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  • 1.
    Gindt, Dirk
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Brinch, RebeccaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.Rosenberg, TiinaStockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater2022Collection (editor) (Other academic)
    Abstract [sv]

    Antologin "Berätta, överleva, inte drunkna" är den första publikationen på svenska som samlar scenkonstnärer och teatervetare till att reflektera över den pågående flyktingsituationen och den ökande främlingsfientligheten. Boken tar hänsyn till både strukturella och institutionella aspekter som spelar roll i dekoloniseringsprocesser (t.ex. kvotering; chefspositioner; scenkonstnärliga utbildningars upplägg).Antologin kan användas som kurslitteratur för studenter i teatervetenskap och besläktade ämnen, exempelvis barn- och ungdomsvetenskap, kulturstudier, litteraturvetenskap, genusvetenskap, lärarutbildningar och scenkonstnärliga utbildningar. Boken riktar sig även till scenkonstnärer och praktiker, studieförbund samt till en allmän publik som är intresserad av antirasistisk och postkolonial teater. Samtliga bidrag är skrivna på ett pedagogiskt sätt som gör boken tillgänglig för en akademisk och icke-akademisk publik.Boken har en inkluderande agenda som ger utrymme både för den yngre generationen scenkonstnärer och pionjärer som drivit på utvecklingen av de- och postkolonial teater. Perspektiv från institutionsteatrar varvas med erfarenheter från alternativa scenkonstnärliga miljöer. Antologins geografiska spännvidd sträcker sig från Malmö i syd till Sápmi i nord, och ortens teaterkultur får lika stort utrymme som storstädernas scenkonst. Syftet är att spegla den kulturella mångfald som präglar den samtida scenkonsten och bidra till en fördjupad dialog mellan akademin, scenkonsten och allmänheten.

  • 2.
    Gindt, Dirk
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Brinch, Rebecca
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Inledning: Antirasism, dekolonisering och migration i svensk teater’2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater’ / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 14-39Chapter in book (Other academic)
  • 3.
    Gindt, Dirk
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    “Scenkonsten är en plats för att ifrågasätta och utmana”: Ett samtal om afrosvensk scenkonst med Josette Bushell-Mingo2022In: Berätta, överleva, inte drunkna: Antirasism, dekolonisering och migration i svensk teater / [ed] Rebecca Brinch; Dirk Gindt; Tiina Rosenberg, Stockholm: Bokförlaget Atlas, 2022, p. 173-182Chapter in book (Other academic)
  • 4.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    A Doll's House Revisited: The Nora Performance on Contemporary Swedisg Stage2002Conference paper (Refereed)
    Abstract [en]

    This conference paper discusses Henrik Ibsen's A Doll's House as a part of women's liberation movement.

  • 5.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    A Doll's House Revisited: The Nora Performance on Contemporary Swedish Stage2003In: Proceedings of the relevance of a Doll's House - Translation and Adaptation / [ed] Kamaluddin Nilu, Dhaka, Bangladesh: CAT, Centre for Asian Studies , 2003, p. 185-194Chapter in book (Other academic)
    Abstract [en]

    This conference paper discusses Henrik Ibsen's A Doll's House as a part of women's liberation movement.

  • 6.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    A Queer Feeling When I Look At You: Den tranvestitiska positionen på teater och film1996In: Lambda Nordica, ISSN 1100-2573, E-ISSN 2001-7286, no 2, p. 33-47Article in journal (Other academic)
  • 7.
    Rosenberg, Tiina
    Lunds universitet.
    Aesthetics of Activism and Activist Aesthetics: Contemporary Feminist Performance in Sweden2009Conference paper (Refereed)
    Abstract [en]

