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  • 1.
    Andersson, Maria
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Från stork till spermabank: Sexualupplysningslitteratur för barn 1965-20142016In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 136, p. 5-37Article in journal (Refereed)
    Abstract [en]

    The aim of this article is to analyze depictions of gender and sexuality in sex education books for young children published in Sweden between 1965 and 2014. After describing the general trends in the publication of sex education literature during the period, the article discusses the narrative address and family structures, gendered descriptions of reproduction, and the introduction of assisted reproductive technologies and non-heterosexual parenting in the studied material. The majority of the sex education books portray white, two-parent families and focus on heterosexual reproduction. Men and sperm are normally described as more active and important during conception, and the reproductive process is often depicted from the sperm’s point of view. At the same time, there are books throughout the period that problematize gender stereotypes in reproduction and, from the late 1990s, heteronormative sexuality. This article also shows that verbal and visual descriptions of sexual intercourse were more explicit in sex education books from the 1970s, while books from the early 21th century depict a greater variety of families and assisted reproductive technologies. After the 1970s, sex education literature for all ages disappears and the books are more clearly adapted for different age groups.

  • 2.
    Bak, Krzysztof
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    [recension av] Anders Tyrberg, Anrop och ansvar. Berättarkonst och etik hos Lars Ahlin, Göran Tunström, Birgitta Trotzig och Torgny Lindgren. Carlsso Bokförlag. Stockholm 20022003In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 124, p. 409-415Article, book review (Other academic)
  • 3.
    Bak, Krzysztof
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Vad döljer sig i Västerbottens mage?: Om Augustinus och Torgny Lindgrens Minnen 2014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 135, p. 5-50Article in journal (Refereed)
    Abstract [en]

    The article investigates the complex intertextual dialogue between Torgny Lindgren's Minnen (2010) and Augustine's Confessions, from which Lindgren has taken the motto of his autobiography. By using the patristic intertext as a starting point, the investigation intends to show how Lindgren has constructed his image of Västerbotten. The article is divided into four parts. The first part (I), establishes the heuristic principles of the investigation, which adhere to the recent tendency in patristic studies to observe the heterogeneous character of Augustine's world of thought. The second part of the article (II) charts parallels between text and intertext in their portrayal of grace, evil, and man. It emerges that those elements of Lindgren's world view which are particularly closely related to Augustinian theology are also the ones that possess a particularly strong Västerbottnian character. This intertextual affinity can be explained not only with reference to the Lutheran tradition of Västerbotten, but also has to be related to the text's specific structure of memoria, which is unravelled in the remaining parts (III-IV). On the basis of modern cultural anthropological theories of memory, the third part demonstrates that most of the differences between text and intertext can be linked to the cultural memory of modernity, and document the rise and fall of industrial subjectivity. Lindgren embeds his autobiographical version of Västerbotten into the basic structure of modern memory, transforms it into a quasi-subject, and taints it with the symptoms of decay that plague the industrial 'I.' In the same as Western modernity, Minnen draws the majority of its metaphors of dissolution from Augustine's paradigmatic doctrine of sin. The fourth part of the article (IV) aims to analyse the autobiography's mechanisms of substitution. It is argued that these attempt-in analogy to many Western critics of modernity-to counteract the crisis of industrial cultural memory by reviving the Augustinian forms of memoria and creating a synthesis of pre-industrial and industrial. Within the quasi subject of Västerbotten and its wealth of agrarian objects, Lindgren finds adequate metaphorical models for use in his compensatory project of counter-memory. The article concludes by observing that, just as Minnen's productive dialogue with Augustine allows it to recapitulate the history of Western memory, Lindgren's Västerbotten is elevated to the status of a universal symbol of European consciousness and its fate.

