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  • 1.
    Garsten, Christina
    et al.
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Introduction: from people of the book to people of the screen2003In: New technologies at work: people, screens, and social virtuality / [ed] Christina Garsten, Helena Wulff, Oxford: Berg Publishers, 2003, p. 1-6Chapter in book (Refereed)
  • 2.
    Helgesson, Stefan
    et al.
    Stockholm University, Faculty of Humanities, Department of English.
    Mörte Alling, AnnikaLindqvist, YvonneStockholm University, Faculty of Humanities, Department of Swedish Language and Multilingualism, Institute for Interpreting and Translation Studies.Wulff, HelenaStockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    World Literatures: Exploring the Cosmopolitan-Vernacular Exchange2018Collection (editor) (Refereed)
    Abstract [en]

    Placing itself within the burgeoning field of world literary studies, the organising principle of this book is that of an open-ended dynamic, namely the cosmopolitan-vernacular exchange.

    As an adaptable comparative fulcrum for literary studies, the notion of the cosmopolitan-vernacular exchange accommodates also highly localised literatures. In this way, it redresses what has repeatedly been identified as a weakness of the world literature paradigm, namely the one-sided focus on literature that accumulates global prestige or makes it on the Euro-American book market.

    How has the vernacular been defined historically? How is it inflected by gender? How are the poles of the vernacular and the cosmopolitan distributed spatially or stylistically in literary narratives? How are cosmopolitan domains of literature incorporated in local literary communities? What are the effects of translation on the encoding of vernacular and cosmopolitan values?

    Ranging across a dozen languages and literature from five continents, these are some of the questions that the contributions attempt to address.

  • 3.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Aesthetics at the Ballet: Looking at "National " Style, Body and Clothing in the London Dance World2002In: British Subjects: An Anthropology of Britain, Berg Publishers, Oxford , 2002, p. 67-83Chapter in book (Refereed)
  • 4.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    An anthropological perspective on literary arts in Ireland2012In: A companion to the anthropology of Europe / [ed] Ullrich Kockel, Máiréad Nic Craith, Jonas Frykman, Oxford: Wiley-Blackwell, 2012, p. 537-550Chapter in book (Refereed)
  • 5.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Anthropologist in the Irish Literary World: Reflexivity through Studying Sideways2014In: Anthropology Now and Next: Essays in Honour of Ulf Hannerz / [ed] Thomas Hylland Eriksen, Christina Garsten, Shalini Renderia, New York: Berghahn Books, 2014, p. 147-161Chapter in book (Refereed)
  • 6.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Balettdansare och paradoxen med det kulturella kapitalet1998In: Kulturens fält: en antologi, Daidalos, Göteborg , 1998, p. 247-254Chapter in book (Refereed)
  • 7.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Ballet across Borders: Career and Culture in the World of Dancers1998Book (Refereed)
  • 8.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Ballet culture and the market: a transnational perspective2012In: Dancing cultures: globalization, tourism and identity in the anthropology of dance / [ed] Hélène Neveu Kringelbach and Jonathan Skinner, New York: Berghahn Books, 2012Chapter in book (Refereed)
  • 9.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Bild och rörelse i dansfotografi2004In: Bild och Samhälle: Visuell analys som vetenskaplig metod, 2004, p. 119-137Chapter in book (Refereed)
  • 10.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Colm Tóibín as travel writer2010In: NIS: Nordic Irish Studies, ISSN 1602-124X, E-ISSN 2002-4517, Vol. 9, p. 109-116Article in journal (Refereed)
  • 11.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Color and cultural identity in Ireland2012In: Color and design / [ed] Marilyn DeLong and Barbara Martinson, Oxford: Berg Publishers, 2012, p. 101-109Chapter in book (Refereed)
  • 12.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Commentary: Fixity and Forms of Dance Circulation2012In: Journal for the Anthropological Study of Human Movement, ISSN 0891-7124, E-ISSN 2152-1115, Vol. 17, no 2Article in journal (Refereed)
  • 13.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Cultural Journalism and Anthropology: A Tale of Two Translations2011In: Archivio Antropologico Mediterraneo on line, ISSN 2038-3215, Vol. 13, no 1, p. 19-25-Article in journal (Refereed)
  • 14.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Dance, Anthropology of2015In: International Encyclopedia of the Social and Behavioral Sciences: Vol. 5 / [ed] James D. Wright, Amsterdam: Elsevier, 2015, 2 uppl., p. 666-670Chapter in book (Refereed)
    Abstract [en]

