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Maxantalet träffar du kan exportera från sökgränssnittet är 250. Vid större uttag använd dig av utsökningar.
  • 1.
    Castaldo Lundén, Elizabeth
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Fearless Fashion: Rudi Gernreich2019Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419Artikkel, forskningsoversikt (Fagfellevurdert)
  • 2.
    Gindt, Dirk
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Performative Processes: Björk’s Creative Collaborations with the World of Fashion2011Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 15, nr 4, s. 425-450Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This essay analyzes how Icelandic singer-songwriter and actress Björk uses dress as a creative medium to enhance her musical vision, visualize her patriotic politics as well as ally herself with performance art and further strengthen her position in the avant-garde. I devote specific attention to her joining forces with British designer Alexander McQueen and British photographer Nick Knight and unpack the implications of this creative collaboration, arguing that Björk strategically uses McQueen’s and Knight’s understanding of fashion as a performative process, that is, constantly in a state of becoming and transformation, in order to create her unique style that is characterized by the shifting and unstable identity of the Icelandic geographical body. In the last part of the essay, I take Björk’s involvement with SHOWstudio as a starting point to reflect on some of the consequences when these visual and performative collaborations move into the realm of the digital.

  • 3.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Conference Report: 'The Future of Fashion Studies2010Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 1, s. 105-110Artikkel, forskningsoversikt (Annet vitenskapelig)
  • 4.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap. University of Technology Sydney, Australia.
    Introduction: Indexing Dress2012Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 16, s. 5-8Artikkel i tidsskrift (Annet vitenskapelig)
  • 5.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Introduction to Book reviews, new series2010Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 4, s. 533-534Artikkel, forskningsoversikt (Annet vitenskapelig)
  • 6.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Japanese Fashion: A Cultural History by Toby Slade2010Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 4, s. 549-552Artikkel, forskningsoversikt (Annet vitenskapelig)
  • 7.
    McNeil, Peter
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    Le Steele Gothique (with Masafumi Monden)2010Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 14, nr 4, s. 511-524Artikkel, forskningsoversikt (Annet vitenskapelig)
    Abstract [en]

    Review of Gothic Dark Glamour, FIT, NY, with extended commentary on dress and gender

  • 8.
    Pecorari, Marco
    Stockholms universitet, Humanistiska fakulteten, Centrum för modevetenskap.
    The Berg Fashion Library: Archiving the Future2012Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 16, nr suppl., s. S83-S86Artikkel i tidsskrift (Fagfellevurdert)
  • 9.
    Peters, Lauren Downing
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    Faking It: Originals, Copies and Counterfeits, The Museum at The Fashion Institute of Technology New York, December 2, 2014 ‒ April 25, 20152016Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 20, nr 3, s. 369-375Artikkel, omtale (Annet vitenskapelig)
  • 10.
    Peters, Lauren Downing
    Stockholms universitet, Humanistiska fakulteten, Institutionen för mediestudier, Modevetenskap.
    You Are What You Wear: How Plus-Size Fashion Figures in Fat Identity Formation2014Inngår i: Fashion Theory: The Journal of Dress, Body and Culture, ISSN 1362-704X, E-ISSN 1751-7419, Vol. 18, nr 1, s. 45-71Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines the overlooked market of plus-size fashion and explores the ways in which the fashion industry neglects and marginalizes fat consumers. Faced with limited options in garments colloquially known as “plus-size” or “outsize” that are typically relegated to dark corners of clothing stores and are excluded from the pages of high fashion periodicals, the plus-size consumer lacks options in fashioning her self-identity. Under these circumstances, the role the fashion industry has played in further entrenching fat stigma in the collective consciousness and in abetting the processes of fat identity formation amongst plus-size consumers merits closer examination. Drawing upon the collected sartorial biographies of three self-identifying plus-size women, this article considers the ways in which fat identities are formed through the intimate practices of self-fashioning and via social channels such as shopping and fashion blogging, thereby bridging the fields of fat studies and fashion studies. It also takes into account issues of performativity and dress as a situated bodily practice. Through these case studies, the role the fashion industry plays in the processes of fat identity formation is brought to the fore, as are the complicated, creative, and sometimes subversive means through which fat women engage with plus-size fashion.

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