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  • 1.
    Barkhuus, Louise
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Rossitto, Chiara
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Ekenberg, Love
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Forsberg, Rebecca
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Sauter, Willmar
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Interactive Performances as a Means of Social Participation and Democratic Dialogue2014Inngår i: International Reports on Socio-Informatics (IRSI), E-ISSN 1861-4280, Vol. 11, nr 1, s. 11-20Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this position paper we present our ongoing research in relation to cultivating democracy and civic participation through the writing and performance of interactive theater experiences1. We provide an example of a performance that facilitates audience participation through expression and sharing of opinions and emotions, by means of digital technologies. The performance leads to further discussion within the community and inspires more artistic and theatrical experiences in this context.

  • 2. Cremona, Vicki Ann
    et al.
    Morris, GayHoogland, RikardStockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.Sauter, WillmarStockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Playing Culture: Conventions and Extensions of Performance2014Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today’s mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders’ meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships – all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture – Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events – Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events.

  • 3.
    Ekenberg, Love
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Forsberg, Rebecca
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Sauter, Willmar
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Antigone’s Diary – A Model for Democratic Decision Making in Suburban Stockholm2016Inngår i: Contemporary theatre review (Hardback), ISSN 1026-7166, Vol. 26, nr 2, s. 227-240Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    ”Antigone has disappeared, but we found her diary. Join us in the search of her traces.” Sophocles’ drama has been transferred to a suburb of Stockholm. Students in a local highschool have recreated the classical tale in their own environment, guided by director Rebecca Forsberg from the RATS Theatre. RATS stands for “Research in Artistic TechnologieS”, a section of the Department of Computer and System Science at Stockholm University. Cellular phones are not prohibited in this theatrical enterprise, on the contrary, they constitute the particular means of communication in this event. Whether you download an app into your own phone or lend a phone from the organizers – what you will hear are the fragments of Antigone’s diary. You will find sculptures, parks, kiosks and other places through the GPS and every time you come close to the next site of performance, your phone knows when you are there. And every time you leave the place, Antigone will ask you a question: “What makes you angry?” – “When can one break the rules?” Etc. You can answer the questions by means of text messages and once you have done so, you can see what other participants have answered before you. How does it end? Haimon, Antigone’s friend and lover, whispers into your ear: “What does freedom mean to you?” It is up to us, the participants, to find appropriate responses to this eternal question. This theatrical event, highly technified and reversing the relationship between agents and beholders, gives rise to a number of intricate questions. The problems at stake concern the creative process of this mobile drama, the technical challenges to make it work, the theoretical implications of this multimedia performance, and, finally, the outcome in terms of civic engagement and its potentials of public decision making.

  • 4.
    Ernst, Manilla
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Barn- och ungdomsvetenskapliga institutionen, Centrum för barnkulturforskning.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Antigone’s diary – Young Audiences as Co-creators of GPS-guided Radio Drama2015Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 27, nr 1, s. 32-41Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The play, Antigone’s Diary, is a re-written version of Sophocles’ classical play, developed with teenage schoolchildren in the riot-ridden suburb Husby, a 30-minute subway ride away from the centre of Stockholm. Rebecca Forsberg of RATS Theatre adapted the plot into an interactive radio performance with a mobile audience, walking through the suburb and responding via text messages to Antigone’s questions after each of the twelve scenes. Young audiences were of especial interest for this project. Therefore, school performances for teenagers are the focus of this survey. The responses of pupils were studied during and after performances by means of observations, qualitative interviews and quantitative analysis of the text messages that the participants sent in response to Antigone’s questions. The seriousness and enthusiasm of young audiences were one of the stunning outcomes of this survey and a number of quotations illustrate the immersive power of this production. Furthermore, this experiment also served as a text bed for the Department of Computer and System Science, to which Rats Theatre is closely tied. The multimedia performance, combining radio drama, mobile audiences in a local environment and the options of interactive participation, demonstrated the potential of participatory experiences to engage audiences in democratic processes that can be applied to issues of political interest and decision making in the public sphere.