    Dance as a topic for systematic anthropological investigation was established in the 1960s. As the Western category of dance did not always work in a cross-cultural perspective, bounded rhythmical movements were identified, as well as dance events. Dance is an expression of wider social and cultural situations, often indicating transition or conflict, as well as unity. Dance anthropologists study all forms of dance, Western and non-Western, ranging from ritual dance and social dance to streetdance and staged dance performance. Dance and movement are understood in relation to theories of the body and gender, and to ethnicity, nationalism, and transnationality.

  • 15.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Dance, Anthropology of2001In: International Encyclopedia of the Social and Behavioral Sciences, Elsevier, Oxford , 2001, p. 3209-3212Chapter in book (Refereed)
  • 16.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Dance Ethnography2013In: Oxford Bibliographies, Oxford University Press, 2013Chapter in book (Refereed)
  • 17.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Dancing at the Crossroads: Memory and Mobility in Ireland2007Book (Refereed)
    Abstract [en]

    "Dancing at the crossroads" used to be an opportunity for young people to meet and enjoy themselves on mild summer evenings in the Irish countryside until this practice was banned by the Public Dance Halls Act of 1935. Now a key metaphor in Irish cultural and political life, "dancing at the crossroads" also crystallizes the argument of this book: Irish dance, from Riverdance (the commericial show) to competitive dancing and dance theatre, conveys that Ireland is in a crossroads situations. Irish dance, with a firm base in a distinctly Irish tradition, is becoming a prominent part of European modernity. While this book highlights the captivating tensions and ties surrounding debates on Irish dance, it also aims to extend broader understandings of place, mobility and rooted cosmopolitanism.

  • 18.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Disaporic Divides: Location and Orientations of "Home" in Pooneh Rohi's Araben2018In: World literatures: exploring the cosmopolitan-vernacular exchange / [ed] Stefan Helgesson, Annika Mörte Alling, Yvonne Lindqvist, Helena Wulff, Stockholm: Stockholm University Press, 2018, p. 119-128Chapter in book (Refereed)
    Abstract [en]

    This chapter draws on a literary anthropological project which explores the social world of the young generation of diaspora writers and their work (fiction, plays, journalism) in Sweden. It uncovers experiences of racism in a country which boasts an ethnically inclusive policy while identifying instances of literary cosmopolitanism from within. Pooneh Rohi´s novel The Arab (2013) circles around the idea of home in terms of homelessness, and the designation “stranger” as the protagonist leads his lonely life in snow-covered Stockholm where he moved decades ago from Iran. For “the Arab” is actually Persian, but is taken to be an Arab in the Swedish context. Sweden is not home to him, he is homeless in his heart. A young woman in the novel is also from Iran, but she is so well integrated that people think she was adopted. Her childhood memories from Iran are now a mirage from the past, a fading scent of salt from the sea. Later, her longing for “that part of the room that is invisible in the mirror” gets stronger.

