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  • 1.
    Abarca, David
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    Förebyggandet av självmord: En komparativ studie mellan Sverige och Japan2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 2.
    Abdelmoez Wiklund, Joel
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Middle Eastern Studies.
    Women’s status in Islamic texts and feminist interventions2017In: Orientaliska Studier, ISSN 0345-8997, no 152, p. 5-14Article in journal (Other academic)
  • 3.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Ai Weiwei @ Helsinki på Helsinki Art Museum 25 september, 2015 – 28 februari, 20162015In: Kinarapport, ISSN 1404-3874, Vol. 4, p. 72-75Article, book review (Other (popular science, discussion, etc.))
  • 4.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Aspects on writing about contemporary Chinese Art: The bridal couple as a theme, 1980–20062007Conference paper (Other academic)
  • 5.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Frankenstein and his Bride in a Conceptual Chinese Work of Photography2014Conference paper (Other academic)
  • 6.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Frankenstein’s monster as translation: Articulations of artistic creativity, individuality and freedom of expression2016In: Journal of Contemporary Chinese Art, ISSN 2051-7041, Vol. 3, no 1-2, p. 47-67Article in journal (Refereed)
    Abstract [en]

    This article presents an interpretation of conceptual artist Qiu Zhen’s photographic work Me and My Bride: Satan’s Wedding No. 5 (2008) within the theoretical framework of Homi K. Bhabha’s Third Space. Because of its hybrid status and the work’s subtle likeness to certain visual elements related with the story of Frankenstein the interpretation is closely connected to that narrative. More specifically, the article uses this particular literary-photographical and cross-cultural panorama to explore artistic creativity, individuality and freedom of expression as articulated in this conceptual and postmodern work that was produced in the wake of preparing for the 2008 Olympic Games. The article further explores how something foreign like Frankenstein may engage with ‘Chineseness’ and how ‘Chineseness’ may be emphasized through the usage of something foreign. Thus this article approaches the concept of ‘Chineseness’ as a wearer of a foreign coat, negotiating the hybrid as a highly performative but softly speaking political product on the Chinese art scene.

  • 7.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Från salong till iscensättning: Fotografiet i Kina2015Conference paper (Other academic)
    Abstract [sv]

    Föreläsningen handlar om hur fotografiet nådde Kina och hur mediet sedan starten influerats av västerländsk, inhemsk kinesisk kultur och japanska trender. Med utgångspunkt i porträtt och salongsfoto på 1840-talet följer föreläsnigen utvecklingen fram till dagens internationellt uppmärksammade iscensatta fotografi och diskuterar hur det kan tolkas och förstås.

  • 8.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Gränslös prakt i Östasiatiska museets samling2016In: Kinarapport, ISSN 1404-1855, no 4, p. 82-85Article in journal (Other (popular science, discussion, etc.))
  • 9.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Kinesisk konst på OpenART i Örebro2015In: Kinarapport, ISSN 1404-3874, Vol. 4, p. 78-79Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    I år har den femte upplagan av Örebros konstbiennal OpenART gått av stapeln. Den är sedan 2013 den största konstbiennalen i Skandinavien och brukar visa verk av ett sjuttiotal konstnärer från olika delar av världen i stadsrummet och på museer. I år bidrog inte mindre än 13 kinesiska konstnärer och var därmed efter Sverige den mest representerade nationen. De två kinesiska utställningarna "Möten" och "Utan hämningar" fanns att beskåda 14juni–6 september och visade konstverk av Ai Weiwei, Chen Zhiguang, Cheng Dapeng, Chi Peng, Fu Zhongwang, Hu Weiyi, Li Binyuan, Liao Yijun, Song Dong, Wang Rui, Xu Bing, Yang Mushi och Yin Xiuzhen. Svensk-kinesiska föreningen var på plats och höll en visning i början av augusti. Här recenseras OpenARTs stora satsning på kinesisk samtidskonst.