  • 5.
    Feiler, Yael
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Teater- och dansvetenskap.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Teater- och dansvetenskap.
    Shylock i rörelse: gestaltning, mottagande - nu och då2006Inngår i: Shakespeares Shylock och antisemitismen, Stiftelsen för utgivning av teatervetenskapliga skrifter , 2006, s. 29-60Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 6.
    Gedin, David
    et al.
    Litteraturvetenskapliga institutionen, Uppsala universitet.
    Lysell, RolandStockholms universitet, Humanistiska fakulteten, Institutionen för litteraturvetenskap och idéhistoria.Sauter, WillmarStockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.Stam, PerStockholms universitet, Humanistiska fakulteten, Romanska och klassiska institutionen.
    Arvet efter Strindberg – The Strindberg Legacy: Elva bidrag från den artonde internationella Strindbergskonferensen2014Konferanseproceedings (Annet vitenskapelig)
    Abstract [sv]

    Den artonde internationella Strindbergskonferensen Arvet efter Strindberg/The Strindberg Legacy ägde rum i Aula Magna vid Stockholms universitet 31.5-3.6 2012. Medarrangör till Stockholms universitet var Strindbergssällskapet. På Frescati samlades närmare åttio forskare från hela världen för att dela med sig av insikter och upptäckter under tre dagar. Fokus låg på Strindberg från vår tids utsiktspunkt. Hans inflytande har format teaterns, litteraturens och måleriets utveckling. Verken fungerar fortfarande som utgångspunkt och kommentar till den samtida debatten – inte bara i Sverige eller Norden utan över stora delar av världen. Detta gör forskningen kring Strindberg och hans verk angelägen ännu hundra år efter hans död.

    Fulltekst (pdf)
    Arvet efter Strindberg
  • 7.
    Hammergren, Lena
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Turning Points and Continuity: Introducing a research project2017Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 29, nr 1, s. 6-7Artikkel i tidsskrift (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
  • 8.
    Hoogland, Rikard
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    A National Theatre Decentralized: Sweden's Three-and-a-half National Theatres2008Inngår i: National Theatres in a Changing Europe / [ed] S. E. Wilmer, Basingstoke: Palgrave Macmillan, 2008, s. 164-172Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    The founding, development and present status of Sweden's national theatres: The Royal Opera, The Royal Dramatic Theatre, The National Touring Theatre (Riksteatern) and the Children's Theatre Support Grant.

  • 9.
    Kanter, Theo
    et al.
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Rahmani, Rahim
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Walters, Jamie
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Sauter, Willmar
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Distributed Immersive Participation as Crowd-Sensing in Culture Events2014Inngår i: Journal of Virtual Worlds Research, E-ISSN 1941-8477, Vol. 7, nr 2Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article investigates new forms for creating and enabling massive and scalable participatory immersive experiences in live cultural events, characterized by processes, involving pervasive objects, places and people. The multi-disciplinary research outlines a new paradigm for collaborative creation and participation towards technological and social innovation, tapping into crowd-sensing. The approach promotes user-driven content-creation and offsets economic models thereby rewarding creators and performers. In response to these challenges, we propose a framework for bringing about massive and real-time presence and awareness on the Internet through an Internet-of-Things infrastructure to connect artifacts, performers, participants and places. Equally importantly, we enable the in-situ creation of collaborative experiences building on relevant existing and stored content, based on decisions leveraging multi-criteria clustering and proximity of pervasive information, objects, people and places. Finally, we investigate some new ways for immersive experiences via distributed computing but pointing forward to the necessity to do more with regard to collaborative creation.

  • 10.
    Martin, Jacqueline
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    Fischer-Lichte, Erika
    Ström, Ove
    Understanding theatre: performance analysis in theory and practice1995Bok (Annet vitenskapelig)
  • 11.
    Rosenberg, Tiina
    et al.
    Stockholms universitet, Humanistiska fakulteten, Teatervetenskapliga institutionen. Stockholms universitet, Humanistiska fakulteten, Institutionen för etnologi, religionshistoria och genusstudier, Centrum för genusstudier.
    Helander, Karin
    Stockholms universitet.
    Hammergren, Lena
    Stockholms universitet.
    Sauter, Willmar
    Stockholms universitet.
    Teater i Sverige2004Bok (Annet vitenskapelig)
    Abstract [en]

    This book is a history of Swedish theatre.

