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  • 1.
    Kollnitz, Andrea
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics. Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Wallenberg, LouiseStockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Modernism och mode2014Collection (editor) (Other academic)
    Abstract [en]

    I Modernism och mode diskuteras modets starka och mångfacetterade betydelse för modernismen och dess olika uttryck under perioden 1900-1960 i tio icke tidigare publicerade essäer författade av såväl svenska som internationella forskare. Boken, som är den första omfattande svenska publikationen i ämnet, visar hur mode inom modernismen ges en uttalad och proklamerad position som konst under en tid då den kommersiella modeproduktionen mer och mer kopplas till massproduktion och -konsumtion. Boken belyser bland annat Isaac Grünewalds och Sigrid Hjerténs modemedvetna själviscensättning, modedesignern Jean Patous kreationer mellan konst och business, Elsa Schiaparellis surrealistiska modedesign, modets roll inom den italienska futurismen och ryska konstruktivismen, Magos modernistiska filmkostym, filmen som modernistiskt allkonstverk och modets filosofiska betydelser i förhållande till modernism och modernitet.

  • 2.
    Koskinen, Maaret
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Wallenberg, LouiseStockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Harry bit för bit : Harry Scheins många ansikten2017Collection (editor) (Other academic)
  • 3.
    Koskinen, Maaret
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Inledning2017In: Harry bit för bit : Harry Scheins många ansikten / [ed] Maaret Koskinen, Louise Wallenberg, Stockholm: Carlsson Bokförlag, 2017, p. 9-20Chapter in book (Other academic)
  • 4.
    Koskinen, Maaret
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    ’Kvinnan som ärvde Harry Schein’: Samtal med Eva Fischer2017In: Harry bit för bit: Harry Scheins många ansikten / [ed] Maaret Koskinen, Louise Wallenberg, Stockholm: Carlsson Bokförlag, 2017, p. 165-180Chapter in book (Other academic)
  • 5.
    McNeil, Peter
    et al.
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Wallenberg, LouiseStockholm University, Faculty of Humanities, Department of Media Studies.
    Nordic Fashion Studies2012Collection (editor) (Other academic)
    Abstract [en]

    Fashion means much more than dress. There are fashions in all aspects of life, from the time and manner of taking meals to the ways in which people sit. Clothes are animated by bodies moving in space, through gesture and deportment, and attitudes towards work and leisure that have changed dramatically across culture and time. The dressed body occupies space in coded ways that are learned through socialisation and that are also subject to fashion. They occupy spaces that take on different functions and meanings. This anthology explores the multi-dimensions of fashion, from the market to the imagination. Fashion, a series of experts argue, is relational and weighty, yet still figures in the media and popular imagination as nebulous and opaque. This anthology seeks to overturn that popular view, introducing readers to new ways of conceptualising their interest and participation in fashion past and present.

  • 6. Paulicelli, Eugenia
    et al.
    Stutesman, DrakeWallenberg, LouiseStockholm University, Faculty of Humanities, Department of Media Studies.
    Film, fashion, and the 1960s2017Collection (editor) (Refereed)
  • 7. Paulicelli, Eugenia
    et al.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Introduction2017In: Film, fashion, and the 1960s / [ed] Eugenia Paulicelli, Drake Stutesman, Louise Wallenberg, Bloomington: Indiana University Press, 2017Chapter in book (Refereed)
  • 8. Pullen, Alison
    et al.
    Thanem, Torkild
    Stockholm University, Faculty of Social Sciences, Stockholm Business School.
    Tyler, Melissa
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Postscript: Queer Endings/Queer Beginnings2016In: Gender, Work and Organization, ISSN 0968-6673, E-ISSN 1468-0432, Vol. 23, no 1, p. 84-87Article in journal (Refereed)
  • 9. Pullen, Alison
    et al.
    Thanem, Torkild
    Stockholm University, Faculty of Social Sciences, Stockholm Business School.
    Tyler, Melissa
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Sexual Politics, Organizational Practices: Interrogating Queer Theory, Work and Organization2016In: Gender, Work and Organization, ISSN 0968-6673, E-ISSN 1468-0432, Vol. 23, no 1, p. 1-6Article in journal (Other academic)
  • 10.
    Thanem, Torkild
    et al.
    Stockholm University, Faculty of Social Sciences, School of Business.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Buggering Freud and Deleuze: Towards a queer theory of masochism2010In: Journal of Aesthetics and Culture, ISSN 2000-4214, Vol. 2, p. 1-10Article in journal (Refereed)
    Abstract [en]

    Both Freud’s and Deleuze’s understandings of masochism limit the transgressive and subversive forces of masochism by taking sexual difference for granted. Drawing on Newton’s fashion photography for Wolford and on feminist interrogations of Freud, Deleuze and masochism, this paper therefore seeks to develop an alternative, queer theory of masochism as sexual indifference. Viewing masochism as sexual indifference opens up movements of desire beyond the heterosexual matrix of male masochists and female mistresses. This is therefore an exercise in buggery. In the first half of the paper we bugger Freud’s understanding of masochism with Deleuze’s diverging understanding of masochism. In the second half we bugger Deleuze’s understanding of masochism with other parts of his own work, with feminist critique, and with Newton’s photography.

