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  • 1.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology. Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Anders Edling: Emil Sjögren.2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92Article, book review (Other academic)
  • 2.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Franz Berwald Sämtliche Werke, Band 25, Supplement. Ola Eriksson, Michael Kube, Bonnie Lomnäs och Erling Lomnäs. Red: Margareta Rörby. Kassel: Bärenreiter, 20122014In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 96, no 1, 3-6 p.Article, book review (Other academic)
  • 3.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Joachim Nikolas Eggert: Symphony in E-Flat Major (Score) (Edited by Avishai Kallai and Jari Eskola) Stockholm: Musikaliska konstföreningen, 2010. och Joachim Nikolas Eggert: Symphony in C-Major (Score) Stockholm: Musikaliska konstföreningen, 2010.2011In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 93, 96-98 p.Article, book review (Other academic)
  • 4.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Lennart Hedwall och Carl-Gunar Åhlén: Patos och tradition: En bok om och med dirigenten Tor Mann2012In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 94, no 94, 118-119 p.Article, book review (Other academic)
  • 5.
    Ander, Owe
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Tomi Mäkelä: Fredrik Pacius, kompositör i Finland2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92Article, book review (Other academic)
  • 6.
    Ander, Owe
    et al.
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Lundberg, Mattias
    Principer, frågor och problem i musikvetenskapligt editionsarbete.: Exempel från pågående inventerings-, editions- och utgivningsprojekt.2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 91Article in journal (Refereed)
  • 7.
    Brolinson, Per-Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Bengt Edlund: Riff inför rätta2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 91Article, book review (Other academic)
  • 8.
    Brolinson, Per-Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Olle Edström: Evert Taube. Sånger och musikalisk värld2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 91Article, book review (Other academic)
  • 9.
    Derkert, Jacob
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Department of Musicology.
    Recensioner: Presenting Absence: Juliana Hodkinson: Presenting Absence: Constitutive Silences in Music and Sound Art since the 1950's. Diss., Institut for kunst- og kulturvidenskab, Københavns Universitet, 2007.2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 91, 180-185 p.Article, book review (Other academic)
  • 10.
    Ethnersson Pontara, Johanna
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Narrative and performative modalities in the Swedish opera-in-the-round Dreaming about Thérèse2014In: Svensk tidskrift för musikforskning, ISSN 0081-9816, STM-SJM, ISSN 2002-021X, Vol. 96, no 2Article in journal (Refereed)
    Abstract [en]

    The Swedish opera Drömmen om Thérèse (Dreaming about Thérèse) attracted national and international attention in the 1960s for its inventive approaches as an opera-in-the- round. Although this staging influenced the music’s functions, so far the music of this opera has been evaluated in accordance with the hegemony of narrative opera. Drömmen om Thérèse, however, offers an example of a contemporary fascination with exploring the spaces between borders, for instance, high versus popular culture and event performance versus recording. This article shows how the performative level of music in opera here acquires a particular quality through the incorporation of the devices of pluralism of styles, music in space and instrumental theatre. Rather than intoxication, the narrative- disrupting effect consists of a theatrical alienation. A relationship between performance and audience based on intimacy, equality, and reflection contributes to this effect.

  • 11.
    Hambro, Camilla
    University of Guthenburg, Department for Culture, Esthetics and Media.
    De kast, Huldren gjør med Kohalen: Om kjønn og andre musikalske identiteter i den norske komponisten Agathe Backer Grøndahls "Huldreslaat"2005In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 86, 49-66 p.Article in journal (Refereed)
    Abstract [en]

    "Huldreslaat, Norwegian music, gender and Agathe Backer Grøndahl or Huldra’s toss with her cow tail?"

    Starting out from contemporary reception materials, the chapter elaborates and analyses Backer Grøndahl’s piano piece Huldreslaat (1887). It received its first performance with the composer herself at the piano in 1887. By virtue of being both in and as gender, national and international discourse, Huldreslaat is an attempt on Backer Grøndahl’s side to tread a thin red line, transforming traditional music and tales about a lovesick pagan muse ("huldra") into art music: The irresistibly beautiful huldra appears in the wilderness seducing lonely Christian men with her virtuoso music. Their only chance to escape is to hold her cow tail in a firm grip. The critics brought the connotations of the work’s title and Backer Grøndahl’s personal appearance to bear on the inherent meanings of her performance and the work. Attached to this composition’s "masque" is eroticism: This was ridiculed in the satirical magazine Vikingen. In this way, Huldreslaat illustrates dangers lurking in mythic allusions in as far as critics can be fatally attracted into appreciating a composition more for its composer pianist’s radiant, blonde and seducing persona than this piece of work’s originality and expressiveness. Ahistoric perspectives do not pene­trate the ideological and social complexity in the critics’ understanding of Backer Grøndahl's alleged huldre-like femininity. The Swedish press discussed the "Norwegian" and "cosmopolitan" styles in Huldreslaat in relation to Edvard Grieg’s music and the Mountain King’s motto in Ibsen’s Peer Gynt. Gender, as well as Norwegian and international musical identities are fundamentally inter­twined and interdependent in the work, its context, and reception materials pre­sented in this dissertation. This character piece’s "Norwegianness" depends on the "masque" or the "producerly text" and the listeners or amateur per­for­mers attitudes towards the composition.