  • 12.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    A Shnorershpil - en kompott ur teaterhistorien2013Annet (Annet (populærvitenskap, debatt, mm))
  • 13.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    A theatrophobic dramatist: J.-J. Rousseau's position in theatre historiography and on today's stage2017Inngår i: Rousseau on stage: Playwrite, musician, spectator / [ed] Maria Gullstam, Michael O'Dea, Oxford: Voltaire Foundation, 2017, s. 227-254Kapittel i bok, del av antologi (Fagfellevurdert)
  • 14.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Teater- och dansvetenskap.
    Aesthetic Aspects of the Theatrical Event, or: What makes an Event 'Theatrical'?2008Inngår i: Drama, Culture, and Event: Essays on the Theatre of the East and the West, Seijo Studies in Aesthetics and Art History, Tokyo , 2008, s. 157-170Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    The Appearance and Appearing (Martin Seel) of theatrical events and their aesthetic functions.

  • 15.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Aesthetics of Presence: Philosophical and Practical Reconsiderations2021Bok (Fagfellevurdert)
    Abstract [en]

    In the field of aesthetic experiences, presence must be seen as mental activities such as attention, curiosity, and participation. The mere physical ‘being-there’ guarantees no aesthetic responses to artistic or natural appearances. When aesthetics became part of the discourse in eighteenth-century Enlightenments philosophy, the beholder was the centre of interest: how observations turned into aesthetic experiences. In this book, the spectator, reader, listener and viewer have again become the focus of scholarly attention, replacing the century-long dominance of the artwork as exclusive object of aesthetics.

     

    In the light of such historical observations, the book develops central aspects of an aesthetics of presence, and introduces, interfoliated with cases of aesthetic experiences in arts and theatre, cities and nature, new parameters of presence. Perceiving, playing, placing and performing are explored and systematised here as theoretical cornerstones of a renewed ‘Aesthetics of Presence’.

  • 16.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Back to the Future of Theatre Studies2010Inngår i: Theatre Research International, ISSN 0307-8833, Vol. 35, nr 3, s. 297-298Artikkel i tidsskrift (Fagfellevurdert)
  • 17.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Bloomsday: James Joyce's Ulysses Celebrated as Theatrical Event2009Inngår i: Culture Unbound: Journal of Current Cultural Research, E-ISSN 2000-1525, Vol. 1, s. 469-485Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    James Joyce had decided that 16 June 1904 should be the one day in the life of Leopold Bloom, about which he wrote his 800 page novel Ulysses. In his book, Joyce actually followed Mr Bloom that entire day, from his getting up and having the nowadays famous kidney breakfast, to the late evening, when he had to break into his own house on 7 Eccle Street to have a drink with Stephen Dedalus, the other main figure of the novel. The centenary of that very day took, accordingly, place in 2004. I have borrowed the identity of Mr Bloom to describe some street scenes from the centennial celebrations of Bloomsday in Dublin. After this intro-ductory presentation, part two of this article will attempt to analyse Bloomsday in terms of a Theatrical Event, embedded in an unusual and striking playing culture. In a third part, Mr Bloom will once more be allowed to make some concluding comments.

  • 18.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Cleopatra - between Historical and Movie Scandals2020Inngår i: Theatre Scandals: Social Dynamics of Turbulent Theatrical Events / [ed] Vicki Anne Cremona, Peter Eversmann, Bess Rowen, Anneli Saro, Henri Schoenmakers, Leiden, Boston: Brill Rodopi , 2020, s. 239-257Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    Cleopatra is one of the notable women in history who has not been erased from history books, but she has been scandalized from the very beginning, or rather: from the last day of her life. The myth of her suicide by means of poisonous snakes has prevailed throughout the centuries and has inspired innumerable novels, plays, operas and operettas as well as films from the time of silent movies onward and there are always these snakes at the end.