  • 11.
    Thanem, Torkild
    et al.
    Stockholm University, Faculty of Social Sciences, Stockholm Business School.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Just doing gender? Transvestism and the power of underdoing gender in everyday life and work2016In: Organization, ISSN 1350-5084, E-ISSN 1461-7323, Vol. 23, no 2, p. 250-271Article in journal (Refereed)
    Abstract [en]

    While previous research in organization studies has utilized transgender to show how gender is done, overdone and undone, this literature lacks empirical grounding, and the theoretical arguments dominating it tend to idealize the transgressive power of transgender while reducing transgender to hyperbolic drag and stereotypical passing. To further advance the understanding of transgender within and around organizations, this article presents a qualitative study from a Northern European country to investigate how male-to-female transvestites do and undo gender in everyday life and work. In contrast to extant research, we found that participants did transgender and undid gender by underdoing gender, that is, by combining feminine, masculine and ungendered practices and attributes in ways that made passing and drag insignificant. As transvestites simultaneously expressed masculine and feminine forms of embodiment, we argue that they may more obviously challenge, though not dismantle, dominant forms of gender and identity than suggested by previous accounts. We conclude by discussing broader implications for the understanding of gender, identity, power and resistance in organizations.

  • 12.
    Thanem, Torkild
    et al.
    Stockholm University, Faculty of Social Sciences, Stockholm Business School, Management & Organisation.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Monstrous ethics2015In: The Routledge Companion to Ethics, Politics and Organization / [ed] Alison Pullen, Carl Rhodes, London: Routledge, 2015Chapter in book (Other academic)
  • 13.
    Thanem, Torkild
    et al.
    Stockholm University, Faculty of Social Sciences, School of Business.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Paradoxes of Academic Practice: Managerial Techniques in Critical Pedagogy2009In: Critical Management Studies at Work / [ed] J. Wolfram Cox, T.G. LeTrent-Jones, M. Voronov & D. Weir, Cheltenham: Edward Elgar , 2009, p. 180-194Chapter in book (Other academic)
  • 14.
    Thanem, Torkild
    et al.
    Stockholm University, Faculty of Social Sciences, Stockholm Business School.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    What can bodies do? Reading Spinoza for an affective ethics of organizational life2015In: Organization, ISSN 1350-5084, E-ISSN 1461-7323, Vol. 22, no 2, p. 235-250Article in journal (Refereed)
    Abstract [en]

    Recent attempts to develop an embodied understanding of ethics in organizations have tended to mobilize a Levinasian and “im/possible” ethics of recognition, which separates ethics and embodiment from politics and organization. We argue that this separation is unrealistic, unsustainable, and an unhelpful starting point for an embodied ethics of organizations. Instead of rescuing and modifying the ethics of recognition, we propose an embodied ethics of organizational life through Spinoza’s affective ethics. Neither a moral rule system nor an infinite duty to recognize the other, Spinoza offers a theory of the good, powerful and joyful life by asking what bodies can do. Rather than an unrestrained, irresponsible and individualistic quest for power and freedom, this suggests that we enhance our capacities to affect and be affected by relating to a variety of different bodies. We first scrutinize recent attempts to develop an ethics of recognition and embodiment in organization studies. We then explore key concepts and central arguments of Spinozian ethics. Finally, we discuss what a Spinozian ethics means for the theory and practice of embodied ethics in organizational life.

  • 15.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    A decade of challenges and possibilities: Establishing fashion studies at Stockholm University2018In: International Journal of Fashion Studies, ISSN 2051-7106, Vol. 5, no 1, p. 169-180Article in journal (Refereed)
    Abstract [en]

    This article offers a recount of the establishment and the development of the Centre for Fashion Studies at Stockholm University, Sweden, inaugurated in 2006. The centre, which was initially located in conjunction with the Department of Art History and later at the Department of Media Studies, has often been referred to as the very 'first' fashion studies institution ever to be positioned within the university (and not within a design school context). The article reflects on the possibilities, challenges and difficulties that creating and developing a space for a 'new' field have entailed - both within the local context (in this case, a rather traditional university context) and within a larger scholarly context (which, to a large extent, is dominated by Anglo-American institutions). Where does one look for inspiration? With whom does one create alliances to be able to offer a solid fashion studies ground (when there is none)? Also, how does one create curricula that both include and deviate from the 'canon' of previous fashion studies so that the Anglo-American dominance becomes less prominent?

