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  • 1.
    Aronsson, Lena
    Stockholm University, Faculty of Social Sciences, Department of Child and Youth Studies.
    Min sjukdom är fler än en, men färre än många: Att följa begreppet multipla verkligheter genom olika praktiker som gör och uppför sjukdom2016In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 37, no 3, p. 115-126Article in journal (Other academic)
    Abstract [en]

    What is a disease? Can we name it in a coherent way, precisely defined and is it only one? Or is the disease as many as those who are ill, or all of the practices where it appears? A few years ago I was diagnosed with autoimmune hepatitis, which could be a rather serious illness. I experienced bodily changes, had alarming liver values and got side effects from medication, but - ill? To handle the discrepancy, I tried to keep apart "having a serious illness" and "being sick".

    Drawing on Mol's concept Multiple Realities I describe how the disease is performed in various practices and my attempts to become comprehensible when coordinating these practices. At the clinic, in the laboratory, in treatment and in my body the disease is enacted as simultaneous versions. It is not the same disease although it has the same name. One version is available as numerical values in a diagram, in another as questions from a doctor to a patient or as text on a web page. The bodily version is almost invisible to me, but is related to gender, class and other categorizations - that affect relationships and interpretations in all practices. The different versions of the disease consists of human and non-human actors; not just me and the doctor but also tablets, conversations, syringes, computers, edema and compression stockings, Thus, reality does not exist in advance.

    With my disease as an example I discuss what multiple versions of reality can offer beyond what multiple perspectives on the same reality can. Moving away from structures and discursive perspectives to reality as multiple enacted versions, there will be less importance in agreeing on understanding or interpretation. Instead we focus on coordinating, informing and intervening. 

  • 2.
    Berggren, Kalle
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    "Snubben trodde han var cool för han hade en pistol": Maskulinitet, våld och föräldraskap i svensk rap2016In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 37, no 3, p. 53-74Article in journal (Refereed)
    Abstract [en]

    Hip hop has grown into a worldwide genre of popular music inrecent decades. While the genre is often associated with sexism and homophobia, this article examines how masculinity is constructed in rap lyrics. It focuses on two central themes in contemporary configurations of masculinity: violence and parenting. The material consists of rap lyrics from 39 rap artists in Sweden during the last two decades. It is analysed from post structuralist and intersectional perspectives, with a discourse analysis combining broad thematic coding with close readings of selected extracts. The article shows how violence is both connected to class and racial dimensions of inequality, but simultenously shared as a gender norm across such differences. Violence is both reinforced as a norm of masculinity, but also called into question through various means, such as use of irony. The analysed lyrics contain descriptions of parent-child relations from the perspective of both positions. These narratives display a similar ambivalence; they simultenously hold fathers to task for perceived parenting failures and reinforce problematic patterns of masculine parenting. In sum, the article shows how violence and parenting are important loci for contemporary configurations of masculinity. The intersectional and poststructuralist theoretical perspectives, which have been relatively downplayed in studies on men and masculinity, enable attention to the ambivalences of gender discourses, which often contain elements of both reinforcement and subversion.

  • 3.
    Eduards, Maud
    Stockholm University, Faculty of Social Sciences, Department of Political Science.
    Ett "och" betyder så mycket2011In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 2-3, p. 29-33Article in journal (Refereed)
  • 4.
    Farahani, Fataneh
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies.
    Diaspora och sexualitet: Förhandlingar om kön och sexualitet i ett föränderligt iransk- svenskt kulturellt landskap2013In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 4, p. 97-116Article in journal (Refereed)
    Abstract [en]

    This article is about diaspora. Through an analysis of the narratives of first generation Iranianwomen living in Sweden, I demonstrate how migratory experiences impact sexuality and howand in what ways sexuality is constitutive to the migratory process. By discussing some of thekey subjects raised by the interviewees, such as intimacy in the diasporic space, contradictorygender discourses, the dominating impacts of existing Orientalist stereotypes, and their senseof (be)longing or lack of (be)longing, I examine how the women experience their sexualitythrough the intersecting and sometimes contradictory discourses.By focusing on entangled issues involving subjectivity, sameness, difference, otherness,domination, agency, and marginality, I destabilize essentialist approaches of identity. Withgender and sexuality as the main subjects of the analysis, I discuss how moral values of thewomen regarding (in)appropriate sexual behaviour undergo various transformations. Theytake part in multiple (Iranian and Swedish) discourses and discard others while striving tomake space for themselves ‘inside’ these constraining norms. The women experience adiscrepancy as a result of being thwarted by two seemingly different cultures – while bothcultures construct discourses filled with stereotypes of so-called natives and outsiders.However, living in Sweden, where intersecting racist and sexist discourses come to life on adaily basis, it is actually not a thwarting by ‘two cultures.’ It is, in fact, a merger ofSwedishness with Iranianness (with all their complexities), along with other characteristics. Itis a complexity within the culture(s) in which the women live.

