Endre søk
Begrens søket
123456 1 - 50 of 268
RefereraExporteraLink til resultatlisten
Permanent link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Treff pr side
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sortering
  • Standard (Relevans)
  • Forfatter A-Ø
  • Forfatter Ø-A
  • Tittel A-Ø
  • Tittel Ø-A
  • Type publikasjon A-Ø
  • Type publikasjon Ø-A
  • Eldste først
  • Nyeste først
  • Skapad (Eldste først)
  • Skapad (Nyeste først)
  • Senast uppdaterad (Eldste først)
  • Senast uppdaterad (Nyeste først)
  • Disputationsdatum (tidligste først)
  • Disputationsdatum (siste først)
  • Standard (Relevans)
  • Forfatter A-Ø
  • Forfatter Ø-A
  • Tittel A-Ø
  • Tittel Ø-A
  • Type publikasjon A-Ø
  • Type publikasjon Ø-A
  • Eldste først
  • Nyeste først
  • Skapad (Eldste først)
  • Skapad (Nyeste først)
  • Senast uppdaterad (Eldste først)
  • Senast uppdaterad (Nyeste først)
  • Disputationsdatum (tidligste først)
  • Disputationsdatum (siste først)
Merk
Maxantalet träffar du kan exportera från sökgränssnittet är 250. Vid större uttag använd dig av utsökningar.
  • 1.
    Abrahamsson, Elin
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Genusvetenskap.
    Enahanda läsning: En queer tolkning av romancegenren2018Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This doctoral thesis investigates popular romance, a mass-cultural genre with a large female audience. Popular romance is often considered ”lowbrow” and is referred to by terms such as ”porn” and ”garbage”. The female reader of this so called “sentimental trash” is often portrayed as naïve and unworldly. The thesis makes this derogatory view of the genre its point of departure, to investigate what cultural understandings of gender and sexuality the critique against popular romance entails. The thesis further investigates how these conceptions of gender and sexuality deviate from and challenge a culturally promoted and normative sexuality.

    The thesis consists of six chapters. The first chapter describes the selection of the empirical material and the theoretical and methodological framework. The empirical material consists of the three novels in the popular series Fifty Shades of Grey and the four novels and five films in the popular series Twilight. The thesis places itself within the field of feminist cultural studies and queer theory. It makes use of the concept of masturbation (both literal and figurative) as an analytical entry point and as a method focusing on the “here and now” of romance reading.

    The second chapter contextualizes the study by defining the term “popular romance” and by providing a brief historical overview of the genre. Previous research on popular romance is presented and discussed in relation to the derogatory view of the genre.

    The third chapter studies the Swedish media commentaries on Fifty Shades of Grey and Twilight to define how the rejected romance reader is conceptualized, and how this romance reader is presumed to be reading. This “romance reader” is thereafter discussed in relation to the Western historical discourse on masturbation, “female illness” and (women’s) private reading. The chapter closes with a discussion on the form of reading that the romance reader is associated with. This self-immersed, excessive and over-invested reading form is defined as “masturbatory”.

    The fourth chapter explores the act of romance reading when defined as a sexual activity. The romance community is compared to the “second wave” feminism of the 1970s in order to demonstrate how the genre establishes a separatist female community where relations, positions, and identifications are in motion, revealing both homoerotic and autoerotic elements to this homosocial context.

    In the fifth chapter, a close reading of the material is performed with a focus on the “here and now” of the reading situation. The dichotomy of desiring subject and desired object is problematized in relation to looks and gaze. The thesis argues that the romance text uses detailed and intimate descriptions to instill a sexual charge and to freeze the flow of the storyline in order to make room for constant erotic contemplation. These “frozen moments” and the repetitiveness of the genre are discussed in relation to theories of queer temporality. The romance text constructs a room “outside of time” that privileges the overwhelming pleasures of the “here and now”. This liminal room is not only available for the heroine and hero of the story, but for the romance reader as well.

    The sixth and final chapter ties together the main arguments of the thesis in an overarching discussion on how conceiving romance reading as a form of masturbation challenges previous research on popular romance and the gendering of and contempt for mass culture.