    In the 2000s, Sweden experienced a veritable explosion of feminist performance. Although feminist actions, theatre, shows and performance existed previously, feminist events with a distinct performance approach have emerged strongly in the current decade. Feminist culture festivals are held in rapid succession, and feminist performance, dance and theatre occasionally attract broader audiences. This popularization of feminist performing arts is related to the lively feminist activism in Sweden. In this paper, I will discuss a few examples of contemporary feminist performance in Sweden. Both thematically and in activist terms, contemporary Swedish feminist performing arts represent continuity in feminist politics and performance. They focus on direct action, mixing styles and genres in performance-inspired events, but also utilizing the more text-based traditions of theatre when required. It is unequivocal, however, that performance as a genre has had a strong impact on contemporary feminist theatre in Sweden. At feminist events feminist defense is mixed with spoken word poetry, queer theatre, music, dance, circus and elements of popular culture with various impromptu pranks and tricks thrown in. Performance is a hard-to-define live act that is a form of performing art but not necessarily linked to the skills or traditions of the stage. As a genre, performance is effective for fast, improvised and spectacular appearances, and is rooted in the early modernist events, 1960s happenings and other multi-disciplinary art forms. Performance is not necessarily tied to the skills or traditions of theatrical art. Performance is a tumbling place for encounters between political activism, autobiography, mass-culture, ritual body art and the “ordinary” commonplace. One significant trait is the multiple voices, the lack of hierarchic components in the performance. Instead, performance strives to attain simultaneousness, a concurrent effect that the audience is free to structure and evaluate for itself.

  • 8.
    Rosenberg, Tiina
    Lunds universitet.
    Aesthetics of Activism and Activist Aesthetics: Contemporary Feminist Performance in Sweden2010Conference paper (Refereed)
    Abstract [en]

    In the 2000s, Sweden has experienced a veritable explosion of feminist performing arts. Although feminist actions, theatre, shows and performance existed previously, feminist events with a distinct political and activist approach have emerged strongly in the current decade. Feminist culture festivals are held in rapid succession, and feminist performance, dance and theatre occasionally attract broader audiences. This popularization of feminist performing arts is related to the lively feminist activism in Sweden, but also to other social movements and community art projects openly criticising the right-wing political practices and promoting alternatives. In this paper, I will discuss a few examples of feminist activist performance in Sweden today.Current issues such as the decline of the Swedish welfare state, the aggressive neoliberal policies and its consequences, the US invasion of Iraq, globalisation, trafficking and so on, have led to a new collective political mobilisation and to new political coalitions where feminists and queer activists work together with the Swedish antiracist movement. To examine inequality in the vast field of race-related, class-based and sexuality-orientated gender and performance studies is linked to the intersectional perspective that has in recent years become a debated and, at least in theory, popular concept in Sweden. This paper connects this theoretical concept with politics and performance in contemporary Sweden.

  • 9.
    Rosenberg, Tiina
    Lunds universitet.
    Against Love: Nora and Hedda on the Contemporary Scandinavian Stage2010In: Global Ibsen: Performing Multiple Modernities / [ed] Erika Fischer-Lichte, Barbara Gronau, and Christel Weiler., London & New York: Routledge, 2010, p. 89-101Chapter in book (Refereed)
    Abstract [en]

    This book chapter discusses gender and sexuality in contemporary Scandinavian stagings of Henrik Ibsen's plays, with a special focus on the characters Nora (The Doll's House) and Hedda (Hedda Gabler).

  • 10.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Against Tolerance: Thoughts on Contemporary Scandinavian Racism2014In: Fiebach: Theater, Wissen, Machen / [ed] Antje Budde, Berlin: Theater der Zeit , 2014, p. 58-66Chapter in book (Other academic)
  • 11.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Alkestis: Kärleken övervinner allt, eller?2021Other (Other (popular science, discussion, etc.))
    Abstract [sv]

    När Alkestis får upprättelse på Dramaten bör frågan ställas vad de grekiska klassikerna kan bidra med idag. Författaren Hélène Cixous undrade redan på 1970-talet varför teatern reproducerar patriarkala familjestrukturer i det oändliga. Hon konstaterade torrt att gå på teater är som att gå på sin egen begravning och framhöll att det bor en detroniserad kung Lear i varje manlig roll som kräver att han ska vara den störste, den mest kungalike för annars är kvinnan dödens.Det kvinnliga offret är centralt för Euripides Alkestis som ibland beskrivs som den mest rörande av alla grekiska dramer. Det är en tragisk komedi om Alkestis som offrar sig för sin make, kungen Admetos. I en överraskande vändning i dramat går Herakles ner i underjorden, brottas med Döden och vinner Alkestis tillbaka.