  • 10.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Lars Nittves M+ i Hongkong: decenniets största och mesta museiprojekt2015In: Kina-rapport, ISSN 0345-5807, no 3, p. 14-19Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    M+museet för visuell kultur i Hongkong öppnar portarna för kinesisk samtidskonst och visuell kultur i ett unikt museiprojekt i Asien. 2018 står byggnaden på 60 000 kvm på plats med Herzog & de Meuron som arkitekt. M+ är dock mycket mer än byggnaden. Lars Nittve berättar under ett samtal i Umeå 2014 om hur det är att skapa ett nytt slags museum enligt demokratisk modell som inte tidigare funnits i Hongkong.

  • 11.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    M+: looking at the world from a Hong Kong perspective2015Conference paper (Other academic)
    Abstract [en]

    M+ is the Museum of Art and Visual Culture in Hong Kong that is currently under construction. The new Hong Kong museum will open its doors to the world in 2019. The idea of placing a museum like M+ in the larger cultural infrastructure project of West Kowloon Cultural District (WKCD) came from a group of people that the Hong Kong Government put together in 2006. This group, known as the Museum Advisory Group, was to think through what kind of museum Hong Kong needed besides the already existing museums it already had. The initiative for this new museum thus initially came from the Hong Kong government. The funding comes from the Hong Kong Special Administrative Region and the decision to move ahead came in 2008–but it took until 2010 until Lars Nittve, at the time director of Moderna Museet in Stockholm, was contacted and asked to become its visionary leader. M+ is a distinct Hong Kong project, looked upon with scepticism from Beijing. This paper puts the project of M+ in the contexts of the rising international interest in contemporary Chinese art after the turn of the millenium, the rising prices on this art on the international market, the rising economic status of contemporary Chinese art on the mainland, adding the ambitious museum building boom on the mainland since around the Shanghai Expo in 2010. What are the main differences between the art museum projects on the mainland and the building of M+ in Hong Kong? How is it to work with this museum project in the Hong Kong SAR environment? What does the existence of a museum like M+ mean to China and the World?

  • 12.
    Aggeklint, Eva
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Chinese Studies.
    Striptease à la Duchamp in China2016In: Orientaliska Studier, ISSN 0345-8997, no 146, p. 9-30Article in journal (Other academic)
  • 13.
    Aggeklint, Eva
    et al.
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Ho, Hang Kei
    Introducing M+ as capital for a Hong Kong specific cultural identity2015Conference paper (Other academic)
    Abstract [en]

    In the last decade the Hong Kong government has shown an interest in promoting large scale cultural development projects including Art Basel Hong Kong, the West Kowloon Cultural District (WKCD) as well as M+ The Museum of Arts and Visual Culture, all presenting Hong Kong as a cultural hub. The development of those projects can be seen as a way for the city to diversify its economy through creative industries (CI) and urban entrepreneurship (Raco and Gilliam, 2012), making the place more appealing for international workers and global tourism. However, ongoing grassroots political movements such as the 2014 Umbrella Movement suggest that the Beijing government is keen to intervene with Hong Kong’s affairs. As a result, its cultural identity is being challenged. In this paper we argue that the study of the yet conceptual M+ museum contribute with accruing capital of cultural identity when compared to likewise huge museum projects in mainland China. We will further argue that the Hong Kong museum will represent an original that other museums in the world may wish to copy.

  • 14.
    AL SAADI, TANIA
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Section for Middle Eastern Studies.
    Evolution des "ouvertures" des romans arabes au cours du XXe siècle2009In: Arabica, ISSN 0570-5398, E-ISSN 1570-0585, ISSN 0570-5398, Vol. 56, no 1, p. 61-89Article in journal (Refereed)
    Abstract [fr]

    Cet article aborde quelques aspects et fonctions concernant le début d’un corpus de romans arabes du XXe siècle, constitué en fonction de leur diversité technique et thématique. L’analyse des débuts est basée sur une approche à la fois discursive et narrative et prend en compte les aspects suivants : les trois codes figuratifs (espace, temps, personnage), le rapport du début avec l’ensemble de la structure narrative du récit, la manière dont le début annonce les idéologies sous-jacentes, le lien éventuel entre le début et la fin du récit, enfin, les répercussions de l’évolution chronologique du roman arabe sur le début de celui-ci.