  • 5.
    Farahani, Fataneh
    et al.
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Ethnology.
    Lundberg, Anna
    I dialog: Intersektionella läsningar av hemhörighet, migration och kunskapsproduktion2017In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 38, no 3, p. 77-101Article in journal (Refereed)
    Abstract [en]

    The dialogue-based article departs from our persistent research engagement with intersectional feminist approaches and questions related to racialization, representation, locationality and positionality. We focus on the notion of home and homelessness, longing and belonging, migration and knowledge production.

    Some of the troubling questions we engage with are: How are the (im)possibility of feeling at home, migratory subject positions, and knowledge production conditioned by shifting socio-political contexts, culturally coded circumstances and the conceptualisation of difference? How do constantly shifting and intersected power hierarchies (re)shape the conceptualisation and (re)presentation of the certain types of knowledge and knowledge-makers through academic production, and through literary and visual means?

    These questions are discussed in dialogue between us, two Swedish gender researchers interested in cultural practices and cultural representations. The article unfolds through a dialogical method where, initially, our respective positions and research inputs, in relation to the article’s questions, are presented. The article continues to discuss the very same questions predominantly through different literary and visual examples. Chimamanda Ngozi Adichies’ TED talk, The danger of single story, has an evolving and central role in our dialogue. By linking different examples to the existing intersecting institutionalized power relations, we show that the personal is institutional.

  • 6.
    Farahani, Fataneh
    et al.
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Ethnology.
    Thapar-Björkert, Suruchi
    Rasifiering av kunskapsproduktion: En epistemologisk resa genom processer av inkludering och exkludering i olika akademiska forum2017In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 38, no 4, p. 31-53Article in journal (Refereed)
    Abstract [en]

    The central aim of this article is to examine intersectional processes of racialisation within the academic communities: racialisation of knowledge producers and their produced knowledge. We explore what kinds of knowledge productions and knowing subject positions are rendered (im)possible in everyday academic interactions. We use our racialised scholarly experiences as a methodological entry point to contextualise the navigations and negotiations of shifting and intersecting power relations. Our analytical reasoning is presented through several steps. First, we discuss how academic habitus and affiliations maintained in various formal and informal forums are based on established, racialised norms. Second, we discuss how the presence or absence of epistemic entitlement within different academic settings and communities is established through racialised hierarchies. Thus the physical, social, intellectual and emotional spaces that we inhabit create comfort zones for some and discomfort zones for others. Third, we argue how managing the existing accent ceiling becomes a mode for navigating the conditioning norms of whiteness. In our conclusions, we reflect on the passivity, silences as well as (mis)use of the vocabulary of anti-racism and intersectionality as a form of 'white' capital for shoring their privileges further rather than undoing it.

  • 7.
    Fjelkestam, Kristina
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    Retrofili och begäret efter det förflutna2018In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 39, no 2-3Article in journal (Refereed)
    Abstract [en]

    Retrophilia and the Desire for the Past

    In this article, I question hierarchies of temporality by a critical examination of difference, that is, the time conception of a still indicative demarcation between past, present and future characteristic of the historical consciousness in Western society. My approach consists of a tripartite theoretical argument, which makes up for the first part of the article. The first step is constituted by my thesis in which I claim that a pivotal driving force in Western hierarchical historiography consists of the desire for the past, implicating a desire for difference. The second step complicates this desire by establishing a multidimensional model of desire, in which difference is diffused into differences motivated by cognition, emotion, politics and sexuality. The third step raises the possibility of dissolving difference altogether by an analytical concept I name retrophilia, love of the past, where time levels are claimed to be encouraged to collapse. In the second part of the article I concretize my argumentation by a reading of Gabriella Håkansson’s historical novel Aldermanns arvinge (Aldermann’s heir, 2013), set in the eighteenth century. By using a multidimensional model of desire and the figuration of retrophilia as reading tools, I conclude that the novel stages difference in the plural rather than the singular. These differences are evoked by multidimensional desires in which the past does not have to play the part of the Other. Instead embodiment and sensual experience give way to alternative ways of understanding both time and history.