  • 12.
    Rosenberg, Tiina
    Lunds universitet.
    Allsång mot alliansen2010Other (Other (popular science, discussion, etc.))
  • 13.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Anarkopolitik: Anarkismen är inne igen2013In: Arena, ISSN 0332-6446, no 3, p. 30-32Article, book review (Other (popular science, discussion, etc.))
  • 14.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Anpassning eller revolution?8 mars – var står vi idag?2006In: Aftonbladet Kultur, ISSN 1102-3252, no 8/3, p. 4-5Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    This article argues against heterosexism in Swedish gender equality politics.

  • 15.
    Rosenberg, Tiina
    Lunds universitet.
    Arbete och kärlek2007In: lambda nordica, ISSN 1100-2573, Vol. 2007, no 4, p. 46-49Article, book review (Refereed)
    Abstract [en]

    Review of Carina Burman's K.J.: En biografi över Klara Johanson (Albert Bonniers förlag, 2007) and Boel Westin's Tove Jansson: ord, bild och liv (Albert Bonniers förlag, 2007).

  • 16.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Art and Conflict: Reflections on Snow White and the Madness of Truth2014In: Snow White and the Madness of Truth / [ed] Dror Feiler & Gunilla Sköld Feiler, Stockholm: Ordfront , 2014, p. 76-90Chapter in book (Other academic)
    Abstract [en]

    In the winter of 2004, the Israeli ambassador to Sweden shut down and vandalized Dror and Gunilla Sköld Feiler's outdoor installation Snow White and the Madness of Truth at the Swedish History Museum, making it one of the most talked-about art installations in the world. This book chapter discusses art and political conflicts. 

  • 17.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Arvot mekin ansaitsemme: Kansakunta, demokratia ja tasa-arvo2014Book (Other (popular science, discussion, etc.))
  • 18.
    Rosenberg, Tiina
    Lunds universitet.
    Att dansa är nödvändigt2010In: HufvudstadsbladetArticle in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    This is an article on the Swedish author Kerstin Thorvall.

  • 19.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Att skära snyggt mellan fantasi och verklighet: Platon och grottan1998In: Dialoger, no 45Article in journal (Other (popular science, discussion, etc.))
  • 20.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Avioerosta tasa-arvoiseen vanhemmuuteen2015In: Sateenkaaren alla: kertomuksia perheistä / [ed] Maija Rintamäki, Hanna-Leena Autio, Karoliina Riihiluoma, Liisa Suvanne, Helsinki: Ateena , 2015, p. 107-110Chapter in book (Other (popular science, discussion, etc.))
  • 21.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Back to Basics: How Do We Change Things?2022Conference paper (Other (popular science, discussion, etc.))
    Abstract [en]

    This keynote addresses how to change things while practicing peaceful coexistence. However, there are no precise rules how to change things because activist movements always need to adapt themselves to their specific contexts. Strategies for change depend on the communities involved and their particular cultural and political traditions, and what they are trying to accomplish. Although methods should always remain flexible, tactics for change should call for imagining new ways for people to live together in the world—a strategy that the philosopher Judith Butler calls “radical equality”.  

  • 22.
    Rosenberg, Tiina
    Lunds universitet.
    Becoming Street Smart: Reflections on Solidarity and Knowledge2009In: Friendship in Feminist Conversation: Festschrift for Ulla Holm / [ed] Mia Liinason, Sabine Grenz, Kerstin Alnebratt, Berit Larsson, Göteborg: Göteborgs universitet , 2009, p. 187-196Chapter in book (Refereed)
    Abstract [en]

    This chapter discusses the term solidarity in relation to knowledge, and the existing tension between a vital women’s movement on the one hand, and a feminist academic theory on the other. The raise of a highly capitalist and neoliberal notion of feminism, a sort of “free market feminism” is restricting and limiting the space for solidarity in feminist politics and theory. Jodi Dean’s term reflexive solidarity defines solidarity in terms of mutuality, responsibility and a need of recognizing common interests as the presumption for communication and relations between different communities. She shifts focus from a general and interpellated oppression to collectives that have chosen to work and fight together. This paper argues that feminist, antiracist and queer communities create new and different knowledge through collective acts and activism. Political Scientist Jane Mansbridge calls this kind of knowledge street theory in contrast to theories produced within the academy. Street theory is created in and by communities. Sometimes these ideas are picked up by academic scholarship, rearticulated, redefined and often ending up meaning something else they once meant in their street period. It is problematic that historians who chronicle political movements rarely address parallel developments in academic writing, and academic theorists are none-too-consistent about acknowledging the influence of direct-action politics on their scholarship.