  • 16.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Att se med nya ögon2000In: Tusen flickor, 2000, p. 135-156Chapter in book (Other (popular science, discussion, etc.))
  • 17.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Att bevara det förgängliga2011In: Ett sekel av dräkt & mode: ur den Hallwylska samlingen / [ed] Gösta Sandell, Stockholm: Hallwylska museet , 2011Chapter in book (Other academic)
  • 18.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Becoming-Animal, Becoming Free: Re-Reading the Animalistic in Fashion Photography2018In: Transglobal Fashion Narratives: Clothing Communication, Style Statements and Brand Storytelling / [ed] Anne Peirson-Smith, Joeseph H. Hancock II, Bristol: Intellect Ltd., 2018Chapter in book (Refereed)
  • 19.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Butch Cassidy and the Sundance Kid: En antipatriarkal film1995In: Häften för kritiska studier, no 3Article in journal (Refereed)
  • 20.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Chanel och Dior lanserade kontrasterande kvinnoideal: Bronwyn Cosgrave, Vogue – Coco Chanel (Vogue Christian Dior)2014In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 2Article, book review (Other academic)
  • 21.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for fashion studies.
    Cowboys are secretly frequently fond of each other: Brokeback Mountain och buddy-relationens homoerotik2007In: Häften för kritiska studier, ISSN 0345-4789, no 195/196, p. 60-73Article in journal (Refereed)
  • 22.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Den offentliga människan: Harry Schein som motstridig celebritet2017In: Harry bit för bit: Harry Scheins många ansikten / [ed] Maaret Koskinen, Louise Wallenberg, Stockholm: Carlsson Bokförlag, 2017Chapter in book (Other academic)
  • 23.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Designing desirable men: Fashion, style and masculinity in 1930s cinema2010In: Seam & star - male elegance: proceedings of the symposium of the same name held on 29 november 2008 in the Yohji Yamamoto Auditorium of the ModeNatie / [ed] Aarnoud Rommens, Antwerp: MoMu , 2010Chapter in book (Other academic)
  • 24.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Eleganten: Om manlig elegans, behörighet och utanförskap2010In: Citizen Schein / [ed] Pelle Snickars, Lars Ilshammar och Per Westerlund, Stockholm: Kungliga Biblioteket , 2010, 1Chapter in book (Other academic)
  • 25.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    En granskning av myterna om Coco Chanel som förstärker dem: Lars Holmberg, Gabrielle Chanel: Ett liv. En myt2015In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 4Article, book review (Other academic)
  • 26.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies. Stockholm University, Faculty of Humanities.
    Film, Fashion, and Sexual Identity2010In: The Fashion History Reader: Global Perspectives / [ed] Peter McNeil och Giorgio Riello, London: Routledge , 2010, 1Chapter in book (Other academic)
  • 27.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies. Stockholm University, Faculty of Humanities, Department of Art History.
    Foreword2009In: Fashion in Fiction: Text and Clothing in Literature, Film and Television / [ed] Vicki Karaminas och Peter McNeil, New York: Berg publishers , 2009, 1Chapter in book (Other academic)
  • 28.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for fashion studies.
    Greta Garbo2006In: Journeys of Desire: European actors in Hollywood, BFI London , 2006, p. 259-261Chapter in book (Refereed)
  • 29.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for fashion studies.
    Hitchcocks Nya Look: Diors silhuetter i spänningsmästarens öga2007In: FLM: en kulturtidskrift om film, Vol. 1, no 1, p. 20-27Article in journal (Other (popular science, discussion, etc.))
  • 30.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    I praktiken: utvärderande rapport om studenternas tillgodogörande av materialet1999In: Multimedia och filmundervisning, Högskoleverket, Stockholm , 1999, p. 71-151Chapter in book (Other academic)
  • 31.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Mago's magic: fashioning sexual indifference in Ingmar Bergman's 1960s cinema2017In: Film, fashion, and the 1960s / [ed] Eugenia Paulicelli, Drake Stutesman, Louise Wallenberg, Bloomington: Indiana University Press, 2017Chapter in book (Refereed)
  • 32.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for fashion studies.
    Magos magiska mode2008In: FLM: En kulturtidskrift om film, no 3, p. 20-27Article in journal (Other (popular science, discussion, etc.))
  • 33.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Mazurka pa sengekanten: The Emergence of Danish Soft Porn2005In: The Cinema of Scandinavia, Wallflower Press, London , 2005, p. 160-169Chapter in book (Other academic)
  • 34.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Menilmontant: kön, klass och det moderna2014In: Modernism och mode / [ed] Andrea Kollnitz & Louise Wallenberg, Stockholm: Carlsson Bokförlag, 2014Chapter in book (Other academic)
  • 35.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Modefilm och mode på film under 1920-talet2015In: Biblis, ISSN 1403-3313, no 69, p. 46-54Article in journal (Other academic)
  • 36.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies. Stockholm University, Faculty of Humanities, Department of Art History.
    Moden, makar och masker: Modets funktion i två filmer av Mauritz Stiller2009In: MODE: en introduktion.: En tvärvetenskaplig betraktelse / [ed] Louise Wallenberg och Dirk Gindt, Stockholm: Raster förlag , 2009, 1, p. 250-272Chapter in book (Other academic)
  • 37.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Modets materialitet är på modet: Recension av "Modets bildvärldar: Studier med utgångspunkt i Röhsska museets modesamling"2013In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 5Article, book review (Other academic)
    Abstract [sv]