  • 12.
    Knust, Martin
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Bernd Sponheuer och Wolfram Steinbeck (utg.): ‘Mahler Handbuch’. Weimar etc.: Verlag J. B. Metzler och Bärenreiter Verlag, 20102012In: Svensk tidskrift för musikforskning, ISSN 0081-9816, no 94, 119-121 p.Article, book review (Other academic)
  • 13.
    Nehrfors, Mårten
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Stephen Rumph: Mozart and Enlightenment Semiotics, University of California Press, 20112013In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 95, 184-185 p.Article, book review (Other academic)
  • 14.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Björkholm, Johanna: Immateriellt kulturarv som begrepp och process2012In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 94, 99-101 p.Article, book review (Other academic)
  • 15.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Graff, Ola. Joikeforbudet i Kautokeino. U.o.: Davvi Girji, 20162016In: Svensk tidskrift för musikforskning, ISSN 0081-9816Article, book review (Other academic)
  • 16.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Jonas Bjälesjö: Rock’n’roll i Hultsfred: Ungdomar, festival och lokal gemenskap. Diss., Lunds universitet, 2013, Båstad: Hammarlin2013In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 95, 145-147 p.Article, book review (Other academic)
  • 17.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Klinkman, Sven-Erik: Från Wantones till Wild Force. Nya sound i en gränsstad2011In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 93, 113-115 p.Article, book review (Other academic)
  • 18.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Maria Westvall: Musiker och folkbildare. Fem porträtt av musiker som började sin bana inom militärmusiken. Möklinta 2016: Gidlunds förlag2016In: Svensk tidskrift för musikforskning, ISSN 0081-9816Article, book review (Other academic)
  • 19.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Marja Mustakallio: Musik på gränsen: Hundra år av tornedalskt musikliv, Övertorneå: Arktinen ajatus, 20122013In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 95, 176-178 p.Article, book review (Other academic)
  • 20.
    Ternhag, Gunnar
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Norske middelalderballader, melodier. Bind 1: Naturmytiske ballader, legendeballader, histo-riske ballader. Red: Astrid Nora Ressem (Norsk visearkivs publikasjon V; Norsk folkeminnelags skrifter CLXV.) Oslo: Aschehoug, 20112013In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 95, 180-181 p.Article, book review (Other academic)
  • 21.
    Tillman, Joakim
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    Från De ur alla minnen fallna till High Mass: En studie kring Sven-David Sandströms reaktion mot modernismen2001In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 83, 45-72 p.Article in journal (Refereed)
  • 22.
    Tillman, Joakim
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    I den stores fotspår: Beethovens betydelse för den första satsen i Hugo Alfvéns tredje symfoni2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92, 31-49 p.Article in journal (Refereed)
  • 23.
    Wallrup, Erik
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology.
    With Unease as Predicament: On Knowledge and Knowing in Artistic Research on Music2013In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 95, 25-39 p.Article in journal (Refereed)
    Abstract [en]

    The point of departure is Henk Borgdorff's characterization of the relation between the communities of traditional scholars and of artistic researchers as uneasy. With a short look at the relationship between music and science historically, this unease is revealed to be recurrent, but the origin in Pythagorean thought can serve as a corrective to a purely theoretical attitude. The question of knowledge is pivotal. George Steiner has suggested that the springs of creation lie beyond reach for research. However, artistic research seems to promise a better understanding of the creative process. This kind of research is often, by the researchers themselves, said to fathom tacit, non-discursive, even ineffable knowledge, as opposed to the explicit knowledge of ordinary research. In the article, it is however argued that such an opposition cannot be upheld: artistic research gives voice to tacit knowledge, making it explicit; scholarly studies on music are not closed to the aesthetic impulse; in both fields, explicit knowledge has excited aesthetic expression. Finally, instead of seeing reflective discourse as a problem in artistic research, it is suggested that new ways of letting the world be formulated in language should be striven for. Here, the aesthetic impulse brings a productive unease to both theory and practice.

  • 24.
    Wikman, Bertil
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Jan Ling: Franz Liszt och 1800-talets konstmusik2010In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 92Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    Jan Ling anger inledningsvis i sin nya bok om Franz Liszt målet för arbetet:  ”Detta är ingen monografi om tonsättaren Franz Liszt utan något betydligt blygsammare: jag har valt Liszt som min ciceron för att han skall hjälpa mig att förmedla något om 1800‑talets konstmusik till dagens musikälskare.”

    Trots författarens försäkran om att det inte är fråga om en monografi, finns ändock huvuddragen i Liszts liv presenterade. Vi får i kronologisk ordning möta Liszt som underbarn med studier för Carl Czerny i Wien, etablering bland konstnärsvänner i Paris, pianistduellen 1837 med Sigismond Thalberg samt resan till Schweiz och Italien med Marie d´Agoult under vilken de tre barnen, Blandine, Cosima och Daniel föddes. Vi får möta den avantgardistiske kapellmästaren i Weimar som gjorde staden till den moderna musikens Mecka och den åldrande Liszt  pendlande mellan Rom, Budapest och Weimar, ömsom undervisande kontinentens nya pianoidoler, ömsom komponerande katolsk kyrkomusik och experimentell pianomusik.

  • 25.
    Wikman, Bertil
    Stockholm University.
    Theory and Practice in Late Nineteenth-Century Violin Performance2009In: Svensk tidskrift för musikforskning, ISSN 0081-9816, Vol. 91Article, book review (Other academic)
    Abstract [sv]

    David Milsoms studie "Theory and Practice in Late Nineteenth-Century Violin Performance: an Examination of Style in Performance 1850-1900" behandlar olika utförandestilar under nämnda tidsperiod hos fransk-belgiska och tyska violintraditioner.

1 - 25 of 25
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