230Konferansepaper (Fagfellevurdert)
    Abstract [en]

    Collaborative engagement and collaborative practice are key components in Architectural design practice. The design studio motivates collaboration, but it may have some limitations. The technology and use of digital devices have encroached on architectural design education and have made many productive moves. This study aims at understanding how digital devices and technology could impact collaborative learning utilized in architectural pedagogy. This study was carried out in a conventional design studio context with the involvement of 40 Interior design undergraduates. Interior design students were selected based on the convenience sampling methodology and they were clustered into 8 collaborative groups. They were assigned a design task and 12 studio hours were allocated to collect data. Data collection was done by naturalistic observation carried out by the researcher and interviews were conducted to get the reflections of students. The data was analyzed through six phased Thematic analyses based on Grounded Theory. The study resulted in the impacts generated by the technology and digital devices on the design process of interior design students. The results depict that overexposure to technology and digital devices have made students individual-centric while being in a collaborative group. Moreover, it made students less empathetic towards user requirements. Further being device-centric made students less empathized with the user and the context and it has impacted the design process by avoiding some key initial steps which are necessary to get more functional human-centric solutions.

  • 16.
    Ku, Martin
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Perstorpsbordet och Miss Blanche: Designföremålens representationer samt sociala- och känslomässiga värden2017Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [sv]

    Syftet med uppsatsen är att undersöka vilken funktion designföremål har utöver den praktiska användarfunktionen. Jag har utgått från två designföremål, det så kallade Perstorpsbordet och Miss Blanche som studieföremål. Mina frågeställningar har varit att undersöka hur dessa föremål representeras utifrån webbannonser samt designföremålens sociala och känslomässiga funktionsaspekt.

     

    Materialet som har använts i analysen har varit webbannonser, blogginlägg, artiklar och instagramminlägg som beskriver dessa designföremål. Som teoriska perspektiv har jag utgått från Jean Baudrillards objektteori, Pierre Bourdieus fältteori samt den populärvetenskapliga filosofen Alan de Bottons resonemang från ”Happiness of Architecture”. Varje kapitel utgår från varsin filosof och som metod har jag bland annat använt mig av semiotik för att tolka tecken och symboler i designföremålens.

    Fulltekst (pdf)
    fulltext
  • 17.
    Lindblad, Emma
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.
    Looking vanlig; neither too much nor too little: A study of consumption of clothing among mainstream youth in a Swedish small town2017Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This thesis studies consumption among young people who identify as mainstreamers in a Swedish small town. In order to map patterns of clothing consumption and to understand what was central in the young people’s self-identification, the research was conducted using a mix of ethnographic methods and wardrobe studies. This is an inverted study of the subcultural, that problematizes the assumption that the majority (the mainstream) and the minority (the countercultural) are opposites when it comes to identity creation. The central concepts used here are ordinary (vanlig), mainstream, and subculture. One of the main findings is that the youth studied self-identify as ordinary. This finding is used to problematize not only the traditional markers of masculinity and femininity as they present themselves in this context, but also what is characterized as new patterns of consumption. There are two main conclusions. First, being mainstream and ordinary was not a static identity position, as the literature would have it; instead, being an ordinary mainstreamer required constant work in order to stay within certain culturally negotiated boundaries. Second, the ethnographic findings contribute in the field of subcultural studies by questioning the convention of portraying the mainstream and the subcultural as polar opposites: contrary to the literature, it is argued that neither is so very different from the other, making it an unhelpful dichotomy in understanding young people today.

