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  • 1. Blom, Ina
    et al.
    Lundemo, TrondStockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.Røssaak, Eivind
    Memory in Motion: Archives, Technology, and the Social2016Collection (editor) (Refereed)
    Abstract [en]

    How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very much up in the air. The essays in this collection discuss the new technologies of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.

  • 2. Hegardt, Johan
    et al.
    Lundemo, TrondStockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Historiens hemvist. 3, Minne, medier och materialitet2016Collection (editor) (Refereed)
  • 3.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Archives and Technological Selection2014In: Cinémas - Revue d'Études Cinématographiques, ISSN 1181-6945, ISSN 1181-6945, Vol. 24, no 2-3, p. 17-39Article in journal (Refereed)
  • 4.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Archéologie de la motion capture2014In: La capture de mouvement: Ou le modelage de l'invisible / [ed] Marco Grosoli, Jean-Baptiste Massuet, Rennes: Presses Universitaires de Rennes, 2014, p. 51-71Chapter in book (Refereed)
  • 5.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Arkivets urval: teknologi och censur2016In: Historiens hemvist. 3, Minne, medier och materialitet / [ed] Johan Hegardt, Trond Lundemo, Göteborg: Makadam Förlag, 2016, p. 33-55Chapter in book (Refereed)
  • 6.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Atomic Hindsight: Technology and Visibility as Factors in Historical Periodization2011In: Rethinking Time: essays on history, memory, and representation / [ed] Hans Ruin, Andrus Ers, Stockholm: Södertörns Högskola , 2011, p. 311-319Chapter in book (Other academic)
  • 7.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Charting Movement: The Analytic, the Photogram and Video Compression2009In: Maske und Kothurn, ISSN 0025-4606, E-ISSN 2305-0667, no 3Article in journal (Other academic)
  • 8.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Charting the Gesture2011In: EurozineArticle in journal (Other academic)
  • 9.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Filmen och gesternas kartläggning2011In: Glänta, ISSN 978-91-86133-28-3, no 1, p. 75-81Article in journal (Other academic)
  • 10.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Futuristerne, filmen og spörsmaalet om teknikken2007In: Rett kopi, no 3Article in journal (Other academic)
  • 11.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Godard the Historiographer: From Histoires du cinema to the Beaubourg Exhibition2014In: A Companion to Jean-Luc Godard / [ed] Tom Conley, T. Jefferson Kline, Chichester: Wiley-Blackwell, 2014, p. 488-503Chapter in book (Refereed)
    Abstract [en]

    For Godard, cinema is montage, and montage is a technique for articulating the past. As Godard claims in his eight-piece video project Histoire(s) du cinéma only montage can produce historical connections because history is always a matter of juxtaposing one thing with another. Even if there are affinities with Godard's concept of history in the idea of the return of the past itself in projection, Matuszewski does not describe cinema as montage. It has been noted how Godard's technique of quotation depends on a Romantic concept of the fragment, where the part entails the work in its totality. These are key observations for reading Godard's work with quotations and excerpts. With this focus on historical ruptures, there is, therefore, a strong element of periodization in Godard's films and writings. Through montage, cinema can approach movements, ideas, and usages without immobilizing them in their established explanations.

  • 12.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    ”In the Kingdom of Shadows: Cinematic Movement and its Digital Ghost”2009In: The YouTube Reader / [ed] Pelle Snickars, Patrick Vonderau, Stockholm: Kungliga biblioteket , 2009, 1, p. 314-329Chapter in book (Other academic)
  • 13.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Introduktion: Minne, medier och materialitet2016In: Historiens hemvist. 3, Minne, medier och materialitet, Göteborg: Makadam Förlag, 2016, p. 15-30Chapter in book (Other academic)
  • 14.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Manifestets projektioner2011In: FLM, no 12, p. 44-47Article in journal (Other (popular science, discussion, etc.))
  • 15.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Mapping the World: Les Archives de la planète and the Mobilisation of Memory2016In: Memory In Motion : Archives, Technology, and the Social / [ed] Ina Blom, Trond Lundemo, Eivind Røssaak, Amsterdam: Amsterdam University Press, 2016, p. 213-236Chapter in book (Refereed)
  • 16.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Media Archeology and Montage2013In: Lina Selander. Echo: The montage, the fossil, the sarcophagus, the x-ray, the cloud, the sound, the feral animal, the shadow, the room, and Lenin’s Lamp Glows in the Peasant’s Hut / [ed] Helena Holmberg, Stockholm: Oei editör , 2013, 1, p. 11-25Chapter in book (Other academic)
  • 17.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    "Modern raifu" and Film Style: The Search for a National Style in Japanese Cinema2007In: Film Style, Udine: Università degli Studi/Forum , 2007Chapter in book (Refereed)
  • 18.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Montage and the Dark Margin of the Archive2014In: Cinema and Agamben: Ethics, Biopolitics and the Moving Image / [ed] Henrik Gustafsson, Asbjørn Grønstad, New York: Bloomsbury , 2014, p. 191-205Chapter in book (Refereed)
  • 19.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    Quoting Motion: The Frame, the Shot, and Digital Video2012In: Film, Art, New Media: Museum without Walls? / [ed] Angela Dalle Vacche, Basingstoke: Palgrave Macmillan, 2012, p. 97-114Chapter in book (Refereed)
  • 20.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Cinema Studies.
    The Index and Erasure: Godard's Approach to Film History2007In: Film Appreciation Journal, no 131, p. 29-39Article in journal (Refereed)
  • 21.
    Lundemo, Trond
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Towards a Technological History of Historiography?2015In: At the Borders of (Film) History: Temporality, Archaeology, Theories / [ed] Alberto Beltrame, Giuseppe Fidotta, Andrea Mariani, Udine: Forum Editrice Universitaria Udinese , 2015, p. 149-155Chapter in book (Refereed)
1 - 21 of 21
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  • apa
  • ieee
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