  • 8.
    Florin, Christina
    Stockholm University, Faculty of Humanities, Department of History.
    "Rätt för kvinnan att blifva människa - fullt och helt": Svenska kvinnors ekonomiska medborgarskap 1921-1971 (avhandling av Zara Bersbo)2012In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 3, p. 131-134Article, book review (Other academic)
  • 9.
    Ganetz, Hillevi
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    Drottningens kropp och vetenskapens pris2017In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 38, no 3Article in journal (Refereed)
    Abstract [en]

    This article investigates the relation between science respectively nation, class and gender in the televised Nobel Banquet. The body of the Swedish Queen is used as a lens in order to analyse intersectional power dimensions.  Drawing on cultural, media, and gender studies, this article examines the mediated persona of the Queen in the televised Nobel Banquet via contextualised textual analysis.

    The televised Nobel Banquet, like the awards ceremony preceding it, provides representations of both science and a social elite. But not all representatives of the Swedish elite equally attract the gazes of the cameras: the focus of attention is in particular on the Swedish queen, who since her debut in 1976 has received more TV time than anyone else – male or female, scientist or not. How is her body represented in the televised Nobel Banquet? And what are the consequences of these representations for the image of science?

    The analyses shows that the body of the Queen signifies that heterosexuality, class affiliation, and nationality are important and normative factors in the discourse of science. In the televised Nobel Banquet, her body is a symbol of the aspired status of science, representing its desire to belong among the heterosexual and white elites as well as an acknowledging of a traditional, ideal femininity.

  • 10.
    Ganetz, Hillevi
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    Hillevi Ganetz läser Since I’ve got the Pill: Normbrytare i populärmusiken2012In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 3, p. 88-91Article in journal (Refereed)
  • 11.
    Gemzöe, Lena
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies.
    Recension av Magdalena Raivio. Gudinnefeminister. Monica Sjöös och Starhawks berättande – subjektskonstruktion, idéinnehåll och feministiska affiniteter. Doktorsavhandling. Karlstad University Studies 2014:42015In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 36, no 1-2, p. 158-160Article, book review (Other academic)
  • 12.
    Hansson, Karin
    Stockholm University, Faculty of Social Sciences, Department of Computer and Systems Sciences.
    Konst som deltagande metodologi 2013In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 1, p. 25-47Article in journal (Refereed)
    Abstract [en]

    While Art is often defined in opposition to Science, artistic research is often legitimaced by a positivistic classical scientific paradigm. For example the artist as scientist was highlighted in 2012 year’s Documenta – one of the most important exhibitions of contemporary art. In contrast to this position, I intend to show the fruitfulness in positioning art in a feminist, qualitative-oriented research tradition. An important point here is the definition of an artistic methodology, where art is a reflective process and where artistic work is both means and goal. This includes the use of artistic practices to break the own pre-understanding of a phenomenon. It is the personal motive that determines what is relevant, while this perspective is exposed to critical scrutiny. Based on this, I discuss how art can be described as a participatory methodology, and use a research project in urban planning and information and communication technology as an example. Here, the art project functioned as a creative and critical room that created a greater understanding of the significance of discursive practices and the importance of reviewing the information that is the foundation of how we formulate the research problems. The most significant conclusion is that artistic research in this sense may well be, and probably should, be an important part of a scientific research and is a prerequisite for scientific development.