    Fulltekst (pdf)
    Looking vanlig; neither too much nor too little
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    Omslagsframsida
  • 18.
    Lomas, Clare
    et al.
    London College of Fashion, UK.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology, Sydney.
    Gray, Sally
    University of New South Wales, Sydney, Australia.
    Beyond the Rainbow: Queer Shoes2011Inngår i: Shoes: A History from Sandals to Sneakers / [ed] G Riello P McNeil, London: Berg Publishers, 2011, 1:2, s. 290-305Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 19. Lynge-Jorlén, Ane
    et al.
    Warkander, Philip
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier. Lund University, Sweden; Istituto Marangoni, France; Beckmans College of Design, Sweden.
    Utopian Bodies. Fashion Looks Forward2018Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 22, nr 1, s. 119-124Artikkel i tidsskrift (Fagfellevurdert)
  • 20.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Coiffures et postiches: extravagances capillaires au XVIIIe siecle2012Inngår i: Plein Les Yeux! / A feast for the eyes!: Le spectacle de la mode / Spectacular fashions / [ed] Shazia Boucher, Anne-Claire Laronde, Isabelle Paresys, Milan: Silvana Editoriale , 2012, s. 60-65Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 21.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.
    Eroticism: Interview with Valerie Steele2009Inngår i: ACNE PAPER, Vol. 1, nr 8Artikkel, omtale (Annet vitenskapelig)
  • 22.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Fashion Houses2012Inngår i: Nordic Fashion Studies / [ed] Peter McNeil, Louise Wallenberg, Stockholm: Axl Books, 2012, s. 245-270Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 23.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology, Sydney.
    Riello, Giorgio
    University of Warwick, UK.
    The Male Cinderella: Shoes, Genius and Fantasy2011Inngår i: Shoes: A History from Sandals to Sneakers / [ed] G Riello and P McNeil, London: Berg Publishers, 2011, 1:2, s. 386-409Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 24.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap. University of Technology, Sydney.
    Riello, Giorgio
    University of Warwick.
    Walking the Streets of London and Paris: Shoes in the Enlightenment2011Inngår i: Shoes: A History from Sandals to Sneakers / [ed] G Riello and P McNeil, Berg Publishers, 2011, 1:2, s. 94-115Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 25.
    McNeil, Peter
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap. University of Technology Sydney, Australia.
    Steorn, Patrik
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    The Medium of Print and the Rise of Fashion in the West2013Inngår i: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 82, nr 3, s. 135-156Artikkel i tidsskrift (Fagfellevurdert)
  • 26.
    Nyfeler, Judith Katharina
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.
    The three Pillars of Sustainability: Juxtaposing two Swedish fashion companies and their corporate sustainability concepts2013Independent thesis Advanced level (degree of Master (Two Years)), 10 poäng / 15 hpOppgave
    Abstract [en]

    The fashion system has increasingly been imbued by ecology and sustainability. While in the recent years a lot on approaches to more sustainable consumption behaviour from the con- sumers’ side have been suggested, this study focuses on the very practice of how sustainabil- ity - in an applied matter - is realised within a fashion company. In this dissertation, two Swe- dish fashion brands, Nudie Jeans co and Filippa K, are being investigated and analysed due to their brand philosophies and concepts dealing with sustainability. If Nudie Jeans co’s first all- organic denim collection launched in Autumn 2012 or Filippa K’s emphasis to the longevity of clothing by classic shapes and plain colours; both ideas foster a slow fashion movement. One of this thesis’ implications is the fact, that the term sustainability is much more far- reaching and expansive as commonly defined. Also timelessness and tradition could be sus- tainable, if still taking care of environment and society. Finally, concepts of sustainability which are commonly not highlighted shall be identified and fill the yet existing gap.

    Fulltekst (pdf)
    The three Pillars of Sustainability
  • 27.
    Peters, Lauren Downing
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    David Bowie Is2014Inngår i: Journal of Curatorial Studies, ISSN 2045-5836, Vol. 3, nr 1, s. 139-143Artikkel, omtale (Annet vitenskapelig)
    Fulltekst (pdf)
    David Bowie Is
  • 28.
    Peters, Lauren Downing
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Fashion or dress? Pedagogical issues in fashion theory2014Inngår i: Cuadernos del Centro de Estudios de Diseño y Comunicación, ISSN 1668-0227, Vol. 48, s. 113-127Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this article, I plan to reflect on the pedagogical challenges I’ve faced in my first semester of teaching fashion studies material at Parsons, speaking specifically to the challenges I’ve overcome in leading my junior seminar, Supermodel: Beauty, Fashion, and Performance, and in devising a new undergraduate fashion theory elective. In doing so, I will provide an overview of Fashion Studies as a newly-emerging academic field and outline the reflections that other scholars have published thus far.