  • 19.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Diversifying from Within: Diaspora Writings in Sweden2018In: The Composition of Anthropology: How Anthropological Texts are Written / [ed] Morten Nielsen, Nigel Rapport, London: Routledge, 2018, p. 122-136Chapter in book (Refereed)
    Abstract [en]

    Helena Wulff´s chapter begins with an essay drawing on her ongoing literary anthropological study of diaspora fiction writers and their work in Sweden who, she argues, are diversifying the country from within. The essay engages with the work of Pooneh Rohi born in Iran, who is a new voice while Jonas Hassen Khemiri, of Tunisian background, is an established writer. In addition to writing fiction, they sometimes do journalism. By uncovering often cruel experiences of racism in a country which boasts an inclusive policy, yet has an expanding anti-immigration party (the Sweden Democrats) diaspora writers have an impact on political and cultural debate in Sweden, also because they take on the role as public intellectuals. In her Commentary, Wulff explains how Text came about, how it goes back to her intellectual history that was founded during her upbringing when she first became a habitual reader, and later with her education in comparative literature and anthropology that eventually would make her an anthropological writer. Inspired by her research on the ballet world where desire and technique are key for creativity to spring up, Wulff suggests that this is the case in anthropological writing, as well. As to the recent genealogy of the essay, it is an account of preparations for a major multi-disciplinary research program on world literatures which was funded in 2016.      

  • 20.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Djursholms Samskolas Vänster: En kulturell generation som tonåringar1993In: Femtiotalister: Om konstruerandet av kulturella generationer, Carlssons, Stockholm , 1993, p. 36-58Chapter in book (Refereed)
  • 21.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Ethereal Expression: Paradoxes of Ballet as a Global Physical Culture2008In: Ethnography, ISSN 1466-1381, Vol. 9, no 4, p. 518-536Article in journal (Refereed)
  • 22.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Ethnografiction and reality in contemporary Irish literature2013In: Novel approaches to anthropology: contributions to literary anthropology / [ed] Marilyn Cohen, Lanham: Lexington Books, 2013, p. 205-226Chapter in book (Refereed)
  • 23.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Ethnografiction: Irish Relations in the Writing of Éilís Ní Dhuibhne2009In: Éilís Ní Dhuibhne: Perspectives / [ed] Rebecca Pelan, Galway: Arlen House , 2009, p. 245-261Chapter in book (Other academic)
  • 24.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Etnografisk fiktion: Om kvinnors liv i det nya Irland2008In: Kulturella Perspektiv: Svensk etnologisk tidskrift, no 4, p. 1-10Article in journal (Refereed)
  • 25.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Experiencing the Ballet Body: Pleasure, Pain, Power2006In: The Musical Human: Rethinking John Blacking´s Ethnomusicology in the 21st Century, Ashgate Press, Aldershot , 2006, p. 125-141Chapter in book (Refereed)
  • 26.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Foreword New York: Lexington Books2018In: Apprenticeship Pilgrimage: Developing Expertise through Travel and Training / [ed] Lauren Miller Griffith, Jonathan S. Marion, Lexington Books, 2018, p. vii-xiChapter in book (Refereed)
  • 27.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Gathörnets kulturprocesser: Tonårsflickor och etnicitet i södra London1989In: Tecken i tiden: Sju texter om ungdomskultur, Symposion, Stockholm , 1989, p. 69-79Chapter in book (Refereed)
  • 28.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Global spridning för lokala teman: Crime Fiction as World Literature, Louise Nilsson, David Damrosch & Theo D'haen (red.)2017In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 6, p. 66-68Article, book review (Other academic)
  • 29.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Greater Than Its Size: Ireland in Literature and Life2017In: Small Countries: Structures and Sensibilities / [ed] Ulf Hannerz, Andre Gingrich, Philadelphia: University of Pennsylvania Press, 2017, p. 301-316Chapter in book (Refereed)
  • 30.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    "High" Arts and the Market: An Uneasy Partnership in the Transnational World of Ballet2005In: The Sociology of Art: Ways of Seeing, Palgrave, Basingstoke , 2005, p. 171-182Chapter in book (Refereed)
  • 31.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Histoires de terroir: Les écrivains contemporains et l´Irlande nouvelle2011In: Ethnologie Française, ISSN 0046-2616, E-ISSN 2101-0064, no 2, p. 301-308-Article in journal (Refereed)
  • 32.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    I studion, i kulissen, i salongen, på turné: Balettens slutna värld2001In: Flera fält i ett: Socialantropologer om translokala fältstudier, Carlssons, Stockholm , 2001, p. 223-242Chapter in book (Refereed)
  • 33.
    Wulff, helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Imagining landscapes: past, present and future, edited by Janowski, Monica and Tim Ingold2013In: Social Anthropology, ISSN 0964-0282, E-ISSN 1469-8676, Vol. 21, no 4, p. 585-586Article, book review (Other academic)
  • 34.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    In Favour of Flexible Forms: Multi-Sited Fieldwork2015In: Social Anthropology, ISSN 0964-0282, E-ISSN 1469-8676, Vol. 23, no 3, p. 355-357Article in journal (Other academic)
  • 35.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Instances of inspiration: interviewing dancers and writers2012In: The interview: an ethnographic approach / [ed] Jonathan Skinner, London: Berg Publishers, 2012Chapter in book (Refereed)
  • 36.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Inter-racial Friendship: Consuming Youth Styles, Ethnicity and Teenage Femininity in South London1995In: Youth Cultures: A Cross-Cultural Perspective, Routledge, London , 1995, p. 63-80Chapter in book (Refereed)
  • 37.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Introducing the Anthropologist as Writer: Across and Within Genres2016In: The Anthropologist as Writer: Genres and Contexts in the Twenty-First Century / [ed] Helena Wulff, New York: Berghahn Books, 2016, p. 1-18Chapter in book (Refereed)
    Abstract [en]

