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  • 1.
    Bergström, Gunnel
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    In search of meaning in opera: an opera singer's approach to the dialectics of words, music & myth in opera from Monteverdi to Verdi2000Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this thesis is to show that the opera singer's art is to transmit word and music into vocal action. It is assumed that opera, like all the arts, communicates myth. Of the stage arts opera is unique in that it expresses mythic metaphors through a combination of words and music.

    The point of departure is the opera singer's: confronted with the text, comprising libretto and music, how can this be used to achieve a dramatic effect? Stanislavsky's theory of acting is often applied in practice, but whatever its merits for the stage, it has shortcomings for opera. More promising, it is argued, is a form of hermeneutic approach that Ricoeur calls "backward relatedness": the composer's score is relied on to contain all essential information, but further understanding may be gained by studying any human science that gives insight into how the poet expresses his life experience.

    In this spirit, the first part of the thesis surveys the history of opera from Monteverdi to Verdi with a focus on how composers have handled the relation between words and music to give expression to human conflicts that are the stuff of myth. The second part comprises two chapters in which arias from each of the main periods studied are analysed with attention paid both to the libretto and the music and how these combine in vocal action that communicates myth. It is here that the fruitfulness of Ricoeur's insights are demonstrated. In a final part, the conditions for the present-day opera singer are discussed.

  • 2.
    Feiler, Yael
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    Nationen och hans hustru: Feminism och nationalism i Israel med fokus på Miriam Kainys dramatik2004Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this thesis is to elucidate the tension between feminism and nationalism in Israel and to investigate the ways by which such discursive currents mark the identities of Israeli women. The specific field of investigation is Israeli theatre, and the identities examined are dramatic characters created by the Israeli playwright Miriam Kainy. Also examined is the character of the playwright herself. Theatre is being observed as a specific field of society in which the position of women can be clarified. What kind of women characters the Israeli theatre produces is therefore a leading question for this study.

    Feminist theories, focusing on gender aspects of power relations, together with the postcolonial perspective, which considers power relations by focusing on ethnicity and geopolitical aspects, provide the theoretical tools. The social constructionist viewpoint is used since it provides an appropriate understanding of important notions for the thesis, such as nation and identity, considering them as constructions created by discourse. The discourses focused upon are the national v. the feminist discourse and theatre is viewed as a discourse mediator, which is why the dramatic text is the object of the analysis. The specific method of analysis is inspired by Norman Fairclough’s critical discourse analysis.

    The main part of the thesis consists of a discursive analysis of five women characters, constructed within a period of about five decades, namely between the 1950s and 1990s. Each one of these characters consists of an articulation which is considered representative of a specific time-relevant discursive struggle between the two discourses in question. One of the central assumptions of the thesis is that the Israeli national identity is thoroughly masculine. The identity problems it has been causing Israeli women since the time of the pioneers until today are clearly illuminated throughout the analysis. The conclusion emphasises that the subjectpositions being introduced by Israeli national discourse, namely the ways of being a New Jew, an Israeli, collide with those introduced by feminist discourse, i.e. ways of being an independent woman subject. Nevertheless, each and every character demonstrates creative ways of transforming the discourses by aiming at a hybrid formation.

  • 3.
    Granath, Sara
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    Käket & moralen: Teatersällskapet Profeus/Mercurius från studentteater till länsteater1997Doctoral thesis, monograph (Other academic)
  • 4.
    Johansson, Ola
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    The room's need of a name: a philosophical study of performance2000Doctoral thesis, monograph (Other academic)
  • 5.
    Jónsson, Jón Viðar
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    Geniet och vägvisaren: om den isländska skådespelerskan Stefanía Guðmundsdóttir (1876-1926) och författaren och regissören Einar H. Kvaran (1859-1938) = [The genius and its guide] : [on the Icelandic actress Stefanía Guðmundsdóttir (1876-1926) and the writer and director Einar H. Kvaran (1859-1938)]1995Doctoral thesis, monograph (Other academic)
  • 6.
    Lagercrantz, Marika V.
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    Den andra rollen: ett fältarbete bland skådespelare, regissörer och roller1995Doctoral thesis, monograph (Other academic)
  • 7.
    Lundqvist, Anne
    Stockholm University. Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    Anamorphic Theatre - Two Interpretations of Strindberg's Plays2009In: north-west passage, Yearly Review of the Centre for Northern Performing Arts Studies, ISSN 1826-641X, no n.6, p. 115-119Article in journal (Other academic)
    Abstract [en]

    The article discusses how the theories of the French psychoanalyst Jacques Lacan might influence the interpretation of August Strindberg's characters on stage. The point of departure for illuminating and locating the reflexive potential between the psychoanalytic thesis and the plays is the function of anamorphosis, understood as a drawing presenting a distorted image that appears in natural form under certain conditions.