  • 4.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas.
    Björn Sundberg, Litteraturvetenskapens labyrint. Teori, metod och praxis (2008)2008In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 129, p. 472-473Article, book review (Other academic)
  • 5.
    Bodin, Helena
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Lennart Karlström, Hjalmar Gullberg. En bibliografi, Carlsson bokförlag, Stockholm 20102012In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 132, p. 429-430Article, book review (Other academic)
  • 6.
    Bohlin, Anna
    Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Gender Studies.
    Den svenska 1840-talsromanen som nationell kartografi2016In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 137, p. 58-86Article in journal (Refereed)
    Abstract [en]

    The Swedish novel of the 1840s as national cartography

    The Swedish novel of the 1840s maps the nation. Whereas the novels of the 1830s advocate a predominantly cultural nationalism, the nationalism in the novels of the 1840s connects to the national territory. Inspired by Franco Moretti, a map is used as an analytical tool marking out travel routes in Sweden and Norway in 15 novels by the best-selling authors Fredrika Bremer (1801–1865), Sophie von Knorring (1797–1848), Emilie Flygare-Carlén (1807–1892), and C.J.L. Almqvist (1793–1866). The map shows that the national territory is unevenly covered: most of the novels are set in the provinces surrounding the lake Vättern, possibly creating a new water centre for the nation, while Dalecarlia, later to become the ”core province” of Sweden, is still considered too wild and remote. Furthermore, the map shows that borders become the focus of attention as territory gains importance. Geography teaching is a recurrent theme in the novels, and the national map is even portrayed as the body of Mother Svea—national boundaries conjure up an eroticised unity, a body evoking love. Nevertheless, the imagined geographies connecting cultural nationalism to territory also have the paradoxical effect of constructing the provinces as separate national communities. Therefore, external as well as internal borders appear as important narrative sites. Nationalist thought at the beginning of the 19th century was often part of a liberal movement developing the idea of citizenship, and in these novels the borders instigate narratives of citizenship. The borders intensify the promises of the nation-state to the citizen: the border is the site where bodies that do not comply with societal norms can find a place to make their contribution to the nation. However, the border is also the site where citizenship is contested, as unstable law enforcement exposes the characters to lethal violence. 

  • 7.
    Cullhed, Anders
    Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas.
    Niklas Schiöler. Begränsningens möjligheter. Svensk kortdikt från Heidenstam till Jäderlund. Carlsson Bokförlag. Stockholm 20082009In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, ISSN 0348-6133, Vol. 130, p. 322-324Article, book review (Other academic)
  • 8.
    Fjelkestam, Kristina
    Södertörns högskola, Sverige.
    "Bli sångerska eller gå under": Nysaklighet och konstnärskap i Vicki Baums Karriär2008In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 129, p. 163-187Article in journal (Refereed)
  • 9.
    Götselius, Thomas
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Peter Henning, Minne, jag, 1800. Litterär självframställning hos Atterbom, Geijer, Widerberg och Heidenstam. Makadam. Göteborg 20152015In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 136, p. 313-321Article, book review (Other academic)
  • 10.
    Hallengren, Anders
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Argus-Johansson och Benjamin Höijer1979In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, p. 59-74Article in journal (Refereed)
    Abstract [en]

    Based on previously neglected manuscript sources this paper illustrates the pioneering journalist Johan Johansson’s remarkable esteem of the philosophers Höijer and Hegel along with his abhorrence of contemporary Romanticists and materialists. It furthermore shows that Johansson was the mystifying target ”Herman Redivivus” of Viktor Rydberg’s polemics in the daily Göteborgs Handels- och Sjöfartstidning in 1858. — Johan Johansson (1792-1860) was the cofounder and editor of the Argus, the most important Swedish journal in the 1820s. The author and politician August Blanche eulogized him as the father of the free press, “publicitetens fader i Sverige”. 

  • 11.
    Hellberg, Staffan
    Stockholm University, Faculty of Humanities, Department of Swedish Language and Multilingualism, Scandinavian Languages.
    Förnyade Strindberg versdramat?: Versmått, poetisk ordföljd och ämnesbyten i Mäster Olof2015In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 135, p. 86-99Article in journal (Refereed)
    Abstract [en]

    Strindberg’s decision to write the third version of his drama Master Olof in verse may have been a concession to historical drama tradition. The question posed here is whether he renewed the Swedish verse drama. It is shown that, contrary to general belief, Strindberg was the first writer in the 19th century to use doggerel verse. Concerning poetic word order, his renewal is less apparent, although he shows a special tendency to vary the degree and kind of poetic word order with the situation. Finally, the dialogue is examined with a conversation analysis method. It is shown that Strindberg’s characters, also in verse drama, change the subject of the conversation in a manner closer to observed natural talk than do those of his predecessors.