  • 2.
    Acerbi, Alberto
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för evolutionär kulturforskning.
    Ghirlanda, Stefano
    Stockholms universitet, Humanistiska fakulteten, Centrum för evolutionär kulturforskning. Brooklyn College, USA.
    Enquist, Magnus
    Stockholms universitet, Humanistiska fakulteten, Centrum för evolutionär kulturforskning. Stockholms universitet, Naturvetenskapliga fakulteten, Zoologiska institutionen.
    Regulatory traits: Cultural influences on cultural evolution2014Inngår i: Evolution, Complexity and Artificial Life / [ed] Stefano Cagnoni, Marco Mirolli, Marco Villani, Springer Berlin/Heidelberg, 2014, s. 135-147Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    We use the term regulatory traits to indicate traits that both regulate cultural transmission (e.g., from whom to learn) and are themselves culturally transmitted. In the first part of this contribution we study the dynamics of some of these traits through simple mathematical models. In particular, we consider the cultural evolution of traits that determine the propensity to copy others, the ability to influence others, the number of individuals from whom one may copy, and the number of individuals one tries to influence. We then show how to extend these simple models to address more complex human cultural phenomena, such as ingroup biases, the emergence of open or conservative societies, and of cyclical, fashion-like, increases and decreases of popularity of cultural traits. We finally discuss how the ubiquity of regulatory traits in cultural evolution impacts on the analogy between genetic and cultural evolution and therefore on the possibility of using models inspired by evolutionary biology to study human cultural dynamics.

  • 3.
    Acerbi, Alberto
    et al.
    Stockholms universitet, Humanistiska fakulteten, Centrum för evolutionär kulturforskning.
    Jacquet, Pierre O.
    Tennie, Claudio
    Behavioral constraints and the evolution of faithful social learning2012Inngår i: Current Zoology, ISSN 1674-5507, Vol. 58, nr 2, s. 307-318Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    Behavioral “traditions”, i.e. behavioral patterns that are acquired with the aid of social learning and that are relativelystable in a group, have been observed in several species. Recently, however, it has been questioned whether non-human sociallearning is faithful enough to stabilize those patterns. The observed stability could be interpreted as a result of various constraintsthat limit the number of possible alternative behaviors, rather than of the fidelity of transmission mechanisms. Those constraints canbe roughly described as “internal”, such as mechanical (bodily) properties or cognitive limitations and predispositions, and “external”, such as ecological availability or pressures. Here we present an evolutionary individual-based model that explores the relationships between the evolution of faithful social learning and behavioral constraints, represented both by the size of the behavioral repertoire and by the “shape” of the search space of a given task. We show that the evolution of high-fidelity transmission mechanisms, when associated with costs (e.g. cognitive, biomechanical, energetic, etc.), is only likely if the potential behavioral repertoire of a species is large and if the search space does not provide information that can be exploited by individual learning. Moreover we show how stable behavioral patterns (“traditions”) can be achieved at the population level as an outcome of both high-fidelity and low-fidelity transmission mechanisms, given that the latter are coupled with a small behavioral repertoire or with a search space that provide substantial feedback. Finally, by introducing the possibility of environmental change, we show that intermediaterates of change favor the evolution of faithful social learning.

  • 4.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Ai Weiwei @ Helsinki på Helsinki Art Museum 25 september, 2015 – 28 februari, 20162015Inngår i: Kinarapport, ISSN 1404-3874, Vol. 4, s. 72-75Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 5.
    Aggeklint, Eva
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Kinesisk konst på OpenART i Örebro2015Inngår i: Kinarapport, ISSN 1404-3874, Vol. 4, s. 78-79Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    I år har den femte upplagan av Örebros konstbiennal OpenART gått av stapeln. Den är sedan 2013 den största konstbiennalen i Skandinavien och brukar visa verk av ett sjuttiotal konstnärer från olika delar av världen i stadsrummet och på museer. I år bidrog inte mindre än 13 kinesiska konstnärer och var därmed efter Sverige den mest representerade nationen. De två kinesiska utställningarna "Möten" och "Utan hämningar" fanns att beskåda 14juni–6 september och visade konstverk av Ai Weiwei, Chen Zhiguang, Cheng Dapeng, Chi Peng, Fu Zhongwang, Hu Weiyi, Li Binyuan, Liao Yijun, Song Dong, Wang Rui, Xu Bing, Yang Mushi och Yin Xiuzhen. Svensk-kinesiska föreningen var på plats och höll en visning i början av augusti. Här recenseras OpenARTs stora satsning på kinesisk samtidskonst.

