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  • 1. Hjartarson, Benedikt
    et al.
    Kollnitz, AndreaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.Stounbjerg, PerØrum, Tanja
    A Cultural History of the Avant-Gardes in the Nordic Countries 1925-502019Collection (editor) (Refereed)
    Abstract [en]

    A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.

  • 2.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Die Kunst der Selbstinszenierung: Mode, Kostüm und Selbststilisierung als kreativer Ausdruck und Grenzüberschreitung in Leonor Finis Leben und Werk2017In: Widerspenstiges Design: Gestalterische Praxis und gesellschaftliche Verantwortung / [ed] Friedrich Weltzien, Hans-Jörg Kapp, Berlin: Dietrich Reimer Verlag, 2017, p. 76-93Chapter in book (Refereed)
  • 3.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    For Our Own Time – Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 19302019In: A Cultural History of the Avant-Gardes in the Nordic Countries 1925-50 / [ed] Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum, Brill Academic Publishers, 2019, p. 102-120Chapter in book (Refereed)
  • 4.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Is Beauty Useful? Fashion, Gender and British Wartime Society in Punch 19152020In: Fashion, Dress, and Society, in Europe during World War I / [ed] Maude Bass-Krueger, Sophie Kurkdjian, London: Bloomsbury Academic, 2020Chapter in book (Refereed)
  • 5. Kollnitz, Andrea
    Mellan "manlig" kraft och "kvinnlig" känsla - Agnes Cleve i konstkritiken 1911-19312014In: Agnes Cleve.: Svensk modernist i världen / [ed] Karolina Peterson, Annelie Tuveros, Karin Ekdahl, Jennie Idoffsson, Halmstad: Mjellby konstmuseum , 2014Chapter in book (Other academic)
  • 6.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Museiidentitet och genus: Norrköpings Konstmuseum2011In: Representation och regionalitet: Genusstrukturer i fyra svenska konstmuseisamlingar / [ed] Anna Tellgren, Jeff Werner, Stockholm: Statens kulturråd , 2011, p. 54--79Chapter in book (Refereed)
  • 7.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Promoting the Young - Interactions between the Avant-Garde and the Swedish Art Market 1910-19252012In: A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 / [ed] Hubert van den Berg, Irmeli Hautamäki, Benedikt Hjartarson, Torben Jelsbak, Rikard Schönström, Per Stounbjerg, Tania Örum, Dorthe Aagesen, Amsterdam: Rodopi, 2012, p. 275-290Chapter in book (Refereed)
  • 8.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Questioning the Spiritual in Art: Hilma af Klint, Vasily Kandinsky, and the Swedish Art World2018In: Hilma af Klint: Paintings for the Future / [ed] Tracey Bashkoff, New York: Guggenheim Museum Publications , 2018Chapter in book (Other academic)
  • 9.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Receptionen av tysk och österrikisk modernism i Sverige 1900-19352013In: Konsten och det nationella: Essäer om konsthistoria i Europa 1850-1950 / [ed] Martin Ohlin, Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2013, p. 104-123Chapter in book (Refereed)
  • 10.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Rollspel: Mode som självframställning och experiment under Siri Derkerts 1910-tal2011In: Att alltid göra och tänka det olika: Siri Derkert i 1900-talet / [ed] Mats Rohdin, Annika Öhrner, Stockholm: Kungliga biblioteket, Stockholm , 2011, p. 59-91Chapter in book (Other academic)
  • 11.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    "Se på mig!: Mode som uttryck och strategi i Isaac Grünewalds och Sigird Hjerténs måleri och själviscensättning"2014In: Modernism och mode / [ed] Andrea Kollnitz och Louise Wallenberg, Stockholm: Carlsson Bokförlag, 2014, p. 55-88Chapter in book (Other academic)
  • 12.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Simply Illustrations? On Interactivities between Words and Pictures in the Rhetoric of Art Reviews2009In: Valör, ISSN 0283-751X, no 1, p. 3-20Article in journal (Other academic)
  • 13.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    The Devil of Fashion: Women, Fashion and the Nation in Early-Twentieth-Century German and Swedish Cultural Magazines2013In: Fashion in Popular Culture: Literature, Media and Contemporary Studies / [ed] Joseph H. Hancock, Toni Johnson-Woods, Vicki Karaminas, Bristol: Intellect Ltd., 2013, 1, p. 227-241Chapter in book (Refereed)
  • 14.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    The Self as an Artwork: Performative Self-Representation in the Life and Work of Leonor Fini2018In: Fashioning Professionals: Identity and Representation at Work in the Creative Industries / [ed] Leah Armstrong, Felice McDowell, London: Bloomsbury Academic, 2018, p. 121-142Chapter in book (Refereed)
  • 15.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Under påverkan: om fransk och annan "utländsk" konst i 1910-talets svenska konstdiskurs2014In: Inspiration Matisse! / [ed] Anna Meister, Daniel Prytz, Karin Sidén, Stockholm: Carlsson Bokförlag, 2014Chapter in book (Other academic)
  • 16.
    Kollnitz, Andrea
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Universal Language on National Ground – Otto G. Carlsund and Art Concret at the Stockholm Exhibition 19302019In: A Cultural History of the Avant-Gardes in the Nordic Countries 1925-50 / [ed] Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum, Brill Academic Publishers, 2019, p. 305-317Chapter in book (Refereed)
  • 17.
    Kollnitz, Andrea
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Pecorari, Marco
    Fashion, Performance & Performativity2020Book (Refereed)
  • 18.
    Kollnitz, Andrea
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Wallenberg, LouiseStockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Modernism och mode2014Collection (editor) (Other academic)
    Abstract [en]