  • 23.
    Rosenberg, Tiina
    Lunds universitet.
    Begriplig teater2009In: Arbetaren, ISSN 0345-0961, no 18, p. 13-13Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Regular column on theatre in the weekly newspaper Arbetaren (The Worker).

  • 24.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Besvärliga människor: Kommunikation till varje pris! Teatersamtal med Suzanne Osten2004Book (Other academic)
    Abstract [en]

    "Troublesome People" is a book on the Swedish feminist theater director Suzanne Osten.

  • 25.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Bidding Farewell to Summer2014In: Blue Wings, ISSN 0358-7703, no 9, p. 58-58Article in journal (Other (popular science, discussion, etc.))
  • 26.
    Rosenberg, Tiina
    Lunds universitet.
    Blod som blod2008In: Arbetaren, ISSN 0345-0961, no 47, p. 13-13Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Regular column on theatre in the weekly newspaper Arbetaren (The Worker).

  • 27.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Blossoming gender: Flowers in operatic performance2022Conference paper (Other academic)
    Abstract [en]

    Alpine iconography with high mountains and snowy peaks, idealized pastoral landscapes with gentle winds, blue skies, and rushing water falls. A significant part of the operatic performance (and the entire Lied repertoire of Franz Schubert and Robert Schuman) is about idealized nature. There is a lot to explore here, but my interest in this paper is directed to the presentation of the rose in Richard Strauss’ Der Rosenkavalier (1910).Flowers are frequently presented as gendered and sexual symbols in opera: flower music in Carmen, Madama Butterfly, La Traviata, Adriana Lecouvreur, and Lakmé, to name a few. Vitella’s aria “Non piu di fiori” in Clemenza di Tito where she mourns that there are to be no more flowers or pleasure for her. Opera buffa is also saturated with flower imagery and in the pastoral setting of Così fan tutte, Guglielmo claims that Fiordiligi is a “flower of the devil.”Representing femininity, flowers are often used to symbolize women’s unpredictable emotions and their presumably unstable sexual nature. However, as I argue in this paper, the trouser role Octavian in Der Rosenkavalier queers the presentation of the rose by literally handing over the female sex to Sophie. In this way, the trouser role turns the ritualized and public seduction scene into a sexual statement and has the power over the flower symbolism in this opera. My argument is based on the idea of what performance does to us in the audience, how it comes across, rather than trying to sort out the more conventional interpretations of this scene. In my interpretation, the presentation of the rose becomes a queer symbol of the love affair between Octavian and Sophie.

  • 28.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Byxbegär2000Book (Other academic)
    Abstract [en]

    This book is a study of the construction of gender and desire in trouser roles in both spoken theatre and opera.The long-term presence of cross-dressing in Western theatre history and its specific articulations in performanings arts have been an important part of the discourse in Gender Studies since the 1980's. The trouser role, a woman en travesti, literally in male drag, sings and looks like (in theory at least)a man, but sounds like and in fact, is, a woman. This act of cross-dressing makes same-sex desire visible and leads to a number of questions, which many have contemplated upon but few have cared (or dared) to answer.

  • 29.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Byxbegär: Om byxrollens historik och funktion2018Other (Other (popular science, discussion, etc.))
  • 30. Rosenberg, Tiina
    Bättre i byxor eller vad gör alla dessa kvinnor på scenen?2002Conference paper (Other academic)
    Abstract [en]

    This conference paper discusses trouser roles and gender trouble connected with them on stage.