  • 15.
    AL SAADI, TANIA
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Section for Middle Eastern Studies.
    Histoire de la littérature arabe moderne.Tome 1 : 1800-19452009In: Arabica, ISSN 0570-5398, E-ISSN 1570-0585, ISSN 0570-5398, Vol. 56, no 2/3, p. 292-300Article, book review (Other academic)
  • 16.
    AL SAADI, TANIA
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Middle Eastern Studies.
    Techniques of Beginning in Arabic Novels after the 1960s: Thartharah fawq al-Nil by Najib Mahfuz2011In: From New Values to New Aesthetics: Turning Points in Modern Arabic Literature 1 / [ed] Gail Ramsay, Stephan Guth, Wiesbaden: Harrassowitz Verlag , 2011Chapter in book (Other academic)
    Abstract [en]

    The beginning of Arabic novels of the first half of the 20th century, including those belonging to the so called “realism” trend, are charatcerized by certain traits concerning, among other things, the way they insert the  three elements : space, time, character into the text, the reality effect  they create, and the presence of the narrator as an addressor. With  the introduction of new writing techiniques after the 60's, these  trends changed gradually. From, for example,  introducing the the (space, time character) as a block and describing them in length , creating a realistic setting for the story , and having a discrete presence of the addressor, they have evolved into more diverse models where the three elements are spred ; the realistic impression loses its importance ; and the interpolations of the addressor into the text are more frequent. The present article aims, firstly, to present the major teatures of that evolution, and secondly, to show through a detailed analysis of the beginning of Thatrthara fawq al-Nil, 1966 by N. Mahfuz that this work, written in a pivotal moment of the history of the Arabic novel, includes already the beginnings of that evolution.

  • 17.
    AL SAADI, TANIA
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Middle Eastern Studies.
    Tout est déjà dans le début: Les débuts des romans arabes du XXeme siècle2010Book (Other academic)
    Abstract [fr]

    Cet ouvrage consiste en une étude détaillée des débuts d''un corpus de romans arabes du vingtième siècle, constitué en fonction de leur diversité technique et thématique. Il tente de répondre aux interrogations suivantes: Qu''est-ce qu''un début de roman? Quelles sont, sur le plan énonciatif, les "priorités" dans le début? Comment le début fonctionne-t-il par rapport à l''ensemble du récit? Les composantes principales de l''histoire y sont- elles annoncées et si oui, comment? Enfin, existe-t- il des aspects spécifiques aux débuts des romans arabes liés à la culture dont ils sont issus? L''auteur a, par ailleurs, adapté une approche à la fois discursive et narrative et pris en compte les aspects suivants: les trois codes figuratifs (espace, temps, personnage); le rapport du début avec l''ensemble de la structure narrative du récit; l''éventuel lien entre le début et la fin de celui- ci, enfin, la manière dont le début annonce les idéologies sous-jacentes. Cette démarche a, parallèlement, permis de dégager les convergences et les divergences entre les récits étudiés et d''y repérer une certaine évolution chronologique.