  • 6.
    Alkmim, Tania
    et al.
    University of Campinas.
    Alvarez López, Laura
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    El uso del portugués en comunidades de religiones afrobrasileñas en el Uruguay: un estudio de caso2013Inngår i: Estudios afrolatinoamericanos: nuevos enfoques multidisciplinarios: Actas de las Terceras Jornadas del GEALA / [ed] María de Lourdes Ghidoli, Juan Francisco Martínez Peria, Buenos Aires: Ediciones del CCC Centro Cultural de la Cooperación Floreal Gorini , 2013, s. 587-601Konferansepaper (Annet vitenskapelig)
    Abstract [es]

    Varios investigadores del campo de las ciencias sociales han señalado que la frontera de Rio Grande do Sul funciona como frente de expansión de las religiones afrobrasileñas para Uruguay y Argentina. Pi Hugarte, autor de una serie de publicaciones sobre las mencionadas religiones en el Uruguay, afirma que “la umbanda del Uruguay ya es un fenómeno cultural propio” (Pi Hugarte, 1992: 45). Eso coincide con la postura de Porzecanski (2008) que se refiere al “ritual afro-uruguayo de la Umbanda”, lo que se puede interpretar como la designación de una modalidad regional de esa religión. Según trabajos anteriores, en los rituales de dicha modalidad regional se emplea el portugués, pero no encontramos investigaciones de carácter lingüístico sobre la difusión de esa lengua como consecuencia de la expansión religiosa o sobre el uso del portugués brasileño y la convivencia de esa variedad con el español regional en el ámbito afroumbandista. Fue así que surgió la idea de realizar un trabajo de campo para observar la comunicación ritual y juntar datos lingüísticos en una comunidad montevideana que se dedica a las prácticas religiosas denominadas Batuque Quimbanda y Umbanda. Aportamos datos empíricos de un estudio de caso para describir el uso del portugués en contextos religiosos entre hablantes nativos de español. Completamos los datos recogidos consultando estudios anteriores para poder ampliar el universo observado y presentar ejemplos de comunidades que no tuvimos la oportunidad de visitar. Las preguntas discutidas son: ¿En qué situaciones comunicativas y por qué razones se utiliza el portugués en contextos religiosos y rituales en el Uruguay? ¿Cuáles son los componentes lingüísticos que se destacan y cuál es su relación con las variedades de español regional y con el lenguaje que se utiliza en comunidades de religión afro en el Brasil?

  • 7.
    Alvarez López, Laura
    et al.
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    Lundgren, SiljeStockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.Machado-Borges, ThaïsStockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    Contemporary Struggles in Latin America2013Collection/Antologi (Fagfellevurdert)
  • 8.
    Ambjörnsson, Fanny
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Genusvetenskap.
    Tid att städa: Om vardagsstädningens praktik och politik2018Bok (Fagfellevurdert)
  • 9.
    Ambjörnsson, Fanny
    Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusvetenskap, Genusvetenskap.
    Vad är queer?2016 (oppl. 2)Bok (Annet vitenskapelig)
  • 10.
    Andersson, Katarina
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    ”Vårt” och ”deras” kulturarv? Svensk kulturarvspolitik­­ 1996­–2009–20162017Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [sv]

    Svensk kulturarvspolitik arbetar utifrån visionen för kulturmiljöarbetet 2030 att ”alla, oavsett bakgrund, ska kunna göra anspråk på vårt gemensamma kulturarv”. Vad har föranlett till den här visionen och hur har det sett ut innan? Den här studien syftar till att undersöka hur och om retoriken i det talade språket och den skrivna texten uttrycker en exkluderande eller inkluderande syn på nationellt kulturarv kopplat till identitet.  Hur har synen på nationellt kulturarv sett ut och finns det en ”vi” och ”den Andre”– struktur i diskursen?

    Källmaterialet består av tre olika kultur- och kulturarvspropositioner under åren 1996, 2009 och 2016. Det kompletteras med utvalda intervjuer och offentliga tal från tre olika kulturministrar under samma år: Marita Ulvskog, Lena Adelsohn Liljeroth och Alice Bah Kuhnke. Metoden för studien har varit kritisk diskursanalys hämtad från Norman Fairclough. Resultatet av undersökningen diskuteras med begrepp hämtade från postkolonial teori, främst Edward Said och Homi K. Bhabha.

    Sökord: kulturarv, ”den Andre”, kulturarvspolitik, identitet, postkolonial, kritisk diskursanalys, kulturminister, nationalism