    While the aforementioned will serve as a broad foundation for my paper, my primary focus will be on my own experience. In contributing my perspective as a teacher of undergraduate MFA students at Parsons to this conversation, I will pose the following questions: What challenges do my students face in working within a discipline and in a manner that is so different from their own practice? What is the most effective way to introduce students to fashion theory and criticism? What issues are students most drawn to? And finally, how might classes such as mine influence students in reflecting on their own practice as designers? The purpose of this article will thusly be to foster a dialogue between Fashion Studies scholars as well as with other academics who work and research in interdisciplinary fields.

    Fulltekst (pdf)
    fulltext
  • 29.
    Peters, Lauren Downing
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Fashion Plus: Pose and the Plus-Size Body in Vogue, 1986-19882017Inngår i: Fashion Theory: The Journal of Dress, Body & Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 21, nr 2, s. 175-199Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Between 1986 and 1988, American Vogue ran a series of advertorials entitled Fashion Plus. Documenting the mid-1980s explosion of designer-led plus-size fashion, the series offers a rare glimpse into an overlooked moment in the history of large-size dress; however, it also stands as a singular foray into plus-size fashion for Vogue-a periodical that marginalizes representations of non-normative bodies. While its mere inclusion within the pages of Vogue is historically significant, this article will shift its focus by examining the crucial role pose played in the advertorial's postmodern refashioning of the fat female body. While interrogating the concept of fashioning as a process that occurs at the intersection of text, image, body and garment, this article also considers how an embodied vernacular of fashion posing transformed the fat female body, making it fit for the pages of Vogue. Indeed, by striking identifiably modelesque poses, the models of Fashion Plus upset deeply entrenched norms of imaging the fat female body, while widening Vogue's notoriously narrow definition of beauty. Framing the plus-size body as a product of postmodern notions of identity construction, this article also reflects upon the relationship between dress, discourse and the fleshy body in the construction of identity.

  • 30.
    Peters, Lauren Downing
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.
    Stoutwear and the Discourses of Disorder: Constructing the Fat, Female Body in American Fashion in the Age of Standardization, 1915-19302018Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This dissertation examines how fashion media discourses created the conditions through which the fat, female body was both known and constructed within the context of the early large-size garment industry in the United States, or what between the years 1915 and 1930 was known as “stoutwear.” 

    Drawing on a wide array of media sources, including women’s and fashion magazines, trade journals, catalogs and style guides, and employing Michel Foucault’s archaeological method, the dissertation examines the productive nature of fashion discourse in the construction and constitution of the fleshy body, or how the discourses of stoutwear brought order to the disorderly, fat, female body. While previous studies of the relationship between dress and the body have theorized how the body is fashioned, this dissertation builds upon these works through its focus on how discourse manifests fashion practices and thereby gives shape to the cultural body. 

    The first chapter provides an overview of this premise, reviews the small body of extant literature on plus-size fashion and defines key terms used in the dissertation. As an extension of the introduction, the second chapter outlines key methodological and theoretical concerns, including the practice of studying a history of fashion “without fashion,” discourse analysis, visual analysis, technologies of the body, fashion media discourse and dress as a situated bodily practice. The ensuing analytical chapters are organized so that they proceed from “macro” practices (i.e. the construction and constitution of the industry, stoutwear design and advertising strategies) to the “micro” (i.e. embodied dress practices) so as to evidence how the discourses of stoutwear touched every level of fashion practice. Chapter three provides a broad historical foundation for the study by examining the origins of the stoutwear industry and identifying the key actors and firms who were instrumental in consecrating the idea of a stoutwear industry separate from, but adjacent to, the burgeoning ready-to-wear industry. Thereafter, chapter four explores the design discourses of stoutwear and how these intersected with the aesthetics of modernism and the nascent technology of standardized sizing. Chapter five examines the practice of selling stoutwear, and specifically how stoutwear was advertised within the women’s and fashion press and how it was sold within department stores. Key issues in this chapter include the representational conventions of depicting fat women in the fashion media and the segregation of stoutwear into separate departments. Chapter six considers what it meant to look stout and how the stigma of stoutness was constructed within mainstream fashion media and ancillary to the slender ideal. Finally, chapter seven looks closely at style guides as a site of self-fashioning discourses. 

