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  • 1.
    Arnberg, Klara
    et al.
    Stockholm University, Faculty of Social Sciences, Department of Economic History.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Benefits of the in-between: Swedish men’s magazines and sex films 1965–19752014In: Sexuality & Culture, ISSN 1095-5143, E-ISSN 1936-4822, Vol. 18, no 2, p. 310-330Article in journal (Refereed)
    Abstract [en]

    This article analyzes a content-based market position that developed during the mid-1960s, situated in-between the pornographic and the accepted. By studying Swedish men’s magazines and sex films from the time period, the argument is made that these media products profited from both the advantages of pornography, i.e., more or less sexual explicit images, and the advantages of the accepted, i.e., common distribution channels, the possibility of having regular advertising and placards and being sold in ordinary kiosks (for magazines) and shown at ordinary cinemas (for films). For some years, this balancing act between the accepted and the pornographic was maintained, and the genre became enormously popular. From the mid-1970s onward, however, the division between pornography and accepted media became more clear-cut. The critique against pornography and the in-between media products intensified, and the uncertainty about pornography’s future role after the legalization in 1971 was followed by new ways of separating the pornographic from the accepted. While there were some differences between the two media formats, such as their degree of internationalization and the importance of advertising, they shared much in terms of content formulas and used the same female actors and models. It is argued that both formal regulations and the informal norms of gender and sexuality at the time and their change throughout the 1970s are key for understanding the development and the disappearance of the in-between genre.

  • 2.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    A national/transnational genre: pornography in transition2015In: Nordic genre film: small nation film cultures in the global marketplace / [ed] Tommy Gustafsson, Pietari Kääpä, Edinburgh: Edinburgh University Press, 2015, p. 217-229Chapter in book (Refereed)
  • 3.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Deep throat2014In: Cultural encyclopedia of the penis / [ed] Michael Kimmel, Christine Milrod, Amanda Kennedy, New York: Rowman & Littlefield Publishers, 2014, p. 49-50Chapter in book (Other academic)
  • 4.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    En queerfeministisk utopi?: Sexualitet i Millenniumserien2014In: Den nya svenska filmen: Kultur, kriminalitet & kakafoni / [ed] Erik Hedling & Ann-Kristin Wallengren, Stockholm: Bokförlaget Atlantis, 2014, p. 111-126Chapter in book (Other academic)
  • 5.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Fantasies Becoming Illegal: The Manga Case, Child Porn Law, and the Regulation of the Sexual Mind2015In: Sexual Fantasies: At the Convergence of the Cultural and the Individual / [ed] Mariah Larsson & Sara Johnsdotter, Frankfurt am Main: Peter Lang Publishing Group, 2015, p. 143-158Chapter in book (Other academic)
  • 6.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Ingmar Bergman, Swedish sexploitation and early Swedish porn2015In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 5, no 1, p. 49-62Article in journal (Refereed)
    Abstract [en]

    This article discusses intertextual relations between Ingmar Bergman films and four films from the Swedish history of late 1960s and 1970s sexploitation and pornography. Although Bergman played a significant role in the liberalization of film censorship in Sweden in the 1960s and was known for the beautiful actresses of his films, that he demonstrably inspired film-makers operating in what is usually regarded as the complete opposite of art cinema is not so widely known. In the films Jag – en oskuld/Inga (1968), Thriller – en grym film/Thriller – A Cruel Picture (1974), Justine och Juliette/Justine and Juliette (1975) and Fäbodjäntan/Come Blow the Horn (1978) there are several intertextual relations, both deliberate allusions and more implicit and unintended connections. These relations may have an impact on how we regard both the role of Bergman and the directors of sexually explicit films in the particular context of Sweden in the 1960s and 1970s

  • 7.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Joe Sarno and Historiography: Some Thoughts on The Sarnos: A Life in Dirty Movies2013In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 3, no 2, p. 101-105Article in journal (Refereed)
    Abstract [en]

    The recent Swedish documentary The Sarnos: A Life in Dirty Movies (Eriksson, 2013) evokes questions about historiography and nationality. This article discusses the documentary's focus on Joe Sarno's reluctance to do hardcore, on his wife, Peggy, as well as the couple's relationship to Sweden.

  • 8.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies, Cinema Studies.
    Making Love Detumescently: Some Preliminary Notes on the Body Language of the Penis2014In: Kosmorama (København), ISSN 0023-4222, E-ISSN 2245-9731, no 258Article in journal (Refereed)
    Abstract [en]

    Although body language in the moving image may to a large extent be transparent, some aspects of body language are regulated by generic conventions, rating systems, and, historically, by the law. This article discusses the limitations and possibilities of the body language of the penis, using examples from both non-pornographic films and pornographic films.

  • 9.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Money shot2014In: Cultural encyclopedia of the penis / [ed] Michael Kimmel, Christine Milrod, Amanda Kennedy, New York: Rowman & Littlefield Publishers, 2014, p. 123-124Chapter in book (Other academic)
  • 10.
    Larsson, Mariah
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Pornography and erotica2014In: Cultural encyclopedia of the penis / [ed] Michael Kimmel, Christine Milrod, Amanda Kennedy, New York: Rowman & Littlefield Publishers, 2014, p. 166-168Chapter in book (Other academic)
  • 11.
    Larsson, Mariah
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Arnberg, Klara
    Stockholm University.
    Pornografianklagelser2015In: Sexualpolitiska nyckeltexter / [ed] Klara Arnberg, Pia Laskar, Fia Sundevall, Stockholm: Leopard förlag , 2015, p. 207-227Chapter in book (Other academic)
  • 12.
    Larsson, Mariah
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Johnsdotter, Sara
    Introduction: At the Convergence of the Cultural and the Individual2015In: Sexual Fantasies: At the Convergence of the Cultural and the Individual / [ed] Mariah Larsson & Sara Johnsdotter, Frankfurt am Main: Peter Lang Publishing Group, 2015, p. 9-19Chapter in book (Other academic)
  • 13.
    Larsson, Mariah
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies.
    Johnsdotter, SaraUppsala universitet.
    Sexual Fantasies: At the Convergence of the Cultural and the Individual2015Collection (editor) (Other academic)
  • 14.
    Larsson, Mariah
    et al.
    Stockholm University, Faculty of Humanities, Department of Media Studies. Malmö University, Sweden.
    Westerstahl Stenport, Anna
    Documentary filmmaking as colonialist propaganda and feminist intervention: Mai Zetterling's Of Seals and Men (1979)2015In: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 27, no 4, p. 106-129Article in journal (Refereed)
    Abstract [en]

    This essay focuses on UK-based Swedish filmmaker Mai Zetterling’s made-for-television documentary Of Seals and Men (1979). Zetterling is known internationally as an art film auteur, and this examination seeks to broaden her stature in the context of UK and Europe-based cinefeminsim movements of the 1970s. The authors argue that Of Seals and Men constitutes a significant and overlooked artefact also in the history of colonial Greenlandic-Danish relations, as it focuses on the controversy of the Greenlandic seal hunt, and was financed as a propaganda vehicle by the Danish government and the Greenland Trade Department. The article draws on extensive archival research and references Zetterling’s production notebooks and correspondence, as well as official communication by the Royal Greenland Trade Department. 

1 - 14 of 14
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