  • 11.
    Andersson, Therése
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    Coppola's Marie Antoinette: Costume and Sensibility2012Inngår i: Nordic Fashion Studies / [ed] Peter McNeil, Louise Wallenberg, Stockholm: Axl Books, 2012, s. 293-307Kapittel i bok, del av antologi (Fagfellevurdert)
  • 12.
    Andersson, Therése
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    Det är över nu - The Artist2012Inngår i: FLM, ISSN 1654-711X, nr 16, s. 26-29Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 13.
    Andersson, Therése
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    Fashioning The Fashion Princess: Mediation - Transformation - Stardom2012Inngår i: Journal of Aesthetics and Culture, ISSN 2000-4214, E-ISSN 2000-4214, Vol. 4Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Is she looking as royal as can be? Dressing the part of a princess? Popular media texts, such as magazines completely devoted to celebrity matters, dealing with reports on who is wearing what at which occasion, provide the empirical outset for this textual study on the representations of the Scandinavian princesses of today: Mary (Denmark), Mette-Marit (Norway), Victoria (Sweden) and Madeleine (Sweden). In this article the princesses are, on a theoretical level, considered stars with their own images, images constructed in a similar way as film stars, with fashion and appearance as the focal point. In popular media texts, such as the Swedish woman’s magazine Svensk Damtidning, the styles of the princesses are scrutinised, compared and evaluated. These mappings are in this way further examined, and the topics surrounding the representations are surveyed. The themes selected for supplementary examination are personal style and Cinderella narrative, as they emerge as intimately interrelated with fashion. The epithet princess, in the sense ‘‘what a princess ought to look like’’, is given in terms of aestheticised appearance: body, fashion and personal style, is thus discussed and theorised throughout the article. Hence, the purpose of this article is to examine the roll of dress and the matter of appearance concerning the representations of the Scandinavian princesses, relating to the themes of style and consumption, as well as the transformation narratives. How are these royal styles constructed, on a designer level as well on a thematic level?

  • 14.
    Andersson, Therése
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    Greta Garbo: Filmstjärnan som nationell hjältinna2012Inngår i: Hjältar och Hjältinnor: Föreställningar och gestaltningar från Eufemiavisorna till Gösta Berlings saga / [ed] Therése Andersson, Lund: Nordic Academic Press, 2012, s. 155-180Kapittel i bok, del av antologi (Fagfellevurdert)
  • 15.
    Andersson, Therése
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    Hjältar och Hjältinnor: Föreställningar och gestaltningar från Eufemiavisorna till Gösta Berlings saga2012Collection/Antologi (Fagfellevurdert)
  • 16.
    Andersson, Therése
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    Inledning: Hjältar och Hjältinnor2012Inngår i: Hjältar och Hjältinnor: Föreställningar och gestaltningar från Eufemiavisorna till Gösta Berlings saga / [ed] Therése Andersson, Lund: Nordic Academic Press , 2012, s. 11-16Kapittel i bok, del av antologi (Fagfellevurdert)
  • 17.
    Andrée, Alexander
    Stockholms universitet, Humanistiska fakulteten, Institutionen för franska, italienska och klassiska språk. Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    On the Fortune of John Scot’s Homilia and Commentarius: The Glossa ordinaria and the Verbum substantiale [appendix]2008Inngår i: Iohannis Scotti seu Eriugenae Homilia super "In principio erat verbum": et Commentarius in Evangelium Iohannis / [ed] É. Jeauneau, Turnhout: Brepols, 2008, s. 139-150Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 18.
    Banér, Anne
    Barn- och ungdomsvetenskapliga institutionen, Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för barn- och ungdomsvetenskap, Centrum för barnkulturforskning.
    Kulturarvingarna, typ! Vad ska barnen ärva och varför?2011Collection/Antologi (Annet vitenskapelig)
  • 19.
    Becker, Karin
    Stockholms universitet, Humanistiska fakulteten, Institutionen för journalistik, medier och kommunikation (JMK).
    Gestaltningsprocesser i kultur och medier vid Tema Q2012Inngår i: Kulturaliseringens samhälle: Problemorienterad kulturvetenskiaplig forskning vid Tema Q 2002-2012 / [ed] Svante Beckman, Linköping: Linköping universitet , 2012, s. 88-93Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 20.
    Becker, Karin
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier.
    Gestures of Seeing: Amateur photographers in the news2015Inngår i: Journalism - Theory, Practice & Criticism, ISSN 1464-8849, E-ISSN 1741-3001, Vol. 16, nr 4, s. 451-469Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines the amateur photographer as a common figure in contemporary news photographs, focusing on how the amateur’s gestures signify in journalism’s coverage of media events. Drawing on theories of photography as performance and ritual, I argue that the presence of the non-professional in the news photograph destabilizes journalistic discourse by challenging the role of the professional photographer and by redefining the event and its meanings. This is especially critical in coverage of catastrophic events, when the amateur’s gestures become a form of witnessing from a participant’s perspective, carrying both private and collective meanings for how the event will be understood in the future, and undermining the authority of journalism.