  • 18.
    Al Saadi, Tania
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Middle Eastern Studies.
    Utopia/Dystopia through the Theme of Immigration in Two Arabic Short Stories2012In: Borders and Beyond: Crossings and Transitions in Modern Arabic Literature / [ed] Kerstin Eksell, Stephan Guth, Wiesbaden: Harrassowitz Verlag, 2012, p. 83-103Chapter in book (Other academic)
    Abstract [en]

    This article presents shortly the evolution of the concepts of Utopia and Dystopia in the Modern Arabic narrative literature. It focuses then on the Utopia/Dystopia related to the theme of immigration. The two short stories: Aknusu al-šams ʿan al-suṭūḥ (1994) by Ḥanān al-Šayḫ, and Bi-l-Ams Ḥalimtu Bika (1984) by Baha’ Tahir are chosen to underline several aspects of the Utopia/Dystopia of the immigrants life. Before leaving their homelands, they seem to have an Utopian image of the foreign country. After arriving there, this Utopian image disappears in the context of a negative reality: lonliness, racism, loss of landmarks.... At the same time, the Dystopia of the reality creates, itself, a new form of Utopia: the faraway homeland. Thus the process of immigration seems to start from the Utopian elsewhere and ends by the Utopian homeland.  

  • 19.
    Aronsson, Jonas
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Japanese Studies.
    Märkliga japanska efternamn2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 20.
    Bahar, Baser
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Gezi Spirit in Diaspora2015In: Everywhere Taksim: sowing the Seeds for a New Turkey at Gezi / [ed] Isabel David, Kumru Toktamis, Amsterdam: Amsterdam University Press, 2015Chapter in book (Refereed)
  • 21.
    Baser, Bahar
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS). Coventry University, UK .
    Diasporas and Homeland Conflicts: A Comparative Perspective2015Book (Refereed)
    Abstract [en]

    As violent conflicts become increasingly intra-state rather than inter-state, international migration has rendered them increasingly transnational, as protagonists from each side find themselves in new countries of residence. In spite of leaving their homeland, the grievances and grudges that existed between them are not forgotten and can be passed to the next generation.

    This book explores the extension of homeland conflicts into transnational space amongst diaspora groups, with particular attention to the interactions between second-generation migrants. Comparative in approach, Diasporas and Homeland Conflicts focuses on the tensions that exist between Kurdish and Turkish populations in Sweden and Germany, examining the effects of hostland policies and politics on the construction, shaping or elimination of homeland conflicts.

    Drawing on extensive interview material with members of diasporic communities, this book sheds fresh light on the influences exercised on conflict dynamics by state policies on migrant incorporation and multiculturalism, as well as structures of migrant organizations. As such, it will be of interest to scholars of sociology, political science and international studies with interests in migration and diaspora, integration and transnational conflict.

  • 22.
    Baser, Bahar
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Gezi Spirit in the Diaspora Diffusion of Turkish Politics to Europe2015In: Everywhere Taksim: Sowing the Seeds for a New Turkey at Gezi / [ed] Isabel David, Kumru Toktamis, Amsterdam University Press, 2015, p. 251-266Chapter in book (Refereed)
  • 23.
    Bell, Annika
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    The Comic Artist as a Post-war Popular Critic of Japanese Imperialism: An Analysis of Nakazawa Keiji’s Hadashi no Gen2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 24.
    Bengtsson, Andreas
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Japanese Studies.
    Input and Learning Materials: An evaluation of dialogues in textbooks for Learners of Japanese2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 25.
    Bengtsson, Andreas
    Stockholm University, Faculty of Humanities, Department of Oriental Languages, Japanese Studies.
    Input and Learning Materials: An evaluation of dialogues in textbooks for Learners of Japanese2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 26.
    Berndt, Jaqueline
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    ‘Comfort Women’ Comics, Multi-faceted: Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies2016In: Orientaliska Studier, ISSN 0345-8997, no 147, p. 143-169Article in journal (Other academic)
  • 27.
    Berndt, Jaqueline
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    Manga in Transition: Subtly Receding from «Popular Culture»2016In: Hokusai x Manga: Japanese Pop Culture since 1680 / [ed] Nora von Achenbach, Simon Klingler, Sabine Schulze,, Munich: Hirmer , 2016, p. 230-237Chapter in book (Other (popular science, discussion, etc.))
  • 28.
    Berndt, Jaqueline
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    Manga Meets Science: Going beyond the Education-Entertainment Divide2017In: Science meets Comics: Proceedings of the Symposium on Communicating and Designing the Future of Food in the Anthropocene / [ed] Reinhold Leinfelder, Alexandra Hamann, Jens Kirstein, Marc Schleunitz, Berlin: Christian A. Bachmann Verlag , 2017, p. 41-59Chapter in book (Other academic)
  • 29.
    Berndt, Jaqueline
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies. Kyoto Seika University, Kyoto, Japan.
    Manga, Which Manga? Publication Formats, Genres, Users: Chapter 82016In: Japanese Civilization in the 21st Century / [ed] Andrew Targowski, Juri Abe, Hisanori Kato, New York: Nova Science Publishers, Inc., 2016, p. 121-134Chapter in book (Other academic)
    Abstract [en]