    In this chapter the history of Cleopatra is presented backwards in time. It begins with the grand movie Cleopatra from 1963 with Elizabeth Taylor and Richard Burton in the leading roles. The production of this exceptionally expensive film turned out to be more scandalous than the spectacular picture on the screen. But the snakes were there despite the fact that there were no such poisonous vipers in Egypt at the time.

    These snakes are also a prominent feature in Shakespeare’s play Antony and Cleopatra from 1606. After numerous intrigues and warfare during the first three acts, the remaining acts deal with the death of Marc Antony and the suicide of Cleopatra and her maids. Shakespeare’s Cleopatra appears quite unsympathetic and seems to deserve her untimely death. The dialogue follows closely Plutarch’s biography of Marc Antony, so the next section deals with his story of the Roman general.

    Plutarch wrote his biography approximately 130 years after the death of Marc Antony and Cleopatra. His portrait of the Egyptian Queen is full of respect for this knowledgeable and attractive woman, who spoke nine languages and was an outstanding partner in conversations as well as in negotiations with the Roman Empire. Her love affairs with Caesar, with whom she had a son, and Marc Antony, to whom she bore three children, are described from a personal as well as from a political perspective. Plutarch knows of the rumour that Cleopatra was killed by snakes, but he has serious doubts about the truth of such gossip.

    The last section presents the sources that today’s historians have collected about the ‘real’ Cleopatra, who died in the year 30 BC. She is portrayed as the successful Queen of Egypt who fell victim to the internal power struggle between competing Roman leaders. The snakes and Cleopatra’s suicide remain a politically staged, scandalous lie. 

  • 19.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Teater- och dansvetenskap.
    Currents and trends in contemporary scholarship2007Collection/Antologi (Annet vitenskapelig)
    Abstract [en]

    10 articles on theatre and dance studies

  • 20.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Cyclic Perserverence and Linear Mobility of Theatrical Events2010Inngår i: Representing the Past: Essays in Performance Historiography / [ed] Charlotte M Canning & Thomas Postlewait, Iowa City: University of Iowa Press , 2010, 1, s. 117-141Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This article illustrates the function of time in theatre historiography. Examples are The Marriage of Figaro and Georg Suttner's exhibition of the Old Town of Stockholm

  • 21.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Deconstructing Turning Points A postscript on the canonization of the avant-garde 19002017Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 29, nr 1, s. 162-180Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Deconstructing Turning Points is an attempt to understand why and how the period around the turn of the nineteenth century has been described as a breakthrough of modern theatre. Texts by Gösta M. Bergman, Christopher Innes and Erika Fischer-Lichte about this period are examined in order to see how these authors construct periodization. Leaning towards Thomas Postlewait's concept of periods and Jacques Derrida's deconstructive approach to discourse, the article points out some paradigmatic assumptions in the discussed texts. The three authors are not compared - writing in different languages and for different purposes - but some of the underlying paradigms become visible, namely their relation to historical development and their view of theatre as the work of the director. As an alternative, the article turns to archival possibilities. New concepts of what an archive is and can do, as Derrida sees them, open up for a living and challenging relation to archival sources, not just as evidence of prefabricated hypotheses, but as inspiring traces of the past.

  • 22.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Devising - en historisk sidoblick2013Inngår i: Samtal om Devising: en antologi från Barnteaterakademin / [ed] Anna Berg, Lisa Lindén, Kristina Ros, Göteborg: Barnteaterakademin , 2013, s. 66-72Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 23.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Teater- och dansvetenskap.
    Eventness: A Concept of the Theatrical Event2008Bok (Annet vitenskapelig)
    Abstract [en]

    How to understand and apply theaories of the Theatrical Event.