  • 21.
    Beckman, Frida
    Stockholms universitet, Humanistiska fakulteten, Engelska institutionen.
    Culture Control Critique: Allegories of Reading the Present2016Bok (Fagfellevurdert)
  • 22.
    Berglund, Ulrika
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Medelvägens lyx: Franska hantverkstraditioner och folkhemsvisioner i Sverige kring mitten av 1900-talet2015Inngår i: Det svenska begäret: Sekler av lyxkonsumtion / [ed] Paula von Wachenfeldt, Klas Nyberg, Stockholm: Carlsson Bokförlag, 2015Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 23.
    Bergqvist, Kim
    Stockholms universitet, Humanistiska fakulteten, Historiska institutionen.
    "Den äldsta byggnaden på västra halvklotet"? Några reflektioner kring autenticitet och historiebruk i Miami, FL2012Inngår i: Valör, ISSN 0283-751X, nr 1-2, s. 3-16Artikkel i tidsskrift (Annet vitenskapelig)
  • 24.
    Bergwik, Staffan
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Därför har människan alltid velat se jorden lite grann från ovan2015Inngår i: Dagens Nyheter, ISSN 1101-2447Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 25. Bernard, Mark
    et al.
    Dreber, Anna
    Strimling, Pontus
    Stockholms universitet, Humanistiska fakulteten, Centrum för evolutionär kulturforskning.
    Eriksson, Kimmo
    Stockholms universitet, Humanistiska fakulteten, Centrum för evolutionär kulturforskning.
    The subgroup problem: When can binding voting on extractions from a common pool resource overcome the tragedy of the commons?2013Inngår i: Journal of Economic Behavior and Organization, ISSN 0167-2681, E-ISSN 1879-1751, Vol. 91, s. 122-130Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Using a common pool resource game protocol with voting we examine experimentally how cooperation varies with the level at which (binding) votes are aggregated. Our results are broadly in line with theoretical predictions. When players can vote on the behavior of the whole group or when leaders from each group can vote for the group as a whole, extraction levels from the common resource pool are close to the social optimum. When players extract resources individually, there is substantial overextraction. When players vote in subgroups, there is initially less overextraction but it increases over time. This suggests that in order for binding voting to overcome the tragedy of the commons in social dilemmas, it should ideally affect the group as a whole.

  • 26.
    Berndt, Jaqueline
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier. Kyoto Seika University, Kyoto, Japan.
    Manga, Which Manga? Publication Formats, Genres, Users: Chapter 82016Inngår i: Japanese Civilization in the 21st Century / [ed] Andrew Targowski, Juri Abe, Hisanori Kato, New York: Nova Science Publishers, Inc., 2016, s. 121-134Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    Since the beginning of the 21st century, manga has gained global renown to such an extent that its name is now surfacing in various discourses. What is more, politicians, journalists, and even academics show an inclination to generalize about manga. In light of both the practical political and scholarly consequences which such generalization has, this chapter calls for differentiation, focusing on manga as media. Methodologically informed by the fields of manga studies, art history, and media culture, the notion of “media” applied here conjoins the aspects of material support and technology, traditionally referred to by “medium,” with a consideration of the institutions, practices and interrelations underlying the production, distribution, and consumption of manga. Starting from historical notions mediated by the term manga, this chapter highlights how manga texts are conventionally positioned by format and site of publication, gendered and thematic genres, associated target groups and possible usages. Having proposed a tripartite classification, this chapter finally identifies a specific kind of manga that is in demand by fans on a global scale, a kind which not only matches the interactivity of the age of the internet, but historically also rests on a remarkable internal receptivity to non-Japanese comics in Japan.

  • 27. Blom, Ina
    et al.
    Lundemo, TrondStockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Filmvetenskap.Røssaak, Eivind
    Memory in Motion: Archives, Technology, and the Social2016Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very much up in the air. The essays in this collection discuss the new technologies of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.

  • 28.
    Blomberg, Elias
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen, Latinamerikainstitutet.
    The shifting role of the Brazilian Military since 1985: A study of changes in the civil-military relations2018Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This thesis will investigate the development of civil-military relations in Brazil since the democratization in 1985. The two most important previous studies, by Alfred Stepan and Wendy Hunter, will be presented and discussed. They where published in 1988 and 1997, respectively. There is therefore a need for a study that includes the development during the long period since these two books were published. The focus will be on three indicators, civilianization of government, how the role of the military has been defined, and military expenditures. The conclusions are that there are contradicting tendencies regarding the development of the civil-military relations, and that the strengthening of civilian institutions is paramount in order to consolidate democracy in Brazil.