  • 13.
    Holdar, Magdalena
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    All-Women Art Spaces in Europe in the Long 1970s2019In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 40, no 1, p. 110-112Article, book review (Other academic)
  • 14.
    Käll, Lisa Folkmarson
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies. Linköpings universitet.
    Närhetens intima avstånd: Om känselsinnet som sammanbindande och gränsdragande2013In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 4, p. 25-45Article in journal (Refereed)
    Abstract [en]

    Summary The sense of touch is often both conceptualized and experienced in terms of closeness in contrast to an objectifying distance traditionally ascribed to the sense of sight. In this article I thematize the closeness of touch and examine the relation between touching and touched through a close reading of Maurice Merleau-Ponty’s philosophy of the lived body and its relation to the world and others. The purpose of such a reading is to throw light on the closeness characterizing the sense of touch as a closeness involving its own distance or gap through which touch and the relation between touching and touched are given birth. Merleau-Ponty offers sophisticated and fruitful tools for approaching established concepts and understandings of sensation and touch, bodily boundaries, and closeness and distance. In a first step, I reflect on the multiple and ambiguous meanings of the words sense (känna) and touch (beröra), emphasizing the impossibility of understanding these words in any simple terms. In a second step, I turn to MerleauPonty’s philosophy in order to reach a deeper understanding of the closeness of touch. I discuss his description of the lived body as sensible sentient, that is as both touching and touchable, his understanding of the notion intercorporeity and his description of the relation between touching and touched in terms of an incomplete reversibility that both binds the two terms together while at the same time drawing a boundary between them.

  • 15.
    Lindholm, Kristina
    et al.
    Stockholm University, Faculty of Social Sciences, Stockholm Centre for Organizational Research (SCORE).
    Callerstig, Anne Charlott
    Linköpings universitet.
    Det motsägelsefulla arbetet med jämställdhetsintegrering2011In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 2-3, p. 81-96Article in journal (Refereed)
  • 16. Linghag, Sophie
    et al.
    Ericson, Mathias
    Amundsdotter, Eva
    Stockholm University, Faculty of Social Sciences, Department of Education.
    Jansson, Ulrika
    I och med motstånd: Förändringsaktörers handlingsutrymme och strategier i jämställdhets- och mångfaldsarbete2016In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 37, no 3, p. 7-28Article in journal (Refereed)
  • 17.
    Malmén, Stina
    Stockholm University, Faculty of Social Sciences, Department of Economic History and International Relations.
    Den opassliga hustrun: Handlingsutrymme i narrativ och praktik i företagarfamiljen2018In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 39, no 2-3, p. 27-46Article in journal (Refereed)
    Abstract [en]

    This article investigates the possibilities for a corporate wife tocreate a room of her own, beyond the duties that follow such aposition. Previous research has often focused on the public/privatedivide regarding family businesses. With the example of HeddaEkman, the wife of corporate owner Johan Ekman, it is here arguedthat the female body is crucial to the families of corporate dynastiesduring the late 1880s to early 1900s, an era characterized byindustrial capitalism. The order of succession is essential to thepersistence of the family business, which brings the question ofreproduction to the fore. Through the narrative of one particularcorporate wife, Hedda Ekman, and with Foucault’s notion of subjectpositions, the article discusses class, gender and sexuality. With thefemale body as the point of departure the demarcation betweenbusiness and family is thus put into question.

  • 18.
    Rosenberg, Tiina
    Lunds universitet.
    Zarah Leander: Den queera divan2007In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 1-2, p. 68-91Article in journal (Refereed)
    Abstract [en]

    This article discusses the actress and singer Zarah Leander (1907-1981), one of the most celebrated female stars in German Nazi Cinema 1936-43. She is a contradictory figure, and her star persona has always been a negotiation of antagonistic formulations, thus pointing to modes of audience identification and specatorship issues, most strikingly articulated through her immense popularity in the post-war German and Swedish gay community.

  • 19.
    Seiler Brylla, Charlotta
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German.
    Daniel Wojahn Språkaktivism. Diskussioner om feministiska språkförändringar i Sverige från 1960-talet till 2015 Akad. avh. Uppsala universitet 20152015In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, ISSN ISSN 1654-5443, Vol. 36, no 3, p. 101-103Article, book review (Other academic)
  • 20.
    Steorn, Patrik
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Med popkultur i kroppen: Benny Nemerofsky Ramsays videoverk från tidigt 2000-tal2011In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 1Article in journal (Refereed)
    Abstract [en]