  • 8.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    A Doll's House Revisited: The Nora Performance on Contemporary Swedisg Stage2002Conference paper (Refereed)
    Abstract [en]

    This conference paper discusses Henrik Ibsen's A Doll's House as a part of women's liberation movement.

  • 9.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    A Doll's House Revisited: The Nora Performance on Contemporary Swedish Stage2003In: Proceedings of the relevance of a Doll's House - Translation and Adaptation / [ed] Kamaluddin Nilu, Dhaka, Bangladesh: CAT, Centre for Asian Studies , 2003, p. 185-194Chapter in book (Other academic)
    Abstract [en]

    This conference paper discusses Henrik Ibsen's A Doll's House as a part of women's liberation movement.

  • 10.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    A Queer Feeling When I Look At You: Den tranvestitiska positionen på teater och film1996In: Lambda Nordica: Tidskrift om homosexualitet, ISSN 1100-2573, no 2, p. 33-47Article in journal (Other academic)
  • 11.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Anpassning eller revolution?8 mars – var står vi idag?2006In: Aftonbladet Kultur, ISSN 1102-3252, no 8/3, p. 4-5Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    This article argues against heterosexism in Swedish gender equality politics.

  • 12.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Att skära snyggt mellan fantasi och verklighet: Platon och grottan1998In: Dialoger, no 45Article in journal (Other (popular science, discussion, etc.))
  • 13.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Besvärliga människor: Kommunikation till varje pris! Teatersamtal med Suzanne Osten2004Book (Other academic)
    Abstract [en]

    "Troublesome People" is a book on the Swedish feminist theater director Suzanne Osten.

  • 14.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Byxbegär2000Book (Other academic)
    Abstract [en]

    This book is a study of the construction of gender and desire in trouser roles in both spoken theatre and opera.The long-term presence of cross-dressing in Western theatre history and its specific articulations in performanings arts have been an important part of the discourse in Gender Studies since the 1980's. The trouser role, a woman en travesti, literally in male drag, sings and looks like (in theory at least)a man, but sounds like and in fact, is, a woman. This act of cross-dressing makes same-sex desire visible and leads to a number of questions, which many have contemplated upon but few have cared (or dared) to answer.

  • 15.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Bättre med byxor eller vad gör alla dessa kvinnor på scenen?1997In: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, no 2, p. 14-25Article in journal (Other academic)
  • 16.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Christina Svens: Regi med feministiska förtecken2002In: Teatertidningen, ISSN 1101-9107, no 3Article, book review (Other (popular science, discussion, etc.))
  • 17.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    De tolv vise männens död eller mental istid: Queerteori på 2000-talet2002In: Perspektiv på samtiden, samtida perspektiv: Forskning om det sena 1900-talets och det nya millenniets konst och visuella kultur / [ed] Kathryn Boyer, Hans Hayden, Anna Tallgren, Jeff Werner, Stockholm: Konstvetenskapliga institutionenn, Stockholms universitet , 2002, Vol. Eidos nr 6, Skrifter fr�n Konstvetenskapliga institutionen vid stockholms universitet, p. 89-97Chapter in book (Other academic)
    Abstract [en]

    This book chapter discusses queer theory in relation to visual culture.

  • 18.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Den onaturliga heterosexualiteten2003Conference paper (Refereed)
    Abstract [en]

    This key note paper discusses heterosexuality, heteronormativity and exclusion by homophobia.

  • 19.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Der Schatten Strindbergs: Einige Beobachtungen zum gegenwärtigen schwedischen Theater1993In: Welttheater, Nationaltheater, Lokaltheater?: Europäisches Theater am Ende des 20. Jahrhunderts / [ed] Erika Fischer-Lichte, Harald Xander, Tübingen & Basel: Francke Verlag , 1993, Vol. Skriftserie: Mainzer Forschungen zu Drama und Theater, 99-0684737-9 ; 9, p. 167-178Chapter in book (Other academic)
    Abstract [en]

    This book chapter discusses the heritage of August Strindberg in contemporary Swedish theater in the productions of Lars Norén and Ingrmar Bergman.

  • 20.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det finns inga butchar i Norge: Ett samtal med och en hyllning till Peggy Shaw2001In: Visslingar & Rop, ISSN 1401-5307, no 11, p. 45-63Article in journal (Other (popular science, discussion, etc.))
  • 21.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det laddade och ohyggliga tilltalet: Lars Nylander har skrivit den första övergripande studien av Lars Noréns litterära produktion1997In: Svenska Dagbladet Kultur, ISSN 1101-2412, no 22/5Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    Recension av Lars Nylanders bok Den långa vägen hem. Lars Noréns författarskap från poesi till dramatik, Stockholm: Bonnier, 1997

  • 22.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det nya Lukas-evangeliet2002In: Idol, image, identitet / [ed] Anne Banér, Stockholm: Centrum för barnkulturforskning , 2002, p. 47-62Chapter in book (Other academic)
    Abstract [en]

    This article discusses the heteronormative reception of the Swedish teen movie "Show Me Love" (1998). It is a love story between two teenage girls, but the reviews hardly mentioned the young lesbian love story.