    The dissertation concludes that stoutwear discourses were underpinned by a “slenderness imperative,” or a disciplinary regime that manifested a “stout ideal,” or a stout body that visibly aspired toward slenderness. In its entirety, this interdisciplinary dissertation illuminates a history that has been almost entirely neglected within conventional histories of fashion at large, and within American fashion specifically, while also contributing to the theoretical literature on the relationship between fashion, dress and the body.

    Fulltekst (pdf)
    Stoutwear and the Discourses of Disorder
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    Omslagsframsida
  • 31.
    Peters, Lauren Downing
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Kurennaya, Anya
    Effortless consumption: The 'Anthropologie' of a brand-focused online shopping community2014Inngår i: Global Fashion Brands: Style, Luxury and History / [ed] Joseph H. Hancock, Gjoko Muratovski, Veronica Manlow, Anne Pierson-Smith, Intellect Ltd., 2014, s. 135-152Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This article examines the dynamics of the brand-focused online community blog Effortless Anthropologie, devoted to the popular retailer Anthropologie, with particular emphasis on how brand values are created, espoused and disputed by its members in a dynamic and interactive online forum. Using relevant literature on the concept of brand community, the net is expanded to capture the activities of a community that exists primarily online. We use examples of posts and commenting activity to demonstrate that it is the existence of the blog that facilitates and maintains such a strong sense of community. This, along with the fact that the blog exists independently from the retailer that it values – that is, it is not a company blog – forces us to reconsider our concept of how brand communities are formed and maintained in the virtual realm. From this analysis, we can learn how brand communities are facilitated by blogs and how they take on a unique dimension online. Consumers use blogs like Effortless Anthropologie to find a community of like-minded users and be a part of a community existing outside of the retail sphere. Retailers and marketers might engage with or be aware of the sense of trust, bonding and loyalty that such an online community engenders.

    Fulltekst (pdf)
    fulltext
  • 32. Popova, Kristina
    et al.
    Garrett, Rachael
    Núñez-Pacheco, Claudia
    Lampinen, Airi
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Höök, Kristina
    Vulnerability as an ethical stance in soma design processes2022Inngår i: CHI '22: Proceedings of the 2022 CHI Conference on Human Factors in Computing Systems / [ed] Simone Barbosa; Cliff Lampe; Caroline Appert; David A. Shamma; Steven Drucker; Julie Williamson; Koji Yatan, New York: Association for Computing Machinery (ACM), 2022, s. 1-13, artikkel-id 178Konferansepaper (Fagfellevurdert)
    Abstract [en]

    We articulate vulnerability as an ethical stance in soma design processes and discuss the conditions of its emergence. We argue that purposeful vulnerability - an act of taking risk, exposing oneself, and resigning part of one's autonomy - is a necessary although often neglected part of design, and specifically soma design, which builds on felt experience and stimulates designers to engage with the non-habitual by challenging norms, habitual movements, and social interactions. With the help of ethnography, video analysis, and micro-phenomenological interviews, we document an early design exploration around drones, describing how vulnerability is accomplished in collaboration between members of the design team and the design materials. We (1) define vulnerability as an active ethical stance; (2) make vulnerability visible as a necessary but often neglected part of an exploratory design process; and (3) discuss the conditions of its emergence, demonstrating the importance of deliberating ethics within the design process. 

  • 33. Qvarsell, Roger
    et al.
    Svensson, BirgittaStockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusstudier, Etnologiska avdelningen.
    Markeringar och maskeringar: att visa eller dölja sin kropp2012Collection/Antologi (Fagfellevurdert)
  • 34.
    Riello, Giorgio
    et al.
    University of Warwick.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap. University of Technology, Sydney.
    A Long Walk: Shoes, People and Places2011Inngår i: Shoes: A History from Sandals to Sneakers / [ed] G Riello and P McNeil, London: Berg Publishers, 2011, 1:2, s. 2-28Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 35.
    S. Thil, Yonna
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    "Evig liten tjej": Kostymdesignyrkets genuskodning: En kritisk diskursanalys2023Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    “Perpetual little girl” – Gender coding of the costume design-profession: A critical discourse analysis is a bachelor’s thesis in Performance Studies written by Yonna S. Thil in the spring of 2023 at Stockholm University. This study focuses on the gendering of the costume design-profession, as well as the gendering of theatre professions in general and attempts to answer the question “How does female gender coding affect the professional role of the costume designer?”. Fashion history and theatre history is used to map out the ways in which the costume designer is at a point of intersection between fashion, a highly feminized phenomenon, and theatre, a system which has excluded women from the practice for thousands of years. Statistics from Stockholm University of the Arts and interviews with both male and female costume designers working in theatre and film in Sweden tell the story of how the feminization of their profession affect the practice. The study includes comparisons with male coded professions in the theatre system, questions of the wage gap between male and female coded professions as well as discussions of the artistic genius and charismatic authority.