    I Modernism och mode diskuteras modets starka och mångfacetterade betydelse för modernismen och dess olika uttryck under perioden 1900-1960 i tio icke tidigare publicerade essäer författade av såväl svenska som internationella forskare. Boken, som är den första omfattande svenska publikationen i ämnet, visar hur mode inom modernismen ges en uttalad och proklamerad position som konst under en tid då den kommersiella modeproduktionen mer och mer kopplas till massproduktion och -konsumtion. Boken belyser bland annat Isaac Grünewalds och Sigrid Hjerténs modemedvetna själviscensättning, modedesignern Jean Patous kreationer mellan konst och business, Elsa Schiaparellis surrealistiska modedesign, modets roll inom den italienska futurismen och ryska konstruktivismen, Magos modernistiska filmkostym, filmen som modernistiskt allkonstverk och modets filosofiska betydelser i förhållande till modernism och modernitet.

  • 19.
    Kollnitz, Andrea
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Weltzien, Friedrich
    Subversive Selbstermächtigung. Surrealistische Modefotografie bei Leonor Fini und Wols2017In: Fotogeschichte, ISSN 0720-5260, Vol. 37, no 146, p. 3-14Article in journal (Other academic)
  • 20.
    Wallenberg, Louise
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Kollnitz, AndreaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Fashion and Modernism2018Collection (editor) (Refereed)
    Abstract [en]

    Art and fashion have long gone hand in hand, but it was during the modernist period that fashion first gained equal value to – and took on the same aesthetic ideals as – painting, film, photography, dance, and literature. Combining high and low art forms, modernism turned fashion designers into artists and vice versa.

    Bringing together internationally renowned scholars across a range of disciplines, this vibrant volume explores the history and significance of the relationship between modernism and fashion and examines how the intimate connection between these fields remains evident today, with contemporary designers relating their work to art and artists problematizing fashion in their works.

    With chapters on a variety topics ranging from Russian constructionism and clothing to tango and fashion in the early 20th century, Fashion and Modernism is essential reading for students and scholars of fashion, dress history, and art history alike.

1 - 20 of 20
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