  • 12.
    Huss, Markus
    Stockholm University, Faculty of Humanities, Department of Slavic and Baltic Studies, Finnish, Dutch, and German, German.
    Fredrik Hertzberg, "Mitt språk är ej i orden". Gunnar Björlings liv och verk. Svenska Litteratursällskapet i Finland 820, Appell förlag. Helsingfors 20182018In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 139, p. 311-314Article, book review (Other academic)
  • 13.
    Kuzmičová, Anežka
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    En myrtenkvist i högra ögat: Torgny Lindgrens Legender i möte med bysantinska helgonberättelser2005In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 126, p. 204-248Article in journal (Refereed)
  • 14.
    Kuzmičová, Anežka
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Narrativity, Fictionality, and Literariness. The Narrative Turn and the Study of Literary Fiction. Red. Lars-Åke Skalin. Örebro University. Örebro 20082009In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 130, p. 346-348Article, book review (Refereed)
  • 15.
    Lysell, Roland
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Lennart Hedwall, Tondiktaren Carl Jonas Love Almqvist. En musikalisk biografi. (Almqviststudier, 6). Gidlunds förlag. Hedemora 20142014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 135, p. 306-309Article, book review (Other academic)
  • 16.
    Lysell, Roland
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Lis Møller, Erindringens poetik. William Wordsworth, S.T. Coleridge, Thomas De Quincey. Aarhus Universitetsforlag. Aarhus 20112013In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 134, p. 333-339Article, book review (Other academic)
  • 17.
    Lysell, Roland
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Rüdiger Zymner & Achim Hölter (red.), Handbuch Komparatistik. Theorien, Arbeitsfelde, Wissenspraxis. J.B. Metzler Verlag. Stuttgart 20132014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 135, p. 345-350Article, book review (Other academic)
  • 18.
    Miočević, Ljubica
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Bilder från Boo: Karl August Nicander – En Magus i Spådomskonsten2012In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 133, p. 166-222Article in journal (Refereed)
    Abstract [en]

    The essay describes a deck of playing cards with a short handwritten inscription by the Swedish poet Karl August Nicander (1799–1839). The deck is dated 1 October 1834 at the Boo estate, where Nicander was staying in the home of his friend Hugo Hamilton. It is dedicated to a female acquaintance, one of Hugo’s stepsisters, upon the occasion of her leaving Boo and returning home. Since there are no indications of any particularly warm feelings between Nicander and the woman, the versified deck should be considered as an unusual instance of occasional poetry functioning as a prestigious gift. The poet refers to himself as “A Magus at Soothsaying,” and the inscriptions on the cards were meant to be used during fortune-telling games. The tone is playful and light, as the games were more a pastime than serious divination.

    Interiors scenes of the life at Boo are described, with particular attention given to games, interest in the supernatural (such as divination and ghost stories), and occasional poetry; the different types of games mentioned include card games, patience, card tricks, and chess. Nicander’s position as a destitute poet living in an aristocratic household is touched upon. His letters and almanacs give interesting examples of occasions when he was expected to deliver verse during birthday celebrations for members of the household at Boo. The epithet ‘society poet’ that has sometimes been used to describe Nicander’s strategies in the literary field is thus actualized.

    Thematically, the inscriptions on the cards are discussed against the background of the rich flora of playing instructions and soothsaying games that flooded the Swedish market in the early nineteenth century. The popularity of card motifs in Romantic literature is discussed.

    A deck of cards is also a material object in which the pictorial element dominates. The interplay of the text and images on Nicander’s deck is analysed; the poet’s persistent interest in printing techniques and the materiality of manuscripts are contextualized. A deck of cards with playful, semi-serious occult inscriptions by the hand of a Romantic poet is indeed an unusual object, but at the same time it embodies themes and ideologies typical of its time.

  • 19.
    Miočević, Ljubica
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Dynamiska tecken i Clas Livijns Spader Dame2006In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, no 127, p. 85-155Article in journal (Refereed)
    Abstract [en]

    This paper examines the short novel Queen of Spades (1824) by the Swedish romantic writer Clas Livijn in respect to four groups of signs found throughout the work. These involve card games and playing cards, different designations for metals, proper names, and the titles of religious literature.