    Fulltekst (pdf)
    fulltext
  • 36.
    Steorn, Patrik
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Migrating Motifs and Productive Instabilities: Images of Fashion in Eighteenth-Century Swedish Print Culture2013Inngår i: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 82, nr 3, s. 219-234Artikkel i tidsskrift (Fagfellevurdert)
  • 37.
    Ström, Pernilla
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Hotell med ambitionsnivå: Strategier och betydelser i hotellinredningsdesign2015Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [sv]

    Uppsatsen handlar om tre svenska designhotells inredning, koncept och strategier. Hotellen har kulturellt och ekonomiskt fokus och de säljer livsstil, emotionella upplevelser och atmosfär lika mycket som hotellnätter och restaurangbesök. De strävar efter en hög ambitionsnivå i inredningen och vill därigenom uttrycka hotellets personlighet, individualitet och unika koncept. Hotellen i denna undersökning är Melody hotell i Stockholm, Story hotell Signalfabriken i Sundbyberg och Copperhill Mountain Lodge i Åre.

    Syftet är att ta reda på hur designstrategierna påverkar inredningarnas utformning och vilka upplevelser och känslor som inredningarna skapar. Frågeställningar är: Har hotellen använt sig av en designstrategi? Utifrån vilka syften har hotelledningen låtit inreda hotellen? Vilka upplevelser och känslor önskar hotellen skapa hos gästerna? Vilka resultat medför dessa strategier visuellt i hotellmiljöerna?

    Arbetsmetoden är en etnologisk fältarbetsmetod där iakttagande och analyser, intervjuer och en undersökning av recensioner och hemsidor har varit utgångspunkten. Teoretiskt ramverk är att se på inredningarna genom ett konstnärligt, ekonomiskt och psykologiskt perspektiv. Det ekonomiska perspektivet har huvudfokus i uppsatsen. Det konstnärliga perspektivet bidrar med att ge en bild av hur inredningarna ser ut med färg, form, material, belysning och detaljer samt genom att identifiera symbolik. Det psykologiska perspektivet innefattar en diskussion om platsens själ och de osynliga kvaliteter som en inredning kan förmedla, men det innefattar också hotellets roll som en arena för självbespegling. Hotellet kan spegla gästens personliga preferenser och livsstil och bygger på en slags gruppidentitet. En del av hotellens idé är att attrahera likasinnade.

  • 38.
    Svensson, Alexandra
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Ingenmansland: Hybridbilders rörelser genom gränszonen mellan konst och reklam.2013Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [sv]

    Uppsatsens syfte är att ur ett konstvetenskapligt perspektiv undersöka hybridbilder som uppvisar drag av både konst och reklam, och de gränsöverskridande rörelser som bilderna gör mellan dessa fält. Tre bilder har analyserats för att lyfta fram villkor och förutsättningar för hur förflyttningar mellan konstfältet och reklamfältet kan ske. Den teoretiska utgångspunkten för dessa analyser har varit parametrarna funktion, syfte, upphovsperson och cirkulation utifrån Göran Sonessons bok Bildbetydelser: Inledning till Bildsemiotiken som vetenskap. I varje bild har närvaron av dessa parametrar undersökts i relation till några generella karaktäristiska egenskaper hos konstbilder respektive reklambilder. Resultaten uppvisade en stor variation och ur bildanalyserna utkristalliserade sig tre olika sätt för att uppnå en rörlighet mellan fälten: bilden bygger ett starkt kulturellt kapital som långsiktigt befäster dess rätt till rörlighet; bilden intar en position mittemellan fälten och utnyttjar denna för att kunna förflytta sig i båda riktningarna; bilden befäster sig först som tillhörande en bildkategori och tillhandahåller sedan själv verktygen för att ifrågasätta denna kategorisering.