  • 31.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Bättre med byxor eller vad gör alla dessa kvinnor på scenen?1997In: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, no 2, p. 14-25Article in journal (Other academic)
  • 32.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Bögarnas stora berättelse: Hurtig HBTQ-historia2013In: Arena, ISSN 1652-0556, no 4Article, book review (Other (popular science, discussion, etc.))
  • 33.
    Rosenberg, Tiina
    Lunds universitet.
    Bögarnas Zarah: diva, ikon, kult2009Book (Other academic)
    Abstract [en]

    ”If You Want to see a star of Shame, Look at Zarah! Zarah Leander and Queer Diva Worship” is a research project funded by The Swedish Research Council. This project investigates the Swedish actress and singer Zarah Leander as a queer diva in the way the “phenomenon Leander” emerged in the 1950s and 1960s in Sweden, Germany and internationally. Leander’s dark voice, travestie-like persona and her schlager repertoire made her a major gay icon in the 1950s. The queer quality of Leander is to be found in her transgressive erotic representation of her vocal gender ambiguity, transformed in the gay male diva worship into counter-political resistance to “normalcy”. This project deals merely with the intersection of gender, sexuality and nation.

  • 34.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Christina Svens: Regi med feministiska förtecken2002In: Teatertidningen, ISSN 1101-9107, no 3Article, book review (Other (popular science, discussion, etc.))
  • 35.
    Rosenberg, Tiina
    Lunds universitet.
    Cirkusromantik2007In: Arbetaren, ISSN 0345-0961, no 43, p. 13-13Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Regular column on theatre in the weekly newspaper Arbetaren (The Worker).

  • 36.
    Rosenberg, Tiina
    Lunds universitet.
    Criminally Queer2009In: lambda nordica, ISSN 1100-2573, Vol. 14, no 2, p. 101-105Article, book review (Refereed)
  • 37.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Dansa med stjärnorna: Jin Xing och det nya Kina2014In: Kina-rapport, ISSN 1404-1855, no 3, p. 20-23Article in journal (Other (popular science, discussion, etc.))
  • 38.
    Rosenberg, Tiina
    Lunds universitet.
    Dansade revolten2010In: Arbetaren, ISSN 0345-0961, no 15, p. 13-13Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Regular column on theatre in the weekly newspaper Arbetaren (The Worker).

  • 39.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    De aquí a la eternidad: La senorita Julie contraataca y se niega morir2017In: ADE Teatro, ISSN 1133-8792, no 168, p. 68-75Article in journal (Other academic)
  • 40.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    De tolv vise männens död eller mental istid: Queerteori på 2000-talet2002In: Perspektiv på samtiden, samtida perspektiv: Forskning om det sena 1900-talets och det nya millenniets konst och visuella kultur / [ed] Kathryn Boyer, Hans Hayden, Anna Tallgren, Jeff Werner, Stockholm: Konstvetenskapliga institutionenn, Stockholms universitet , 2002, Vol. Eidos nr 6, Skrifter fr�n Konstvetenskapliga institutionen vid stockholms universitet, p. 89-97Chapter in book (Other academic)
    Abstract [en]

    This book chapter discusses queer theory in relation to visual culture.

  • 41.
    Rosenberg, Tiina
    Lunds universitet.
    Den nya genuspolitiken2006In: Genus ogjort : kropp, begär och möjlig existens / [ed] Tiina Rosenberg, Stockholm: Norstedts Förlag, 2006, p. 9-22Chapter in book (Refereed)
    Abstract [en]

    This book chapter deals with The New Gender Politics by Judith Butler.

  • 42.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Den onaturliga heterosexualiteten2003Conference paper (Refereed)
    Abstract [en]

    This key note paper discusses heterosexuality, heteronormativity and exclusion by homophobia.

  • 43.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Der Schatten Strindbergs: Einige Beobachtungen zum gegenwärtigen schwedischen Theater1993In: Welttheater, Nationaltheater, Lokaltheater?: Europäisches Theater am Ende des 20. Jahrhunderts / [ed] Erika Fischer-Lichte, Harald Xander, Tübingen & Basel: Francke Verlag , 1993, Vol. Skriftserie: Mainzer Forschungen zu Drama und Theater, 99-0684737-9 ; 9, p. 167-178Chapter in book (Other academic)
    Abstract [en]

    This book chapter discusses the heritage of August Strindberg in contemporary Swedish theater in the productions of Lars Norén and Ingrmar Bergman.