  • 24.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Hiking Beyond Roads and Internet: Weather, Landscapes and Performance North of the Arctic Circle2020Inngår i: Performing Ice / [ed] Carolyn Philpott, Elizabeth Lane, Matt Delbridge, Cham: Palgrave Macmillan, 2020, s. 213-229Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The chapter describes primarily a hiking tour in Lapland, Sweden. The hikers’ experiences emanate from their own movements that are intensively related to the varying views of the mountains and the quick changes of the weather. This tripartite relation between human movements, landscapes and climatic contrasts provides endless variations of beauty, in the sense in which the term was used by eighteenth-century philosophers. The experience of landscapes is understood as a performative activity that communicates on sensory, aesthetic and symbolic levels. Reflections about the power of the Ice Age in creating geological formations are interfoliated with observations of the plants and animals which survive under these extreme conditions. Meetings with Sámi people, their way of life, their handling of reindeer and their long discrimination by Swedish authorities complete the experiences of the four hikers.

  • 25.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    Ieina Ziurovas (Enters the Spectator)2014Inngår i: Scena Lietuvos, ISSN 1822-4210, Vol. 35, nr 2, s. 32-37Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Åskådarens betydelse för teatern betraktas som konstitutiv för konstarten och dess möjligheter att kommunicera.

  • 26.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Interference between Present and Absent Performers: Time-Specific Performance as Phenomenal Experience2012Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 24, s. 76-84Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Interference between Present and Absent Performers: Time-Specific Performance as Phenomenal Experience The performance of the play Lise & Otto employed digital technology in an innovative and surprising way. Two performers presented their characters in two locations that were connected by fibre optic cables. The audiences, situated in two suburbs in Stockholm, saw either the actress or the actor live in front of them, while the other performer's image and voice were transmitted digitally. The simultaneous actions emphasized a cleavage of space - symbolic in a play about atomic fission - and created a yearning for the absent performer. This phenomenon can be described as time-specific performance, analogous to site-specific performance, while at the same time questioning the paradigm of presence as as a condition of theatrical events. The article argues for an extension of the theoretical concepts of theatre studies in order to cope with contemporary technological innovations, time-specificity, and unexpected theatrical experiences.

  • 27.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Perioder och protagonister: Sekelskiftet 1900 i nyare forskning2019Inngår i: I avantgardets skugga: Brytpunkt och kontinuitet i svensk teater kring 1900 / [ed] Rikard Hoogland, Göteborg: Institutionen för litteratur, idéhistoria och religion, Göteborgs universitet (LIR) , 2019, s. 15-46Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [sv]

    Granskning av tre svenska teaterhistoriska verks presentation av teatern kring sekelskiftet 1900.

  • 28.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Playing Culture - An Introduction2014Inngår i: Playing Culture: Conventions and Extensions of Performance / [ed] V.A. Cremona, R. Hoogland, G. Morries, W. Sauter, Amsterdam: Rodopi, 2014, s. 7-20Kapittel i bok, del av antologi (Fagfellevurdert)
  • 29.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Playing Is Not Pretending2014Inngår i: Playing Culture: Conventions and Extensions of Performance / [ed] V. A. Cremona, R. Hoogland, G. Morries, W. Sauter, Amsterdam: Rodopi, 2014, s. 63-82Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    As the title of this chapter indicates, the issues raised here concern the kinds of pretence that are thought to characterize playing and acting. Contrary to Michael Kirby's statement that 'to act means to feign', I will show that an actor neither can, nor wants, to pretend anything on stage. Fiction is not provided on stage but is established in the communicative act between Agent (A) and Beholder (B). Critically analyzing two texts by Bertolt Brecht on non-theatrical playing, I will argue that a number of circumstances have to be taken into consideration. The process of performing is theoretically and empirically seen as a form of playing, which allows for the distinction and communicative specification of various agents in their relation to equally specific forms of beholding. Each relationship in the public sphere between A and B constitutes a public event. This chapter searches for common ground amongst multifarious manifestations of playful behaviour, beyond various aesthetic forms and irrespective of more or less useful functions. In conclusion, playing is described as a reality-related experience: playing is always related to an event and events are never pretended.