     

     

  • 29.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Alan Mikhail, Under Osman’s Tree: The Ottoman Empire, Egypt, and Environmental History2017Inngår i: ChoiceReviews, ISSN 0009-4978, Vol. 54, nr 12, s. 212-213Artikkel, omtale (Annet vitenskapelig)
  • 30.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Catapulted: Youth Migration and the Making of a Skilled Albanian Diaspora (by Burcu Akan Ellis)2016Inngår i: Balkanistica, ISSN 0360-2206, Vol. 29, nr 2, s. 297-300Artikkel, omtale (Annet vitenskapelig)
  • 31.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Gingeras, Ryan. Fall of the Sultanate: the Great War and the End of the Ottoman Empire, 1908-1922. Oxford 20162017Inngår i: ChoiceReviews, ISSN 0009-4978, Vol. 54, nr 5, s. 765-765Artikkel, omtale (Annet vitenskapelig)
  • 32.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Heather J. Sharkey, A History of Muslims, Christians, and Jews in the Middle East2017Inngår i: ChoiceReviews, ISSN 0009-4978, Vol. 55, nr 2, s. 145-146Artikkel, omtale (Annet vitenskapelig)
  • 33.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Max Bergholz, Violence as a Generative Force: Identity, Nationalism, and Memory in a Balkan Community2017Inngår i: ChoiceReviews, ISSN 0009-4978, Vol. 54, nr 10, s. 234-235Artikkel, omtale (Annet vitenskapelig)
  • 34.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Nothing New: Islamophobia by Default in Postwar Europe2015Inngår i: IRCICA Journal, ISSN 2148-2772, Vol. 3, nr 6, s. 29-64Artikkel i tidsskrift (Fagfellevurdert)
  • 35.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    Roger Hardy, The Poisoned Well: Empire and its Legacy in the Middle East2017Inngår i: ChoiceReviews, ISSN 0009-4978, Vol. 54, nr 9, s. 132-133Artikkel, omtale (Annet vitenskapelig)
  • 36.
    Blumi, Isa
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier, Institutet för Turkietstudier (SUITS).
    [What You Should Read] What is Happening in Yemen2017Inngår i: Maydan, nr 15 novemberArtikkel i tidsskrift (Annet vitenskapelig)
  • 37.
    Blumi, Isa
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för Asien-, Mellanöstern- och Turkietstudier.
    Hacısalihoğlu, Mehmet
    Introduction to the Special Issue: Islamophobia in Europe2015Inngår i: IRCICA Journal, ISSN 2148-2772, Vol. 3, nr 6, s. 13-28Artikkel i tidsskrift (Fagfellevurdert)
  • 38.
    Bodin, Per-Arne
    Stockholms universitet, Humanistiska fakulteten, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, Slaviska språk.
    Från Bysans till Putin: Historier om Ryssland2016Bok (Annet vitenskapelig)
  • 39.
    Bodin, Per-Arne
    Stockholms universitet, Humanistiska fakulteten, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, Slaviska språk.
    Putin vill stjäla en viking: Nu skrivs Rysslands historia om på nytt2017Inngår i: Forskning och framsteg, ISSN 0015-7937, Vol. 52, nr 4, s. 48-53Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 40.
    Bolton, Kingsley
    Stockholms universitet, Humanistiska fakulteten, Engelska institutionen.
    Constructing the global vernacular: American English and the media2010Inngår i: Media, popular culture, and the American century / [ed] Kingsley Bolton and Jan Olsson, London: John Libbey Publishing, 2010, s. 125-153Kapittel i bok, del av antologi (Fagfellevurdert)
  • 41.
    Bolton, Kingsley
    et al.
    Stockholms universitet, Humanistiska fakulteten, Engelska institutionen.
    Olsson, Jan
    Stockholms universitet, Humanistiska fakulteten, Filmvetenskapliga institutionen.
    Mediated America: Americana as Hollywoodiana2010Inngår i: Media, popular culture, and the American century / [ed] Kingsley Bolton and Jan Olsson, London: John Libbey , 2010, s. 7-33Kapittel i bok, del av antologi (Fagfellevurdert)
  • 42. Borkopp-Restle, Birgitt
    et al.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology, Australia; Aalto University, Finland.
    Martinetti, Sara
    Miller, Lesley
    Riello, Giorgio
    Museums and the Making of Textile Histories: Past, Present, and Future2016Inngår i: Perspective: actualite en l'histoire de l'art, ISSN 2269-7721, nr 1, s. 43-60Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [fr]

    Nombre de musées différents collectionnent et préservent les textiles, et collectent les données les concernant. Ils les interprètent également par le biais d’expositions temporaires ou semi permanentes, de publications et d’interventions sur des sites web. Ces interprétations se présentent isolément, ou sont parfois inscrites dans un cadre plus large qui englobe l’histoire de l’art et du design, la science et la technologie, ou encore l’histoire sociale et l’anthropologie, l’histoire locale et les cultures du monde (types de textiles et approches utilisées dans les grandes capitales de la mode – Londres, Paris, Milan, New York – possédant une longue tradition de production et de consommation textile, ou dans des villes manufacturières telles que Krefeld, Lyon ou Manchester, par exemple).