    Fulltekst (pdf)
    Hybridbilder. Svensson
  • 39.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    2 Stenberg 2: Constructivists and Designers for the Revolutionary Mass Stagings at the Red Square1998Inngår i: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 67, nr 3, s. 175-188Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Georgy and Vladimir Stenberg, central participants of the Russian avant-garde and the first to use the term "constructivist", were Swedish. Thanks to the first international 'two-person' museum exhibition on the Stenberg brothers, in the summer of 1997 at the Museum of Modern Art in New York, interest in their work has been renewed. The focus of the MoMA exhibition was on the film posters. In addition to the Stenbergs' work as constructivists and theatre scenographers, this is the part of their work that has brought them most international fame. There is, however, one aspect which, if mentioned at all, is mentioned only in passing: the Stenbergs were chief designers for the Red Square in Moscow.   

    In addition to a brief presentation of the Swedish heritage of Vladimir Augustovich (1899 - 1982) and Georgy Augustovich Stenberg (1900 - 1933), the aim of this article is to introduce the Stenbergs as designers for the celebrations in the Red Square. Other key places along the parade route in central Moscow were the Palace of the Soviets and Gorky Park. The Stenberg brothers participated in all three projects. In order to get an idea of what proportions these mass stagings had, I will discuss them in the context of the reconstruction of Moscow into a parade centre, the first five-year plan, and the cultural revolution, all of which took place at the same time as the Stenbergs established themselves as designers for street festivities. First of all, however, I shall give a short background of Georgy and Vladimir Stenberg and their aesthetical standpoints in art.

    Fulltekst (pdf)
    fulltext
  • 40.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Aelita, konstruktivism och biomekanik1993Inngår i: Chaplin, ISSN 0045-6349, Vol. 35, nr 249Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Fulltekst (pdf)
    fulltext
  • 41.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Alexandra Exter: Artist for the Stage1993Inngår i: Theatre in Revolution: The Russian Avantgarde on Stage 1913-1930, Stockholm: Dansmuseet , 1993, s. 117-125Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
  • 42.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Alexandra Exter: Konstnär för scenen1993Inngår i: Teater i revolution: det ryska avantgardet på scen 1913-1930, Stockholm: Dansmuseet , 1993, s. 100-116Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
  • 43.
    Tillberg, Margareta
    KTH Royal Institute of Technology, Sweden.
    Anne-Marie Ericsson. The Interiors of M/S Kungsholm: Masterpieces in Swedish Art Deco2008Inngår i: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 77, nr 4, s. 230-234Artikkel, omtale (Annet vitenskapelig)
    Abstract [en]

    Art Deco is a style that has hitherto gained too little attention in Swedish history of art and design. With her special focus on the 1920s and 1930s Anne-Marie Ericsson, a well known author and lecturer in the Swedish design world, is the just author for this period. Therefore I open her M/S Kungsholms inredning. Mästerverk i svensk art deco [The Interior of M/S Kungsholm. A masterpiece in Swedish art deco][i] with great expectations.

    As the title implies, the aim of the book is to treat the interiors of M/S Kungsholm, the show-piece of the Swedish American Line. This focus is reasonable, insofar as the exterior presented nothing new, according to the author, whereas the interior was enthusiastically received by the New York press as a “fairy tale castle” when she arrived on her maiden voyage in New York, December 1928. (p. 9).

    Trying to present a reconstruction of how the ship looked, although almost nothing remains of it today, Anne-Marie Ericsson has taken upon herself a task that is not an easy one. The fate of M/S Kungsholm was unfortunate. After a glorious decade, she transported troops during World War II, incredibly enough escaped bombs and torpedoes, became a cruise ship in the Mediterranean and was finally broken up in Bilbao in 1964. By that time, the interiors had been almost entirely extinguished and the furniture plundered or sold.

    [i]  If not stated otherwise, all the translations from Swedish to English are my own, M.T.