  • 30.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Presence, Place and Participation2013Inngår i: Women in Science: En trilogi om Ada, Maryam och Lise / [ed] Rebecca Forsberg, Stockholm: Styxförlag , 2013, s. 45-56Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 31.
    Sauter, Willmar
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Presence, Place and Participation: 'women in Science' in the Forefront of Digital Theatre2013Inngår i: Women in Science: a Trilogy about Ada, Maryam and Lise, Stockholm: styxförlag , 2013, nr 0, s. 35-50Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This article summarizes the performances of Rats Theatre included in the trilogy 'Women in Science', namely *Lise & Otto', 'Ada FTW' and 'Maryam'. These plays were performed partly in Kista/Husby in 2012/13 and again during a Festival at the Royal Dramatic Theatre in November/December 2013. The key issues of the article are time and place, presence and participation as well as theatre and multimedia. In conclusion, technology, arts and politics are discussed.

  • 32.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Publiken: Vad jag vet och vad jag skulle vilja veta2010Inngår i: Visslingar & Rop, ISSN 1401-5307, Vol. 24/24, s. 33-37Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Reflektioner kring behovet av publikforskning inom teater- och performansområdet.

  • 33.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Teater på latin: 1500 marginaliserade år i teaterhistorien2014Inngår i: Periferi och centrum: Texter om marginalisering i förmodern tid, Lund: Nordic Academic Press, 2014, s. 77-90Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [sv]

    Aritkeln behandlar tidsspannet från den romerska teaterns början till de latinska spelen under högmedeltiden, epoker som knappt behandlas i teaterhistoriska översikter. Artikeln erbjuder några förklaringar till denna marginalisering och argumenterar för möjliga alternativa framställningssätt.

  • 34.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    The Audience2013Inngår i: The Cambridge Companion to Theatre History / [ed] David Wiles, Christine Dymkowski, Cambridge: Cambridge University Press, 2013, s. 169-183Kapittel i bok, del av antologi (Fagfellevurdert)
  • 35.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. International Federation For Theatre Research, Canada.
    The Digital Enchantment of Drottningholm2014Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 26, nr 1, s. 92-101Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    How can we relate to a historical playing culture? In this essay, a counter-factual visit to the palaces and parks of Drottningholm outside Stockholm is presented. By means of digital technologies, this World Heritage Site could be animated with historical figures from the eighteenth century, thus giving a living picture of past playing. Even though such an encounter with the past is fully possible from a technical point of view, the realization of this project poses a number of practical and theoretical questions: How can the picture of eighteenth-century court life be broadened to include social perspectives of class, gender and ethnicity? What artistic decisions have to be taken to visualize the activities around the park and in the palace? What forms of interactions provided by the technology are suitable for various groups of visitors? Some answers to these questions are hinted at in this essay, but the general question of a poetics of playing remains in the abyss between the historical period and the contemporary access to it. Neither Friedrich von Schiller's treatise on the aesthetic education of man nor Emanuel Kant's rational view of judgment bridge the gap of historical distance. Could Hans-Georg Gadarner's idea of the melting of historical horizons ever become a reality in the experiences of future visitors? Eventually, this project might only provide some pleasures of a poetry of playing.

  • 36.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    The Drottningholm court theatre and the historicity of performance2012Inngår i: Nordic Theatre Studies, ISSN 0904-6380, E-ISSN 2002-3898, Vol. 23Artikkel i tidsskrift (Fagfellevurdert)
  • 37.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    [The Influence of August Strindberg on Contemporary Swedish Theatre]2013Inngår i: August Strindberg and Contemporary Swedish Theatre / 斯特林堡与瑞典当代戏剧 /Si te lin bao yu rui dian dang dai xi ju / [ed] Gong bao rong, Shanghai: Shanghai Theatre Academy , 2013, s. 3-19Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [sv]

    En överblick över Strindbergs betydelse för den svenska teatern under 1900-talet. Särskilt beaktas uppsättningar av Ett drömspel och av Fröken Julie samt nyare svenska författares förhållande till Strindberg.