    Malgré tout, les événements organisés autour des textiles attirent rarement l’attention du grand public ou les éloges de la critique – hormis peut-être certaines expositions novatrices telles que celles organisées par Jean-Paul Leclercq (« Jouer la lumière », Paris, Les Arts décoratifs, Musée de la Mode et du textile, 2001), Thomas P. Campbell, (« Tapestry in the Renaissance: Art and Magnificence, New York, The Metropolitan Museum of Art, 2002), Amelia Peck et al. (« Interwoven Globe : The Worldwide Textile Trade, 1500-1800 », New York, The Metropolitan Museum of Art, 2013-2014), ou John Styles (« Threads of Feeling », Londres, The Foundling Hospital, 2010-2011/Colonial Williamsburg, 2014). Cette discussion vise à tirer parti des différentes expériences culturelles des participants et des diverses formations disciplinaires qu’ils incarnent :

    - Encourager le débat sur le rôle joué par les musées en matière de fabrication et de représentation de l’histoire des textiles. Les musées ne sont pas simplement dépositaires d’objets textiles : ils écrivent aussi leur histoire, qu’elle soit universitaire ou grand public, par le biais d’expositions et de publications. Comment ce travail s’articule-t-il avec la recherche universitaire et le partage des connaissances ? Tient-il compte des nouveaux apports de la recherche et alimente-t-il celle-ci ? Comment faire évoluer à l’avenir les échanges entre musées et universités dans différentes régions et cultures du monde ?

    - Déterminer quels musées font preuve d’innovation (à l’échelle locale, régionale, nationale et internationale). En quoi consistent ces innovations, et peuvent-elle contribuer à déterminer de futures orientations, notamment en matière de collection et d’interprétation ? Par interprétation, il faut entendre ici tout type d’explication sous forme numérique ou analogique fournie pour contextualiser les œuvres exposées.

    - Il est difficile, désormais, d’affirmer que seuls les historiens de l’art sont à même de proposer une étude dynamique des objets datant de la période post 1500, et l’intérêt quasi exclusif porté jusqu’ici aux textiles attachés à la tradition bien établie de la collection d’amateur d’art (essentiellement les tentures et tapisseries répondant à des commandes de prestige) est aujourd’hui remis en question par l’adoption d’approches plus globales par les historiens et les spécialistes de l’histoire du design et de la culture matérielle.

  • 43.
    Brodin, Jane
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för barn- och ungdomsvetenskap.
    Lindstrand, Peg
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för barn- och ungdomsvetenskap.
    Outdoor play in a cross-cultural perspective2006Rapport (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Outdoor play in a cross cultural perspective is in focus.

  • 44. Bucci, Alessandro
    et al.
    Faggella, Chiara
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Parallel universes: Fashion studies education today2018Inngår i: International Journal of Fashion Studies, ISSN 2051-7114, Vol. 5, nr 1, s. 149-155Artikkel i tidsskrift (Fagfellevurdert)
  • 45.
    Capriola, Margherita
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen, Latinamerikainstitutet.
    Climate Crimes: Climate change and deforestation: a case-study of state-corporate crime in Peru2017Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
    Abstract [en]

    During the last decades, climate change studies have been focusing more intensely on its anthopocenic essence, as the consequence of production and consumption patterns that require the intensive exploitation of the environment. In line with this school of thought, and new generations of studies on environmental crime, this work aims to present the environmentally and climate-related issues arising from land degradation in the Peruvian Amazon; focusing on those casual mechanisms developed from the collusion between Peruvian-economic policies and new private actors such as transnational corporations (TNCs). Relying on the assumption that: the processes moving the issue of climate change overcome the global space, and can be observed from regional, national or local point of view; this work's purpose is to analyze how a single country as Peru, currently considered of low ecological footprint, could, by means of the definition of national laws (environmentally and economic-related) burden climate change. The analysis focuses on a single case-study identified with the territory within the Northern Ucayali and Southern Loreto regions in Peru, and builds on the theory of state-corporate crime developed in the 1990s by Ronald C. Kramer and Raymond J. Michalowski to define the role of state-corporate relationships in the production of social harms. To show how this relationship is today shaping the globally spread issue of climate change, the analysis of the palm oil industry in Ucayali is presented as main example of a broader phenomenon of transgression and partnership between private and public spheres in Peru. In this optic, the purpose is to give further contributions to the studies of climate change as state-corporate crime, focusing on the analysis of those territory, as the Amazon, whose preservation has been identified as mayor tool against global warming and which is instead harmed by the relation between private and governments interests.