    Fulltekst (pdf)
    fulltext
  • 44.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Behöver en designer verkligen teori och historia?2005Inngår i: Sond: en tidning från avdelningen för design vid Växjö universitet, s. 6-Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Fulltekst (pdf)
    fulltext
  • 45.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Coloured Universe and the Russian Avant-Garde: Matiushin on Colour Vision in Stalin's Russia, 19322003Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. It is based on extensive research in twenty different Russian archives, each including numerous archival funds, in addition to the Stedelijk Museum Prentenkabinet in Amsterdam and other unpublished material.

    Contemporary ideas from German Bauhaus and De Stijl in Holland have received deserved attention. In the Soviet Union, avant-garde artists were silenced as enemies of the people – their priorities were other than the class struggle.

    The implicit narrative of the book, is about a group of intellectuals who struggled to work with what they believed in, e.g. an expansion and change of innate possibilities to create something never seen before, despite political oppression.

    The aim of this study is to present and analyse the hitherto unknown colour theory of Mikhail Matiushin (1866–1934) published in Leningrad and Moscow in 1932.

    The work is divided into five parts. The first part, Colour, deals with the contexts of history, colour and art. During the 1920s a number of institutes for interdisciplinary scientific research in art, design and architecture were founded in the Soviet Union. One of them was the Institute of Artistic Culture in Leningrad – GINKhUK – where Malevich and Tatlin also worked. One goal was to formulate a universal language with mathematics as the ideal science, to be collected into an encyclopaedia for visual culture (art, architecture, design); another goal was to redesign the world for the masses outside the ‘dead’ museums, and to produce a new kind of human being, a third goal. There the artist, musician and theoretician Mikhail Matiushin supervised the Department of Organic Culture with his Laboratory of Colour.

    The second part, Vision, analyses Matiushin's training programme, a variant of synaesthetical union of the senses, which includes an extension of the visual angle to a complete 360°; i.e., the consciously amplified eye, defined in Matiushin’s peculiar way.

    The third part, Culture, compares Matiushin with the theosophist mystics Pëtr Uspenskii and C. H. Hinton, the painter Wassily Kandinsky and the philosopher Henri Bergson.

    Part four, Ideology, sheds light on colour from those whose perspective was based on the State philosophy of dialectical materialism. By the early 1930s, the innovative institutes were closed down due to centralization of all expressions of culture under the banner of Socialist Realism.

    The last part, Synthesis, provides a detailed discussion on what happened after the 1930s. It concludes with the colour theory text, both its Russian original and for the first time in English translation.

    The belief is that Matiushin’s colour theory was not given any consideration after its publication in 1932. The results of this study show, however, that his colour handbook has been and still is used in the colour design of St. Petersburg.

    Fulltekst (pdf)
    ColouredUniverse-RussianAvant-Garde.pdf
  • 46.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Den moderna utopins design1992Inngår i: Form, ISSN 0015-766X, Vol. 88, nr 5, s. 53-54Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
    Fulltekst (pdf)
    fulltext
  • 47.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen. Uppsala University, Sweden.
    Design institute VNIITE closes its doors2013Inngår i: Baltic Worlds, ISSN 2000-2955, E-ISSN 2001-7308, Vol. 6, nr 2, s. 56-Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 48.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Designmai 2006 i Berlin2006Inngår i: Designtidskriften FORM, ISSN 0015-766X, nr 4, s. 24-25Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 49.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Det ryska avantgardets kärlek till folkkonsten och målade affärsskyltar1993Inngår i: Paletten, ISSN 0031-0352, Vol. 213, nr 2Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Fulltekst (pdf)
    fulltext
  • 50.
    Tillberg, Margareta
    Stockholms universitet, Humanistiska fakulteten, Konstvetenskapliga institutionen.
    Die technische ästhetik und die unerschöpfliche mensch-maschine als sowjetisches designprodukt der 1960er Jahre2014Inngår i: Helden am ende: erschöpfungszustände in der kunst des sozialismus / [ed] Monica Rüthers, Alexandra Köhring, Frankfurt am Main: Campus Verlag, 2014, s. 157-181Kapittel i bok, del av antologi (Fagfellevurdert)
    Fulltekst (pdf)
    fulltext
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