    Taking existing conversations in anthropology as a point of departure, the mission of this volume is twofold: first, to identify different writing genres that anthropologists actually engage with; second, to argue for the usefulness and necessity for anthropologists of taking  writing as a craft seriously and of writing across and within genres in new ways. This introductory chapter contextualizes anthropological writing historically and theoretically, moves on to my own experience of writing cultural (dance) journalism as one instance of broadening anthropological writing, and concludes by offering an overview of ways of writing anthropology as discussed in the following chapters: in relation to the making of an anthropological career, ethnographic writing, journalistic and popular writing, and writing across genres. 

  • 38.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Introducing Youth Culture in its Own Right: The State of the Art and New Possibilities1995In: Youth Cultures: A Cross-Cultural Perspective, Routledge, London , 1995, p. 1-18Chapter in book (Refereed)
  • 39.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Introduction: The Cultural Study of Mood and Meaning2007In: The Emotions: A Cultural Reader, Berg Publishers, Oxford , 2007Chapter in book (Refereed)
    Abstract [en]

    This introductory chapter provides a critical review of the study of emotions in anthropology, sociology, psychology and cultural studies. It discusss cultural and social science research on emotions in relation to the major topics of the Reader: opening with the study of emotions in terms of culture, biology and ecology, and moving on to captivating cases of happiness, fear and envy, as well as to investigations into love and hate; anger, shame and grief, desire and expectations, and the emotional self and identity. Based on classic articles on emotions, the Reader applies a cross-cultural perspective which reveals a whole range of new issues in the study of emotions brought out in commissioned articles. This chapter offers an analytical synthesis of the study of emotions, which will show the force, richness and omnipresence of emotions in modern social life.