    Since the beginning of the 21st century, manga has gained global renown to such an extent that its name is now surfacing in various discourses. What is more, politicians, journalists, and even academics show an inclination to generalize about manga. In light of both the practical political and scholarly consequences which such generalization has, this chapter calls for differentiation, focusing on manga as media. Methodologically informed by the fields of manga studies, art history, and media culture, the notion of “media” applied here conjoins the aspects of material support and technology, traditionally referred to by “medium,” with a consideration of the institutions, practices and interrelations underlying the production, distribution, and consumption of manga. Starting from historical notions mediated by the term manga, this chapter highlights how manga texts are conventionally positioned by format and site of publication, gendered and thematic genres, associated target groups and possible usages. Having proposed a tripartite classification, this chapter finally identifies a specific kind of manga that is in demand by fans on a global scale, a kind which not only matches the interactivity of the age of the internet, but historically also rests on a remarkable internal receptivity to non-Japanese comics in Japan.

  • 30.
    Berndt, Jaqueline
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    Pictures that Come to Life: The Hokusai Manga2017In: Hokusai, Melbourne: National Gallery of Victoria , 2017, p. 21-27Chapter in book (Other (popular science, discussion, etc.))
  • 31.
    Berndt, Jaqueline
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies.
    Reflections: Writing Comics into Art History in Contemporary Japan2017In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 86, no 1, p. 67-74Article in journal (Refereed)
  • 32.
    Berndt, Jaqueline
    et al.
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    Linder, Gunnar JinmeiStockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies.
    Proceedings from the 2016 NAJAKS Conference at Stockholm University: Japanese Studies Volume2016Conference proceedings (editor) (Other academic)
  • 33.
    Bezci, Egemen
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Biri Bizi Gözetlemiş: Ikinci Dünya Savaşı Türkiye´sinde İngiliz İstihbaratı2017In: Toplumsal TarihArticle in journal (Other (popular science, discussion, etc.))
  • 34.
    Bezci, Egemen
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Biri Bizi Gözetlemiş: Ikinci Dünya Savaşı Türkiye'sinde İngiliz İstihbaratı2017In: Toplumsal Tarih, no 277, p. 26-31Article in journal (Other (popular science, discussion, etc.))
  • 35.
    Bezci, Egemen
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Interregnum in Turkey-EU Relations2017In: Turkeyscope, no 7Article in journal (Refereed)
  • 36.
    Bezci, Egemen
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Trajectory for Kurds2018Collection (editor) (Refereed)
  • 37.
    Bezci, Egemen
    et al.
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Borroz, Nicholas
    The CIA and a Turkish Coup2016Other (Other (popular science, discussion, etc.))
  • 38.
    Blomberg, Catharina
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Japanese Studies. Keio University, Japan; Clare Hall, Cambridge, England.
    Ise Jingu, Nosatsu Kai and Indulgences: Pilgrims in Tokugawa Japan Viewed by Two Swedish Travellers2015In: Religious Transformation in Modern Asia: A Transnational Movement / [ed] D. W. Kim, Leiden: Brill Academic Publishers, 2015, Vol. 148, p. 98-112Chapter in book (Refereed)
  • 39.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Adam Moore, Peacebuilding in Practice: Local Experience in Two Bosnian Towns2016In: International Journal of Turkish Studies, ISSN 0272-7919, Vol. 22, no 1/2, p. 222-226Article, book review (Other academic)
  • 40.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Alan Mikhail, Under Osman’s Tree: The Ottoman Empire, Egypt, and Environmental History2017In: ChoiceReviews, ISSN 0009-4978, Vol. 54, no 12, p. 212-213Article, book review (Other academic)
  • 41.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Battles of Nostalgic Proportion: The Transformations of Islam-as-Historical-Force in the Ideological Matrix of a Self-Affirming ‘West’2016In: Althusser and Theology: Religion, Politics, and Philosophy / [ed] Agon Hamza, Leiden: Brill Academic Publishers, 2016, p. 182-197Chapter in book (Refereed)
  • 42.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Catapulted: Youth Migration and the Making of a Skilled Albanian Diaspora (by Burcu Akan Ellis)2016In: Balkanistica, ISSN 0360-2206, Vol. 29, no 2, p. 297-300Article, book review (Other academic)
  • 43.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Destroying Yemen: What Chaos in Arabia Tells Us About the World2018Book (Refereed)
    Abstract [en]