  • 23.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det nya Lukas-evangeliet: Det heteronormativa mottangandet av Fucking Åmål2000In: Lambda Nordica: Tidskrift om homosexualitet, ISSN 1100-2573, Vol. 6, no 4, p. 23-36Article in journal (Other academic)
  • 24.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Elsa eljest: Intervju med skådespelaren Elisabeth "Elsa" Carlsson2002In: Teatertidningen, ISSN 1101-9107, no 5Article in journal (Refereed)
  • 25.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    "Elsa, has du mich wohl vernommen?": Feministinen analyysi Wagnerin Lohengrinista2001In: Dramaturgioita: Näkokulmia draamateoriaan, dramaturgiaan ja draama-analyysin ongelmiin / [ed] Heta Reitala & Timo Heinonen, Stockholm: Palmenia-kustannus , 2001, p. 131-158Chapter in book (Other academic)
    Abstract [en]

    This book chapter is a feminist analysis of Richard Wagner's opera Lohengrin.

  • 26.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    En manlighet som inte kan hålla tätt: Dissident i rosa2001In: Svenska Dagbladet Kultur, ISSN 1101-2412, no 23/2Article in journal (Other (popular science, discussion, etc.))
  • 27.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    En permanent revolution: Teater Auroras estetiska projekt2002In: Scenljus: Porträtt av sex Stockholmsteatrar / [ed] Ingvar von Malmborg, Stockholm: Stockholmia förlag , 2002, p. 53-82Chapter in book (Other academic)
    Abstract [en]

    This book chapter is about Teater Aurora, an independent and radical theatre group, active in Stockholm (Sweden) in 1978-1994, and its director Hilda Hellwig, one of the leading theatre directors in contemporary Swedish theatre.

  • 28.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen.
    En regissörs estetik: Ludvig Josephson och den tidiga teaterregin1993Other (Other academic)
    Abstract [en]

    The Swedish director Ludvig Josephson (1832-99) made a decisive contribution to the breakthrough of theatrical direction during the latter half of the 19th century in Sweden, and even to a certain extent in Norway. The aim of this dissertation is to examine Josephson's aesthetic program and to relate his contribution to continental developments. Theatrical direction here includes both dramatic theater and operatic works. The concept 'aesthetic program' does not, in the context of this study, imply aesthetics as a theoretical problem, but is rather used as a kind of superstructure for Josephson's two most important areas of activity: as a theater director and as a debater. His aesthetic program is regarded as consisting of two components: on the one hand it is a forceful cultural conception of what the theater ought to be, on the other, it consists of his practical work as a director. Josephson's recurring journeys to the continental theater centres are an important prerequisite for his aesthetic program. His view of the theater is shaped at an early point in his life thanks to his contact with French and German theater traditions. During the course of his life Josephson published a number of tracts in which he discussed various questions within the theater, often in a very polemical manner. He is concerned for the future of the serious, educational theater and in his texts repeats his ideas of an ideal theater, which in this dissertation is termed 'Josephson's great program'. Josephson's method of directing is examined on the basis of three examples which illuminate the practical side of his aesthetic program: L'Africaine by Scribe/Meyerbeer, Peer Gynt by Ibsen and Master Olof by Strindberg. Ludvig Josephson can be considered an early representative of the "director's and actor's theater", whose most prominent exponents during the first half of the 20th century are Konstantin Stanislavsky and Max Reinhardt. He works with a literary theater, whose aesthetic base is the concept of unified staging. Josephson upholds the independence of drama and the art of direction, places the actor in focus and continues the German 19th century tradition, in which the director relates to the actors as a pedagogue. This type of theater primarily develops within the framework of the institutional theaters of bourgeois culture and is destined to become the basic constituent of the modern European repertory theater.

  • 29.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Feminist - javisst!2001In: Naistutkimus - Kvinnoforskning, ISSN 0784-3844, no 3Article, book review (Other academic)
  • 30.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Frauen im schwedischen Nachkriegstheater1999In: Handbuch Frauen im europäischen Theater: Handbuch der Dramaturgischen Gesellschaft / [ed] Karin Uecker, Berlin: Europäische Verlagsanstalt , 1999, p. 179-184Chapter in book (Other academic)
    Abstract [en]

    This is a presentation of women dramatists and directors in the Swedish postwar theatre.