  • 40.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Introduction to Part 22018In: World Literatures: Exloring the Cosmopolitan-Vernacular Exchange / [ed] Stefan Helgesson, Annika Mörte Alling, Yvonne Lindqvist, Helena Wulff, Stockholm: Stockholm University Press, 2018, p. 103-106Chapter in book (Other academic)
  • 41.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Ireland in the World, the World in Ireland2015In: American Anthropologist, ISSN 0002-7294, E-ISSN 1548-1433, Vol. 117, no 1, p. 142-143Article in journal (Refereed)
  • 42.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Jazz i Ghana: musik som kosmopolitism2015In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, Vol. 24, no 2, p. 34-38Article in journal (Refereed)
  • 43.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Literary Readings as Performance: On the Career of Contemporary Writers in the New Ireland2008In: Anthropological Journal on European Cultures, ISSN 1755-2923, E-ISSN 1755-2931, Vol. 17, no 2, p. 98-113Article in journal (Refereed)
    Abstract [en]

    Drawing on an anthropological study of the social organisation of the world of Irish writers, this article investigates the literary reading as performance which has become central for the career and promotion of contemporary writers. How is the reading - live as well as recorded - constituted, and how is it experienced from the writer's point of view? The data are derived from participant observation and interviews at literary festivals and conferences, writers' retreats, book launches and more informal situations with writers, as well as from fiction and essays by the writers. For this article, I asked some of the writers to write short texts on the reading. It turned out that the frames of the reading as performance reach beyond the reading event, and also that a reading includes elements of risk, such as not attracting a big enough audience or performing badly. Finally, the article considers the changing role of the ethnographer.

  • 44.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Litterär gestaltning på Irland2011In: Resultatdialog 2011, Stockholm: Vetenskapsrådet , 2011, p. 172-178Chapter in book (Refereed)
  • 45.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Longing for the Land: Emotions, Memory, and Nature in Irish Travel Advertisements2007In: Identities: Global Studies in Culture and Power, ISSN 1070-289X, Vol. 14, no 4, p. 527-541Article in journal (Refereed)
    Abstract [en]

    With its large diaspora, Ireland has a long tradition of travel ranging from emigration to return migration, expatriate visits as well as tourism. Although Irish tourism increased substantially with the climax of the so-called Celtic Tiger in the early 1990s, Ireland was a major tourist destination even before that. This article explores emotions, memory and nature in images (in travel catalogues and on the Internet) advertising Ireland in a global context. The images target Irish expatriates, indigenous tourists and non-Irish tourists in Europe, the United States and Australia. Images featuring pastoral landscapes, rural harmony and dramatic cliffs can be emotionally evocative in different ways, exemplifying people’s social relationships to their environment. Central themes in the images are expatriate emotions of displacement, longing and nostalgia often connected with Irish nationalism while at the same time managing to include non-Irish people. This confirms the notion of images as ambiguous, yet points at the possibility of steering the viewer’s attention through a caption including “home” and “our land”. The article also focuses on expatriare emotions that recur in the narrative of Irish travel advertisements in an increasingly globalized world.

  • 46.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Manhattan as a Magnet: Place and Circulation among young Swedes2017In: America observed: On an International Anthropology of the United States / [ed] Virginia R. Dominguez, Jasmin Habib, New York: Berghahn Books, 2017, p. 31-50Chapter in book (Refereed)
  • 47.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Memories in Motion: The Irish Dancing Body2005In: Body & Society, Vol. 11, no 4, p. 45-62Article in journal (Refereed)
  • 48.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Mobilitet och plats: om danstraditioner i förändring2009In: Estetiska lärprocesser: upplevleser, praktiker och kunskapsformer / [ed] Fredrik Lindstrand och Staffan Selander, Lund: Studentlitteratur, 2009, p. 193-209Chapter in book (Other academic)
  • 49.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Multi-Sited Ethnography: Problems and Possibilities in the Translocation of Research Methods2014In: American Anthropologist, ISSN 0002-7294, E-ISSN 1548-1433, Vol. 116, no 1, p. 198-199Article, book review (Other academic)
  • 50.
    Wulff, Helena
    Stockholm University, Faculty of Social Sciences, Department of Social Anthropology.
    Perspectives towards Ballet Performance: Exploring, Repairing and Maintaining Frames1998In: Ritual, Performance, Media, Routledge, London , 1998, p. 104-120Chapter in book (Refereed)
12 1 - 50 of 75
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