    Since March 2015, a Saudi-led international coalition of forces—supported by Britain and the United States—has waged devastating war in Yemen. Largely ignored by the world’s media, the resulting humanitarian disaster and full-scale famine threatens millions. Destroying Yemen offers the first in-depth historical account of the transnational origins of this war, placing it in the illuminating context of Yemen’s relationship with major powers since the Cold War. Bringing new sources and a deep understanding to bear on Yemen’s profound, unwitting implication in international affairs, this explosive book ultimately tells an even larger story of today’s political economy of global capitalism, development, and the war on terror as disparate actors intersect in Arabia.

  • 44.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Edin Hajdrapašić, Whose Bosnia?: Nationalism and Political Imagination in the Balkans, 1840-19142016In: International Journal of Turkish Studies, ISSN 0272-7919, Vol. 22, no 1/2, p. 213-217Article, book review (Other academic)
  • 45.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Europe’s Balkan Muslims: A New History By Nathalie Clayer and Xavier Bougarel, translated by Andrew Kirby2018In: Journal of Islamic Studies, ISSN 0955-2340, E-ISSN 1471-6917, Vol. 29, no 2, p. 290-294Article, book review (Other academic)
  • 46.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Gewalt und Koexistenz: Muslime und Christen im spätosmanischen Kosovo (1870–1913). By Eva Anne Frantz2017In: Hungarian Historical Review, ISSN 2063-8647, Vol. 6, no 1, p. 240-242Article, book review (Other academic)
  • 47.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Heather J. Sharkey, A History of Muslims, Christians, and Jews in the Middle East2017In: ChoiceReviews, ISSN 0009-4978, Vol. 55, no 2, p. 145-146Article, book review (Other academic)
  • 48.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Max Bergholz, Violence as a Generative Force: Identity, Nationalism, and Memory in a Balkan Community2017In: ChoiceReviews, ISSN 0009-4978, Vol. 54, no 10, p. 234-235Article, book review (Other academic)
  • 49.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Michael Provence, The Last Generation of the Making of the Modern Middle East, Cambridge University Press, 20172017In: ChoiceReviews, ISSN 0009-4978, Vol. 55, no 7Article, book review (Other academic)
  • 50.
    Blumi, Isa
    Stockholm University, Faculty of Humanities, Department of Asian, Middle Eastern and Turkish Studies, Stockholm University Institute for Turkish Studies (SUITS).
    Mohammad Hashim Kamali, The Middle Path of Moderation in Isalm: The Qur’anic Principle of Wasatiyyah2015In: ChoiceReviews, ISSN 0009-4978, Vol. 53, no 3, p. 210-210Article, book review (Other academic)
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