  • 44.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Det brinner på scenen2022In: Fempers nyheter, ISSN 2004-2728Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    En recension av Brinn på Unga Klara, Norma på Folkoperan och Dirty Weekend på Teater Brunnsgatan 4. 

  • 45.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det finns inga butchar i Norge: Ett samtal med och en hyllning till Peggy Shaw2001In: Visslingar & Rop, ISSN 1401-5307, no 11, p. 45-63Article in journal (Other (popular science, discussion, etc.))
  • 46.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det laddade och ohyggliga tilltalet: Lars Nylander har skrivit den första övergripande studien av Lars Noréns litterära produktion1997In: Svenska Dagbladet Kultur, ISSN 1101-2412, no 22/5Article, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    Recension av Lars Nylanders bok Den långa vägen hem. Lars Noréns författarskap från poesi till dramatik, Stockholm: Bonnier, 1997

  • 47.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det nya Lukas-evangeliet2002In: Idol, image, identitet / [ed] Anne Banér, Stockholm: Centrum för barnkulturforskning , 2002, p. 47-62Chapter in book (Other academic)
    Abstract [en]

    This article discusses the heteronormative reception of the Swedish teen movie "Show Me Love" (1998). It is a love story between two teenage girls, but the reviews hardly mentioned the young lesbian love story.

  • 48.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Teatervetenskapliga institutionen. Stockholm University, Faculty of Humanities, Department of Ethnology, History of Religions and Gender Studies, Center for Gender Studies.
    Det nya Lukas-evangeliet: Det heteronormativa mottangandet av Fucking Åmål2000In: Lambda Nordica, ISSN 1100-2573, E-ISSN 2001-7286, Vol. 6, no 4, p. 23-36Article in journal (Other academic)
  • 49.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Don't be quiet, start a riot: anarchy, affect, and activism in Pussy Riot's performance2013In: International Federation for Theatre Research (FIRT/IFTR) conference, "Re-Routing Peformance/Re-caminant l'escena", Barcelona, Spain, July 22-26, 2013, 2013Conference paper (Refereed)
    Abstract [en]

    The relationship between art and politics emerges again and again. In connection with the Russian parliamentary elections in December 2011 a protest movement appeared calling for free elections and democratic rights. It was in this context the punk group Pussy Riot conducted their now world famous “prayer” to Virgin Mary to dislodge Vladimir Putin from power. The question is whether this was an artistic action with a political purpose or a political action with an artistic method?

        The present paper focuses on the links between the classical avant-garde and anarchism exemplified by the actions of the group Pussy Riot in Moscow. The term anarchy comes from the Greek arche and in its original meaning aims at neither to chaos nor order, but joins both elements. A constant movement between construction and deconstruction of established existing systems characterizes anarchism.

      The classical avant-garde wished to integrate art and life. Art would be understood as a flow with no specific goals and no definite answers to the question “why”? Provocation was seen as an instrument for producing shocking effects using unexpected breaks in the flow of words, images or tones, and forcing the viewer to make new associations. The artists of the avant-garde were socially, rather than politically engaged. Unlike the politically organized revolutionaries they were anti-utopians, politically as well as aesthetically. They did not create a school or style, and did not let that art was under any social or political constraints. 

  • 50.
    Rosenberg, Tiina
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Don't be quiet, start a riot!: essays on feminism and performance2016Book (Refereed)
    Abstract [en]

    This collection of essays investigates elements of the human voice and performance, and their implications for gender and sexuality. The chapters address affect, pleasure, and memory in the enjoyment of musical and theatrical performance. Rosenberg also examines contemporary feminist performance, anti-racist interventions, activist aesthetics, and political agency especially with regard to feminist and queer interpretations of opera and theatre. She contextualizes her work within broader developments in gender and queer studies, and within the feminist movement by highlighting important contributions of artists who draw from the above to create performance. The book will be welcomed by opera and theatre lovers, students, academics, and the wider public that is interested in the performing arts and its queer feminist potential.

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