    Röhsska museet i Göteborg har inriktat sig på att vara ett modemuseum och dess samlingar diskuteras i sex essäer i denna antologi, som är en blandning mellan coffee table book och akademisk studie. Boken är inte invändningsfri men skapar utan tvivel intresse för museets samlingar.

  • 38.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Motstridiga representationer av lyx och begär i svensk film, 1910-19402015In: Det svenska begäret: Sekler av lyxkonsumtion / [ed] Paula von Wachenfeldt, Klas Nyberg, Stockholm: Carlsson Bokförlag, 2015Chapter in book (Other academic)
  • 39.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    New Black Queer Cinema2004In: New Queer Cinema: A Critical Reader, Edinburgh university press , 2004, p. 128-143Chapter in book (Refereed)
  • 40.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Nygammal modefluga2014In: FLM: en kulturtidskrift om film, ISSN 1654-711X, no 25Article, book review (Other (popular science, discussion, etc.))
  • 41.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Paris Is Burning: En studie i kvinnlighet som konstruktion blottlagd via dragpraktiken1997In: Dialoger: Feministisk filmteori i praktik, Aura förlag, Stockholm , 1997, p. 262-291Chapter in book (Other academic)
  • 42.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Queerfilmens nya våg2000In: Bang, no 3Article in journal (Other academic)
  • 43.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies. Stockholm University, Faculty of Humanities, Department of the History of Art.
    Rajat ylittäviä drag kingejä ja kurittomia dildolesboja2009In: Lähikuva, ISSN 0782-3053, p. 41-61Article in journal (Refereed)
  • 44.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for fashion studies.
    Representation2009In: Film och andra rörliga bilder: En introduktion, Raster förlag, Stockholm , 2009, p. 144-156Chapter in book (Refereed)
  • 45.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Richard Dyers White - en vithet på fall1997In: Häften för kritiska studier, no 3Article, book review (Refereed)
  • 46.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Media Studies, Fashion Studies.
    Schein som "mediemänniska": att försöka defniera massmedia och att definieras av dem2015In: Massmedieproblem: mediestudiets formering / [ed] Mats Hyvönen, Pelle Snickars, Per Vesterlund, Lund: Mediehistoriskt arkiv , 2015, p. 331-348Chapter in book (Refereed)
  • 47.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Stilleristic Women: Gender as Masque and Ambivalence in the Work of Mauritz Stiller2000In: Aura: Film Studies Journal, ISSN 1440-8386, Vol. 6, no 4, p. 36-46Article in journal (Refereed)
  • 48.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    Straight Heroes with Queer Inclinations: Male Film Stars in the Swedish 1930s2009In: Hetero: Queering Representations of Straightness / [ed] Sean Griffin, New York: SUNY Press , 2009, p. 71-88Chapter in book (Other academic)
  • 49.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    “Sul masochismo e l’(In)differenza sessuale nella fotografia di Helmut Newton”,2010In: KRILL, ISSN 978-88-96694-04-6, Vol. 1, no 1Article in journal (Refereed)
  • 50.
    Wallenberg, Louise
    Stockholm University, Faculty of Humanities, Centre for Fashion Studies.
    The Pulse of Swedish Fashion2011In: LOFT Bookazine – Art, Architecture, Design, Culture from a Scandinavian perspectiveArticle in journal (Other (popular science, discussion, etc.))
12 1 - 50 of 58
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