  • 38.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    The Theatre of Drottningholm – Then and Now: Performance between the 18th and 21st centuries2014Bok (Annet vitenskapelig)
    Abstract [en]

    The Theatre of Drottningholm – Then and Now tells the story of the Drottningholm Court Theatre, from 1776 – the year it was built – to today’s performances presented during annual summer festivals. The court theatre was rarely used after Gustav III’s death in 1792 until it was rediscovered in 1921, luckily for us, because this has meant that not only the auditorium but also the stage machinery, painted flats and backdrops have been almost perfectly preserved. This book provides a vivid picture of the Drottningholm Court Theatre: the architecture, the many different activities which took place here during the Gustavian era, and the use made of the theatre since its rediscovery to explore the nature of Baroque performance.

    Fulltekst (pdf)
    The Theatre of Drottningholm – Then and Now
  • 39.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap.
    The Theatrical Event: Dynamics of Performance and Perception2014 (oppl. 2)Bok (Fagfellevurdert)
    Abstract [en]

    A collection of essays discussing and explaining the theoretical model of the Theatrical Event. Originally published in 2000.

  • 40.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Theatre - A Building, a Company. an Art Form?: Terminology versus Reality2009Inngår i: Methis - Studia Humaniora Estonica, ISSN 1736-6852, nr 3, s. 18-25Artikkel i tidsskrift (Fagfellevurdert)
  • 41.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Theatre Research in the Nordic Countries (2000-2008)2009Inngår i: Theatre research international, ISSN 0307-8833, E-ISSN 1474-0672, Vol. 34, nr 1, s. 66-83Artikkel i tidsskrift (Annet vitenskapelig)
  • 42.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Thirty Years of Reception Studies: Empirical, Methodological and Theoretical Advances2010Inngår i: About Performance, ISSN 1324-6089, Vol. 10, nr 1, s. 241-263Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The article traces the various projects on audience and reception research carried out at Stockholm University between 1980 and 2010. Emphasis is laid on the theoretical and methodological development in this research field.

  • 43.
    Sauter, Willmar
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Unknown Woman by Anna Odell: The Event, the Trial, the Work - Reflections on the Mediality of Performance2012Inngår i: Theatre research international, ISSN 0307-8833, E-ISSN 1474-0672, Vol. 37, nr 3, s. 249-264Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article is concerned with an extraordinary artwork created by a young Swedish art student, Anna Odell. Odell's re-enactment of an earlier suicide attempt on a bridge in Stockholm, filmed for an art installation, caused an outcry from the public and medical authorities and a court case that stimulated heated debate in the national press. Here I examine Odell's work for the 'critical' questions it in turn provokes about artistic creation and communication: the difficulties for the performance scholar in addressing the enactment when it is so generically hard to define; why the art/artist was found guilty of a 'fraudulent practice'; and what might be revealed and further problematized by theorizing the enactment as a cultural, socio-political event.

  • 44.
    Sauter, Willmar
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Feiler, YaelStockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Shakespeares Shylock och antisemitismen: Ny utökad utgåva2010Collection/Antologi (Annet vitenskapelig)
  • 45.
    Sauter, Willmar
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Forsberg, Rebecca
    Stockholms universitet, Samhällsvetenskapliga fakulteten, Institutionen för data- och systemvetenskap.
    Digital teater i publikens tjänst?2012Inngår i: Teatertidningen, ISSN 1101-9107, nr 4, s. 16-19Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 46.
    Sauter, Willmar
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Hoogland, Rikard
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    Sigfridsson, Barbro
    Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap. Stockholms universitet, Humanistiska fakulteten, Institutionen för musik- och teatervetenskap, Avdelningen för teater- och dansvetenskap.
    "Dessa bräder som föreställa världen"2009Inngår i: Socionomen. Facktidskriften för kvalificerat socialt arbete., ISSN 0283-1929, nr 2, s. 22-27Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 47.
    Sauter, Willmar
    et al.
    Stockholms universitet, Humanistiska fakulteten, Institutionen för kultur och estetik.
    Reinelt, Janelle
    Remembering Thomas Postlewait 1941-20212022Inngår i: Theatre research international, ISSN 0307-8833, E-ISSN 1474-0672, Vol. 47, nr 2, s. 195-199Artikkel i tidsskrift (Fagfellevurdert)
1 - 47 of 47
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