    The theme of battle is paramount in the text. This is already visible in the choice of “Queen of Spades” as the name for the protagonist’s beloved, as this card has been illustrated with a portrait of Pallas Athena, the Goddess of War, since late medieval times. Livijn’s main character, Zachäus Schenander, views himself as a righteous Christian crusading against the moral and aesthetic decay of his contemporaries, who are associated with the forces of evil. The virgin Goddess of War is his muse. Schenander’s pretensions of authority are, however, obscured by irony.

    The investigation of the semiotic and rhetorical strategies that Livijn employs emphasizes the dynamic nature of the signs he uses, that is, the differing and often contrary meanings of a given sign are actualized in respect to different points of view. This results in a text in which virtually every sentence undergoes numerous ironic twists. A central example of such sign usage is the “Queen of Spades” herself, who combines Schenander’s positive view with the negative views held by his antagonists. But the negative connotations, which also dominate Pushkin’s Queen of Spades (1834), cannot be vanquished. The poet-hero is defeated by the hostile corrupted world and is driven insane.

  • 20.
    Miočević, Ljubica
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    I vänskapsfull åtanke: Ett brev från Lorenzo Hammarsköld till Carl Fredrik Dahlgren2014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 135, p. 204-222Article in journal (Refereed)
    Abstract [en]

    The correspondence of the Swedish Romanticists is still largely unpublished. By publishing and discussing one of the many letters, I wish to illustrate some of the benefits of making the Romanticists’ correspondence available in critical editions. In this section, a letter from Lorenzo Hammarsköld to C. F. Dahlgren, written in 1823, is edited and commentated. The edition is preceded by an introduction, where I point to the important role that Hammarsköld played in Romantic literary networks. The letter reveals new information regarding the publication of several Romantic works, including Almqvist’s Amorina (1822). Further, Hammarsköld’s letter is discussed as an example of a particular epistolary style among the Swedish Romanticists, marked by humour and allegories that often imply a close knowledge of the reader.

  • 21.
    Novén, Bengt
    Stockholm University, Faculty of Humanities, Department of Romance Studies and Classics.
    Maria Wennerström Wohrne. Att översätta världen. Kommunikation och subversivt ärende i Henri Michaux’ Voyage en Grande Garabagne2004In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, p. 296-301Article, book review (Refereed)
  • 22.
    Olsson, Ulf
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Göran Hägg, Sanningen är alltid oförskämd: En biografi över August Strindberg2017In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 138, p. 250-252Article, book review (Other academic)
  • 23.
    Olsson, Ulf
    Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas. Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas, Department of History of Literature.
    rec av Ann-Sofie Lönngren, Att röra en värld. En queerteoretisk analys av erotiska trianglar i sex verk av August Strindberg, diss. 20072008In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, p. 336-343Article, book review (Other academic)
  • 24.
    van Ooijen, Erik
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas, History of Literature.
    Jimmy Vulovic, Narrativanalys2014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 134, p. 362-365Article, book review (Other academic)
  • 25.
    Westin, Boel
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Eva Wahlström, Fria flickor före Pippi. Ester Blenda Nordström och Karin Michaëlis: Astrid Lindgrens föregångare (Skrifter utgivna av Svenska barnboksinstitutet, 114). Makadam. Göteborg/Stockholm 20112012In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 133, p. 350-356Article, book review (Other academic)
  • 26.
    Westin, Boel
    Stockholm University, Faculty of Humanities, Department of Literature and History of Ideas.
    Håkan Möller, Pär Lagerkvist. Från författarsaga till Nobelpris2011In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 2010, p. 485-487Article, book review (Refereed)
  • 27.
    Öhrn, Magnus
    Stockholm University, Faculty of Humanities, Department of History of Literature and History of Ideas.
    "Har du börjat ruttna i kolan?": Om värderingen av pojkdiskurs i svensk barn- och ungdomslitteratur2008In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, p. 305-314Article in journal (Other academic)
1 - 27 of 27
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