    Artists who use experiences from a life outside the heterosexual norm as inspiration have attracted increasingly more attention in contemporary art during the last decade. The author suggests that one feature they have in common is to make themselves into artistic material, using their own bodies and self-perceptions. They also use explicit references to the impact of pop-culture in normative and non-normative notions of identities, feelings and desires. The Canadian video and performance artist Benny Nemerofsky Ramsay combines both these features in his production. Works from the earlier part of the 2000s as well as newspaper interviews with the artist, form the primary base of this article that aims to analyze how emotions and body are used as artistic material in the work of an artist who is outside the heterosexual norm, but right in the mainstream of popular culture. In the light of theories about consumer culture, on the role of the subject and of the body in contemporary art as well as the role of popular culture for self-making activities, particularly two works are analyzed: I am a Boy Band, 2002 and Lyric, 2004. The self-perception of a gay man is used as artistic material in the work of Nemerofsky Ramsay. His childhood activities of singing in a choir and taking ballet classes are linked together with feelings of not belonging in a heteronormative society in his interviews. Today this seems to have become a source of creative energy for him. With references to traditions of "camp" and lesbian and gay performance art he uses his own body, flamboyant gestures and emotional facial expressions, to stage how queer appropriating and incorporation of the surrounding culture is filled with both passion and disgust and also how these practices can point to positionalities beyond the dichotomy of depth and surface.

  • 21.
    Steorn, Patrik
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Patrik Steorn läser Laura Mulvey: Blickens erotiska fostran2013In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 4, p. 58-62Article in journal (Refereed)
  • 22.
    Svärd, Per-Anders
    Stockholm University, Faculty of Social Sciences, Department of Political Science.
    Den könade landsbygdens globala mening: Introduktion till Seema Arora-Jonsson2016In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 37, no 1, p. 63-66Article in journal (Refereed)
  • 23.
    Tolvhed, Helena
    Stockholm University, Faculty of Humanities, Department of History.
    Hälsosam femininitet och postfeministiska subjekt: En undersökning av hälso- och träningsmagasinet iForm 1987, 1997 och 20072016In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 37, no 3, p. 77-94Article in journal (Refereed)
    Abstract [en]

    During the last decades of the 1900’s, a commercial health industry transformed a previous Swedish public health regimen characterized by strong state control. Running and exercising at gyms are now widely practiced, and new products, diets and trends appear constantly. Part of this is a booming market of health- and fitness magazines, and this article examines one of the more popular titles on the Swedish market, iForm, during the years 1987, 1997 and 2007. 

    An ideology of “healthism” has been identified as salient to neoliberal late-modern society, where health and a fit body are important lifestyle markers and metaphors for the good life. This includes historically new gender ideals – the well-trained female body and the appearance-oriented (“meterosexual”, or later “spornosexual”) man – closely associated with diet and exercise practices.

    This article discusses the “fit” woman as a historically new ideal and engages in the feminist debate on how to understand her: is she a norm-breaking emancipatory figure, or a post-feminist celebration of the strong individual communicating the message that there is no longer a need for feminist struggle?

    The study indicates that a discourse of individualism and personal responsibility gets more prominent during the time period. Sport and play are replaced by more “rational” forms of exercise, for example in the gym. The very definition of health becomes more narrow; areas such as sex and relationships has disappeared from the magazine in 2007, as has more general educational articles on the body. Instead, the focus on diet and exercise has increased.

    Furthermore, the study of iForm shows that the models used to represent “health” are conventionally beautiful, smiling, white and predominately thin rather than obviously muscular. This, I conclude, limit the destabilizing potential of the “fit” woman in iForm.

  • 24. Wahlström Henriksson, Helena
    et al.
    Olsson, Annika
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    I vetenskapandets vardagsrum: Representationer av genusforskning och genusvetenskap i KVT/TGV 1980-20172018In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 39, no 1, p. 5-28Article in journal (Refereed)
  • 25.
    Wittbom, Eva
    Stockholm University, Faculty of Social Sciences, Stockholm Business School.
    Jämställdhetsintegrering med styrning bortom New Public Management2018In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 39, no 2-3, p. 93-114Article in journal (Refereed)
    Abstract [en]

    This article discusses the management control of gender mainstreaming within the policy field of infrastructure and transportation. The strategy of gender mainstreaming has been practiced within the Swedish government for over two decades. It was implemented in the era of New Public Management when quantitative performance measures were much more valid than qualitatively assessed aspects on the effects of the performance. Consequently, the status of gendered power relations was only disclosed by the counting of women and men which hampered the intended results of gender mainstreaming.

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