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  • 1.
    Bäckman, Maria
    et al.
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Ethnology.
    Ekström, Simon
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Ethnology.
    Museer, kön och genus - några reflektioner kring en närvarande frånvaro2011In: Nordisk Museologi, ISSN 1103-8152, no 2, p. 83-98Article in journal (Refereed)
  • 2.
    Gustafsson Reinius, Lotten
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Ethnology.
    Museology from within: Thinking critically through and with museums2018In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 150-153Article, review/survey (Other academic)
  • 3.
    Palmqvist, Lennart
    Stockholm University.
    De första renässansmuseerna i Rom och Florens1999In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 3-16-Article in journal (Refereed)
    Abstract [en]

    The paper argues that the archaeological and antiquarian research by the Renaissance humanists in Rome inspired POpe Sixtus IV to donate a collection of ancient bronzes from the Lateran to the Capitol in 1471. This led to the start of the musealization of the Capitol which culminated in the forming of a historical museum at the Palazzo dei Conservatori during Paul III's pontificate in the 1530's. 

  • 4.
    Palmqvist, Lennart
    Stockholm University.
    Utställningskonst i förändring2002In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 3-26-Article in journal (Refereed)
    Abstract [en]

    The museum exhibition, a medium in a state of change.

    The aim of the artcle is to present an overview of the museum exhibition as a medium in 20th century with the emphasis on its form. Three museological models for the exhibition's visual communication have emerged, viz. a reflexive model centering on the neutral presentation of objects and pictures; a ttransitive model centering on the transfer of knowledge represented in the ojjects; an inclusive model focusing on the reception of the visitors. Over time all the models have changed, influenced by new technology often introduced by world fairs and by the entertainment industry which have both used the electronic media revolution to offer the audience a parallel virtual dreamworld; by the questioning of established truths in science, history and art effected by the paradigmatic shift from positivism to a hermeneutic and relativistic approach that has shaken the very foundation of official cultural institutions and by exhibitions of avantgarde and installation art. 

  • 5.
    Spangen, Marte
    Stockholm University, Faculty of Humanities, Department of Archaeology and Classical Studies, Archaeology.
    Without a trace? The Sámi in the Swedish History Museum2015In: Nordisk Museologi, ISSN 1103-8152, no 2, p. 17-32Article in journal (Refereed)
    Abstract [en]

    Around 2005, the Swedish History Museum (SHM) in Stockholm reworked their Vikings exhibition, aiming to question simplistic and erroneous understandings of past group identities. In the process, all references to the Sámi were removed from the exhibition texts. This decision has been criticised by experts on Sámi pasts. In this article, it is argued that we can talk about a Sámi ethnic identity from the Early Iron Age onwards. The removal of references to the Sámi in the exhibition texts is discussed accordingly, as well as the implicit misrepresentations, stereotypes and majority attitudes that are conveyed through spatial distribution, choice of illustrations, lighting, colour schemes and the exhibition texts. Finally, some socio-political reasons for the avoidance of Sámi issues in Sweden are suggested, including an enduring colonialist relation to this minority.

  • 6.
    Sundevall, Fia
    et al.
    Stockholm University, Faculty of Social Sciences, Department of Economic History.
    Fredholm, Anna
    Armémuseum, Stockholm, Sverige.
    Minnesinsamling genom webbenkäter: perspektiv på en dokumentationsmetod i förändring2013In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 86-105Article in journal (Refereed)
    Abstract [en]

    With the advancements of web technologies, new modes of data collection have arisen and with those new opportunities and challenges for museums’ documentation work. Drawing on experiences from a web survey on swedes’ memories and experiences of military service, conducted by the Swedish Army museum in 2012, the authors’ of this article argue that web surveys constitute a fruitful mode of collecting memories. However, even though there are many benefits there are also potential problems that should be considered in the collection process as well as the use and analysis of the data. The authors discuss the implications of graphic web design and formulation of the questionnaire, as well as different models of recruiting respondents related to questions of representativeness and generalization in the collected data.

  • 7.
    Zetterström Geschwind, Britta
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Ethnology.
    Public museum space: How cultural policies and democratic ideals materialize in the public spaces of the Swedish History Museum 1943–20132016In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 138-147Article in journal (Refereed)
    Abstract [en]

    The research subject is the Swedish History Museum in Stockholm as a public institution between 1943 and 2013. I examine how public spaces in the museum body are designed in relation to cultural policy objectives and the museum’s vision of a democratic, inclusive museum. However, the focus is not on the museum’s exhibits, but on other public spaces visitors encounter in the museum, mainly the entrance, the shop and children’s spaces. These spaces tend to be invisible in the museum hierarchy, and their practices are rarely observed in museum studies. Main research questions are: How are democratic ideals materialized and expressed over time? Which publics are created by the public spaces?

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