  • 31.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Freud och den kvinnliga homosexualiteten2000In: Divan - tidskrift för psykoanalys och kultur, ISSN 1101-1408, no 3-4Article, book review (Other academic)
    Abstract [sv]

    Recension av Ronnie C. Lesser, That Obscure Object of Desire. Freud's Female Homosexual Revisited, New York: Routledge, 1999

  • 32.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Från gay till queer och tillbaka?2005In: Naistutkimus/ Kvinnoforskning, ISSN 0784-3844, no nr. 2, p. 76-79Article, book review (Other academic)
  • 33.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    För en queer marxism2002In: Arbetaren, ISSN 0345-0961, no Nr 51- 52Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    This article discusses the Marxist heritage in queer theory and argues for a historical materialist understanding of queer theory.

  • 34.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    för/störa normen1998In: Bang: Feministisk kulturtidskrift, ISSN 1102-4593, no 2Article in journal (Other (popular science, discussion, etc.))
  • 35.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Gender Studies in Skandinavien: Das Beispiel Schweden2002Conference paper (Refereed)
    Abstract [en]

    This key note paper discusses the history and status of Gender Studies in Sweden.

  • 36.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Go'morgen Danmark!2002In: Arena, ISSN 0332-6446, no 5Article, book review (Other academic)
  • 37.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Greta Garbo2001In: Who's Is Who in Gay and Lesbian History: From Antiquity to the World War II / [ed] Robert Aldrich & Garry Wotherspoon, London & New York: Routledge, 2001, Vol. 1, p. 175-176Chapter in book (Other academic)
    Abstract [en]

    A contribution to lesbian and gay history.

  • 38.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Hilda Hellwigs vilda kvinnor1997In: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, no 2, p. 75-86Article in journal (Other (popular science, discussion, etc.))
  • 39.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Hjertebrødre: Krigen om H. C. Andersens seksualitet2006In: Kvinder, køn og forskning, ISSN 0907-6182, no 1, p. 76-79Article, book review (Other academic)
  • 40.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Hos oss är statsministern snart queer2001In: Aftonbladet Kultur, ISSN 1403-9656, no 21/3Article in journal (Other (popular science, discussion, etc.))
  • 41.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Identitet och politik i de närmaste tio åren2005Conference paper (Other academic)
    Abstract [en]

    This paper discusses upcoming issues in feminist politics in Sweden and Northern Europe.

  • 42.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Inte utan min teori2005Conference paper (Refereed)
    Abstract [en]

    This key note paper discusses queer theory in relation to hegemonic feminism.

  • 43.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Intersektionalitet och queerstudier2002Conference paper (Refereed)
    Abstract [en]

    This conference paper discusses intersectuionality and Queer Studies.

  • 44.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Kan Nora dansa tarantella i en sari?2002In: Teatertidningen, ISSN 1101-9107, no 5Article in journal (Refereed)
    Abstract [en]

    This article discusses Henrik Ibsen's character Nora from "A Doll's House" performed in Dhaka, Bangladesh.

  • 45.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Kuka on kukin hameen alla? Queer/postkolonialistinen näkokulma M Butterflyihin2001In: Dramaturgioita: Näkokulmia draamateoriaan, dramaturgiaan ja draama-analyysin ongelmiin / [ed] Heta Reitala & Timo Heinonen, Helsinki: Palmenia-kustannus , 2001, p. 159-186Chapter in book (Other academic)
    Abstract [en]

    This book chapter discusses gender and sexuality in David Henry Hwang's play M Butterfly from queer and postcolonial perspective.

  • 46.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Kvinnokroppen som scen för dramer och trauman1997In: Svenska Dagbladet Kultur, ISSN 1101-2412, no 12/4Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    Recension av Rebecka Schneiders bok, The Explicite Body in PerformanceNew York & London: Routledge 1997

  • 47.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Könet brinner: Judith Butlers texter i urval2005Book (Other academic)
    Abstract [en]

    "Könet brinner" (Gender is Burning) is a collection of Judith Butler's texts in Swedish.

  • 48.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Lesbiska- och gaystudier, feministisk teori, queerteori och den politiska kampen2002Conference paper (Refereed)
    Abstract [en]

    This key note paper discusses lesbian and gay studies, feminist theory, queer theory and the political struggle.

  • 49.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Lesbiskt eller queert?2000In: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, no 1Article, book review (Other academic)
    Abstract [sv]

    Recension av Evelyn Blackwood & Saskia Wieringas antologi Female Desires: Same-Sex Relations and Trans-Gender Practices Across Cultures, Colombia University Press, 1999

  • 50.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    LGBT-studier: Vad är det?2001In: Kvinnor och forskning, no 2Article in journal (Other academic)
12 1 - 50 of 94
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