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  • 1.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    A Companion to Early Cinema2013In: Nineteenth Century Theatre and Film, ISSN 2048-2906, p. 98-101Article, book review (Other academic)
  • 2.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Landscape, Vitality, and Desire: Cross-Dressed Frontier Girls in Transitional-Era American Cinema2013In: Cinema Journal, ISSN 0009-7101, E-ISSN 1527-2087, Vol. 52, no 4, p. 74-98Article in journal (Refereed)
    Abstract [en]

    Cross-dressed frontier women allowed moving pictures to capitalize on cherished American frontier mythologies while offering new, uniquely cinematic attractions. These figures provided the spectacle of a triumphant white body navigating the American landscape, while fixing both the neurasthenic middle-class family and the sexual dilemma of the gender-imbalanced frontier.

  • 3.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Protean Adventures2010In: Film quarterly, ISSN 0015-1386, E-ISSN 1533-8630, Vol. 64, no 1, p. 62-64Article, book review (Other academic)
  • 4.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Tina, Bettina og High School-filmens perverse gleder2013In: Z filmtidsskrift, ISSN 0800-1464, E-ISSN 0807-271X, no 2Article in journal (Other (popular science, discussion, etc.))
    Abstract [no]

    Mange high school-filmer handler bare om sex. Tina & Bettina (Alsvik, 2012) handler om flere former for sex enn de fleste av dem, kanskje fordi det er menn som spiller filmens to vakre hovedrollejenter?

  • 5.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Transitional Eras2013In: Cinema Journal, ISSN 0009-7101, E-ISSN 1527-2087, Vol. 52, no 4, p. 134-140Article in journal (Other academic)
  • 6.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Treasures 5: The West, 1898-19382012In: Moving image, ISSN 1532-3978, E-ISSN 1542-4235, Vol. 12, no 2, p. 181-186Article, book review (Other academic)
    Abstract [en]

    When frontier outlaw Al Jennings made a film in 1914 glamorizing his life story, US marshal Bill Tilghman decided to make his own film condemning frontier banditry and restaging his most famous arrests. The film was called The Passing of the Oklahoma Outlaw (1915). When outlaws held up a bank near the site where Tilghman was filming in late March 1915, he halted production to pursue them and then returned to filming. “Seldom have the frontier West and the film Western been more inseparable,” Scott Simmon writes in the program notes to this exceptional collection. While Jennings’s film is unfortunately considered lost, fifteen minutes of The Passing of the Oklahoma Outlaw have survived, as has another film starring Jennings,The Lady of the Dugout (1918). Treasures 5: The West, 1898–1938 presents these two films alongside a wide-ranging smorgasbord of fictional, promotional, educational, and amateur films, travelogues, and newsreels about the American West. The collection vividly illustrates the intermingling of reality and representation that characterizes this particular, highly contested space.

  • 7.
    Koivunen, Anu
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Ryberg, Ingrid
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Horak, Laura
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Swedish cinema's use of the Bechdel test is a provocation that works: Swedish screens are challenging the idea that two women talking to each other is diametrically opposed to film quality2013In: The Guardian, ISSN 0261-3077Article in journal (Other (popular science, discussion, etc.))
1 - 7 of 7
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