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  • 1.
    Bergman, Johan
    Stockholm University, Faculty of Humanities, Department of History.
    "Den järnhårda lönelagen": Om proggen - politik på marknadens villkor2011In: Sign o´the times.: Introduktion till populärmusik som historia / [ed] Johan Bergman, Mikael Byström och Nikolas Glover, Lund: Studentlitteratur, 2011, 1, p. 259-Chapter in book (Other academic)
  • 2.
    Bergman, Johan
    Stockholm University, Faculty of Humanities, Department of History.
    Kulturfolk eller folkkultur?: 1968, kulturarbetarna och demokratin2010Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Cultural folk or folk culture? 1968, cultural workers and democracy.

    In the early 1960’s it became clear that although Swedish citizens had experienced an overall increase in material well-being and political democracy, there were still severe shortages in terms of cultural democracy. The radicalisation of the 1960’s meant that students and leftist artists were to play an important part in attempts to rectify this — both as idea-bearers and policy-makers. Using the debates of cultural democracy as a starting point, this thesis focuses on how leftist radical “cultural workers” aimed at democratising culture during the 1960’s and the 1970’s. Demands were raised for a fundamental shift in focus from the context of cultural production (and, accordingly, the producers) to cultural consumption and the consumers.

    The study follows a cultural democratic tendency that expanded from established theatre institutions during the 1960’s over to the radical so-called “free” theatre groups, the progressive music movement and the textile collectives of the 1970’s. By comparing three organisations within the fields of theatre, music and textile respectively, both general and specific conditions and dilemmas that characterised these branches are analysed.

    The democratisation of culture during the 1970’s led to processes of professionalisation and politicisation. In these developments, authoritative criteria for what constituted “true” art were called upon. These measures can be understood both as a consequence of the actors’ ambition to reduce competition that resulted from producing culture on a market, but also as a way of gaining cultural status. Despite various revolutions within different cultural areas the agents agreed on one thing; the absolute right of an autonomous cultural field to exist. This meant that the battle of defining “true art” was about something real and precisely therefore a battle worth fighting.

  • 3.
    Bergman, Johan
    et al.
    Stockholm University, Faculty of Humanities, Department of History.
    Byström, MikaelStockholm University, Faculty of Humanities, Department of History.Glover, NikolasStockholm University, Faculty of Humanities, Department of History.
    Sign o' the times: Introduktion till populärmusik som historia2011Collection (editor) (Other academic)
  • 4.
    Bergman, Johan
    et al.
    Stockholm University, Faculty of Humanities, Department of History.
    Byström, Mikael
    Stockholm University, Faculty of Humanities, Department of History.
    Glover, Nikolas
    Stockholm University, Faculty of Humanities, Department of History.
    "The future ain't what it used to be, you altered the course of history": Om konstruktioner av pophistorien2011In: Sign o' the times: Introduktion till populärmusik som historia / [ed] Bergman, Johan; Byström, Mikael; Glover, Nikolas, Lund: Studentlitteratur, 2011Chapter in book (Other academic)
  • 5.
    Bergman, Johan
    et al.
    Stockholm University, Faculty of Humanities, Department of History.
    Byström, Mikael
    Stockholm University, Faculty of Humanities, Department of History.
    Glover, Nikolas
    Stockholm University, Faculty of Humanities, Department of History.
    "Truth Hides": Verktyg för att undersöka det förflutna2011In: Sign o' the times: Introduktion till populärmusik som historia / [ed] Bergman, Johan; Byström, Mikael; Glover, Nikolas, Lund: Studentlitteratur, 2011Chapter in book (Other academic)
  • 6.
    Bergman, Johan
    et al.
    Stockholm University, Faculty of Humanities, Department of History.
    Byström, Mikael
    Stockholm University, Faculty of Humanities, Department of History.
    Glover, Nikolas
    Stockholm University, Faculty of Humanities, Department of History.
    "We got a vision, baby, that we just can't ignore": Om syftet med boken och den historiska bakgrunden2011In: Sign o' the times: Introduktion till populärmusik som historia / [ed] Bergman, Johan; Byström, Mikael; Glover, Nikolas, Lund: Studentlitteratur, 2011Chapter in book (Other academic)
1 - 6 of 6
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