  • 46.
    Carlberg, Marianne
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Skådespelare, kostymer och kontrakt: en bortglömde del av teater- och kostymhistorien2016Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The purpose of this study - Actors, costumes and agreements - is to highlight an almost forgotten part of the history of theatre costume and theatre history.  During at least two hundred years actors in Sweden were expected to contribute to the performance by their costumes. The study is divided into three parts: agreements, memoirs and conversation. Nine agreements between theatres and actors from 1778 to 1971 will be analyzed with focus on costumes. What do they express about the period, fashion and repertoire, audience? The theatres demand of the actors could be very detailed and shifting. Three memoire books and conversation with seven actors represent the actors view. Questions arise about actors poor economy, theatre culture and gender. The study will also show periods with connection between fashion and theatre costume.

  • 47.
    Castaldo Lunden, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap. Stockholm University.
    Exploring the Intersections of Fashion, Film, and Media2018Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    Since the turn of the twentieth century, the film industry has played a key role in the promotion and representation of fashion. Likewise, fashion’s mediated character through newsreels, television, newspapers, magazines, photography, and even paintings has facilitated the study of costume and dress history. Film scholars have dedicated efforts to the study of fashion, film, and media, focusing mostly but not exclusively on matters of representation through costume design. Significant contributions from scholars like Jane Gaines, Stella Bruzzi, Tamar Jeffers McDonald, and Adrienne Munich among others have paved the way for an interdisciplinary approach to study fashion from a film and media perspective and shaped a multitude of intercultural links between cinema and other media practices. Far from being an exhausted topic, however, the intersections between the fashion and film industries offer a vast potential that is increasingly becoming of interest to early career scholars around the globe. This special issue seeks to widen the existing research network, presenting articles from postgraduate students and early career researchers from different background with a dedicated interest in researching the intersections between fashion, film, and media. These papers provide an overview of the ways in which these areas of study overlap and intertwine.

  • 48.
    Castaldo Lundén, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Hollywood, moda y la alfombra roja: El surgimiento del consultor de moda en los Oscars2014Konferansepaper (Fagfellevurdert)
  • 49.
    Cedergren, Mickaëlle
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    Le Québec, « un pays fermé et difficile d’accès » ?: L’exportation des écrivains classiques de la littérature québécoise ou les avatars du circuit de la circulation transnationale2018Inngår i: Revue nordique des études francophones, ISSN 2003-0401, Vol. 1, nr 1, s. 18-35Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [fr]

    Dans cette étude de réception transnationale consacrée aux écrivains classiques de la littérature québécoise entre 1980 et 2015, l’auteur étudie, en particulier, trois vecteurs de transmission que sont la traduction, la diffusion en bibliothèque et la réception journalistique afin d’examiner les modalités singulières de la médiation des littératures francophones en Suède à partir du cas du Québec. L’exposé prend son point de départ dans un corpus de 28 auteurs classiques du Québec. Cette contribution s’inscrit dans le cadre des études sociologiques du fait littéraire en se servant des modèles de pensée d’Espagne (sur les transferts culturels), de Mani (sur la migration bibliographique) et de Viala (sur la notion de canon et des classiques). Finalement, cette recherche aboutit à valider le concept de triple alliance développé par Viala et signale l’extinction en cours des écrivains classiques de la littérature québécoise dans le paysage suédois en rediscutant la question de l’œuvre classique. En effet, si la traduction de ces oeuvres est réduite et quasi inexistante et si la diffusion en bibliothèques touche un public de lecteurs restreint, les représentations véhiculées par la presse suédoise entre 1980 et 2015 ne font que renforcer l’accent d’exclusivité, d’altérité et d’inaccessibilité de la littérature québécoise. Toutefois, l’étude de réception a montré l’importance d’une nouvelle littérature québécoise : la littérature migrante. En fin d’article, l’auteur lance l’hypothèse suivant laquelle les écrivains classiques d’une littérature francophone courrent peut-être le risque de tomber encore plus vite dans l’oubli que les auteurs contemporains de cette même littérature. L’étude tendrait aussi à confirmer, à la suite de Melançon (2004) et Chartier (2000), la difficulté de définir une liste de classiques québécois.

  • 50.
    Cedergren, Mickaëlle
    et al.
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    Premat, Christophe
    Stockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    La Revue nordique des études francophones: regard(s) en marge sur la francophonie2018Inngår i: Revue nordique des études francophones, ISSN 2003-0401, Vol. 1, nr 1, s. 1-6Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    The introduction to the first issue of the Nordic Journal of Francophone Studies revisits issues related to the aesthetics and classifications of Francophone literature.

    The aim is to understand both the transformations of the literary canon and the editorial strategies that promote Francophone writers.

123456 1 - 50 of 268
RefereraExporteraLink til resultatlisten
Permanent link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf