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  • 1.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    2 Stenberg 2: Constructivists and Designers for the Revolutionary Mass Stagings at the Red Square1998In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 67, no 3, p. 175-188Article in journal (Refereed)
    Abstract [en]

    Georgy and Vladimir Stenberg, central participants of the Russian avant-garde and the first to use the term "constructivist", were Swedish. Thanks to the first international 'two-person' museum exhibition on the Stenberg brothers, in the summer of 1997 at the Museum of Modern Art in New York, interest in their work has been renewed. The focus of the MoMA exhibition was on the film posters. In addition to the Stenbergs' work as constructivists and theatre scenographers, this is the part of their work that has brought them most international fame. There is, however, one aspect which, if mentioned at all, is mentioned only in passing: the Stenbergs were chief designers for the Red Square in Moscow.   

    In addition to a brief presentation of the Swedish heritage of Vladimir Augustovich (1899 - 1982) and Georgy Augustovich Stenberg (1900 - 1933), the aim of this article is to introduce the Stenbergs as designers for the celebrations in the Red Square. Other key places along the parade route in central Moscow were the Palace of the Soviets and Gorky Park. The Stenberg brothers participated in all three projects. In order to get an idea of what proportions these mass stagings had, I will discuss them in the context of the reconstruction of Moscow into a parade centre, the first five-year plan, and the cultural revolution, all of which took place at the same time as the Stenbergs established themselves as designers for street festivities. First of all, however, I shall give a short background of Georgy and Vladimir Stenberg and their aesthetical standpoints in art.

  • 2.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Aelita, konstruktivism och biomekanik1993In: Chaplin, ISSN 0045-6349, Vol. 35, no 249Article in journal (Other (popular science, discussion, etc.))
  • 3.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Aleksei Kul'bin1995In: Alʹmanach "Apollon". Vol 1 Book 2 "Kul'bin" / [ed] Boris M. Kalaushin, Sankt Peterburg: Apollon , 1995, p. 392-Chapter in book (Other academic)
  • 4.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Alexandra Exter: Artist for the Stage1993In: Theatre in Revolution: The Russian Avantgarde on Stage 1913-1930, Stockholm: Dansmuseet , 1993, p. 117-125Chapter in book (Other academic)
  • 5.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Alexandra Exter: Konstnär för scenen1993In: Teater i revolution: det ryska avantgardet på scen 1913-1930, Stockholm: Dansmuseet , 1993, p. 100-116Chapter in book (Other academic)
  • 6.
    Tillberg, Margareta
    KTH Royal Institute of Technology, Sweden.
    Anne-Marie Ericsson. The Interiors of M/S Kungsholm: Masterpieces in Swedish Art Deco2008In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 77, no 4, p. 230-234Article, book review (Other academic)
    Abstract [en]

    Art Deco is a style that has hitherto gained too little attention in Swedish history of art and design. With her special focus on the 1920s and 1930s Anne-Marie Ericsson, a well known author and lecturer in the Swedish design world, is the just author for this period. Therefore I open her M/S Kungsholms inredning. Mästerverk i svensk art deco [The Interior of M/S Kungsholm. A masterpiece in Swedish art deco][i] with great expectations.

    As the title implies, the aim of the book is to treat the interiors of M/S Kungsholm, the show-piece of the Swedish American Line. This focus is reasonable, insofar as the exterior presented nothing new, according to the author, whereas the interior was enthusiastically received by the New York press as a “fairy tale castle” when she arrived on her maiden voyage in New York, December 1928. (p. 9).

    Trying to present a reconstruction of how the ship looked, although almost nothing remains of it today, Anne-Marie Ericsson has taken upon herself a task that is not an easy one. The fate of M/S Kungsholm was unfortunate. After a glorious decade, she transported troops during World War II, incredibly enough escaped bombs and torpedoes, became a cruise ship in the Mediterranean and was finally broken up in Bilbao in 1964. By that time, the interiors had been almost entirely extinguished and the furniture plundered or sold.

    [i]  If not stated otherwise, all the translations from Swedish to English are my own, M.T.

  • 7.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Arkiv i Moskva1993In: Dagens Nyheter, ISSN 1101-2447, no 31 januariArticle in journal (Other (popular science, discussion, etc.))
  • 8.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    ASSA1988In: De nya från Leningrad: Novye chudožniki: [konstutställning med nya konstnärer, Kulturhuset, Löpsedeln 27 augusti-15 september 1988] / [ed] Sissi Nilsson, Stockholm: Konstavd. Stockholms kulturförvaltning , 1988Chapter in book (Other (popular science, discussion, etc.))
  • 9.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Avantgardets huvudströmningar: Ryssland 1910 – 1930: Karlshamns konsthall 16/7 - 16/8 19921992Collection (editor) (Other academic)
  • 10.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Baltic Sculpture1993In: Paletten, ISSN 0031-0352, Vol. 215, no 4Article in journal (Other (popular science, discussion, etc.))
  • 11.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Behöver en designer verkligen teori och historia?2005In: Sond: en tidning från avdelningen för design vid Växjö universitet, p. 6-Article in journal (Other (popular science, discussion, etc.))
  • 12.
    Tillberg, Margareta
    KTH Royal Institute of Technology, Sweden; Max Planck Institute for the History of Science, Germany.
    Christ, Thomas. Wladimir Lebedew und die Russische Avantgarde2006In: Russian Review, ISSN 0036-0341, E-ISSN 1467-9434, Vol. 65, no 2, p. 332-367Article, book review (Other academic)
  • 13.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Colour as illusion - a controversial issue during the Stalin Soviet era1997In: Colour and psychology: from AIC Interim Meeting 96 in Gothenburg: an anthology / [ed] Lars Sivik, Stockholm: Färginstitutet , 1997, p. 201-204Conference paper (Refereed)
  • 14.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Coloured Universe and the Russian Avant-Garde: Matiushin on Colour Vision in Stalin's Russia, 19322003Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. It is based on extensive research in twenty different Russian archives, each including numerous archival funds, in addition to the Stedelijk Museum Prentenkabinet in Amsterdam and other unpublished material.

    Contemporary ideas from German Bauhaus and De Stijl in Holland have received deserved attention. In the Soviet Union, avant-garde artists were silenced as enemies of the people – their priorities were other than the class struggle.

    The implicit narrative of the book, is about a group of intellectuals who struggled to work with what they believed in, e.g. an expansion and change of innate possibilities to create something never seen before, despite political oppression.

    The aim of this study is to present and analyse the hitherto unknown colour theory of Mikhail Matiushin (1866–1934) published in Leningrad and Moscow in 1932.

    The work is divided into five parts. The first part, Colour, deals with the contexts of history, colour and art. During the 1920s a number of institutes for interdisciplinary scientific research in art, design and architecture were founded in the Soviet Union. One of them was the Institute of Artistic Culture in Leningrad – GINKhUK – where Malevich and Tatlin also worked. One goal was to formulate a universal language with mathematics as the ideal science, to be collected into an encyclopaedia for visual culture (art, architecture, design); another goal was to redesign the world for the masses outside the ‘dead’ museums, and to produce a new kind of human being, a third goal. There the artist, musician and theoretician Mikhail Matiushin supervised the Department of Organic Culture with his Laboratory of Colour.

    The second part, Vision, analyses Matiushin's training programme, a variant of synaesthetical union of the senses, which includes an extension of the visual angle to a complete 360°; i.e., the consciously amplified eye, defined in Matiushin’s peculiar way.

    The third part, Culture, compares Matiushin with the theosophist mystics Pëtr Uspenskii and C. H. Hinton, the painter Wassily Kandinsky and the philosopher Henri Bergson.

    Part four, Ideology, sheds light on colour from those whose perspective was based on the State philosophy of dialectical materialism. By the early 1930s, the innovative institutes were closed down due to centralization of all expressions of culture under the banner of Socialist Realism.

    The last part, Synthesis, provides a detailed discussion on what happened after the 1930s. It concludes with the colour theory text, both its Russian original and for the first time in English translation.

    The belief is that Matiushin’s colour theory was not given any consideration after its publication in 1932. The results of this study show, however, that his colour handbook has been and still is used in the colour design of St. Petersburg.

  • 15.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Datorkoreografi. Om Åsa Unander-Scharin1999In: Danstidningen, ISSN 1102-0814, Vol. 2Article in journal (Other (popular science, discussion, etc.))
  • 16.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Den moderna utopins design1992In: Form, ISSN 0015-766X, Vol. 88, no 5, p. 53-54Article, book review (Other (popular science, discussion, etc.))
  • 17.
    Tillberg, Margareta
    Centre for Baltic and East European Studies (CBEES), Södertörn University, Sweden.
    Design institute VNIITE closes its doors2013In: Baltic Worlds, ISSN 2000-2955, Vol. 6, no 2, p. 56-Article in journal (Other (popular science, discussion, etc.))
  • 18.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Designmai 2006 i Berlin2006In: Designtidskriften FORM, ISSN 0015-766X, no 4, p. 24-25Article in journal (Other (popular science, discussion, etc.))
  • 19.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Det ryska avantgardets kärlek till folkkonsten och målade affärsskyltar1993In: Paletten, ISSN 0031-0352, Vol. 213, no 2Article in journal (Other (popular science, discussion, etc.))
  • 20.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Die technische ästhetik und die unerschöpfliche mensch-maschine als sowjetisches designprodukt der 1960er Jahre2014In: Helden am ende: erschöpfungszustände in der kunst des sozialismus / [ed] Monica Rüthers, Alexandra Köhring, Frankfurt am Main: Campus Verlag, 2014, p. 157-181Chapter in book (Refereed)
  • 21.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Elena Guro: Introduktion. Dikter2004In: Lyrikvännen, ISSN 0460-0762, Vol. 5, no 51, p. 81-87Article in journal (Other (popular science, discussion, etc.))
  • 22.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Elena Guro: Painter, Poet and Pantheist: St. Petersburg - Karelian Isthmus 1877-19132002Other (Refereed)
  • 23.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Ett geni har inte långa röda naglar - om postsovjetiska kvinnliga konstnärer 1995In: Bang: feministisk kulturtidskrift, ISSN 1102-4593, Vol. 3, no oktoberArticle in journal (Other (popular science, discussion, etc.))
  • 24.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Ett steg till vänster - om dans i mellankrigstidens New York1998In: Danstidningen, ISSN 1102-0814, no 5Article in journal (Other (popular science, discussion, etc.))
  • 25.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Farbforschung in der russischen Avantgarde der 20er und 30er Jahre2001In: Visuelle Sprache: Jahrbuch der Fakultät Gestaltung / [ed] Gerhard Schweppenhäuser, Weimar: Bauhaus-Universität Weimar Universitätsverlag , 2001, p. 71-82Chapter in book (Refereed)
  • 26.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Forslund, Margareta2005In: Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Vol. 42, München: K.G. Saur Verlag, 2005, p. 428-Chapter in book (Other academic)
  • 27.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Forsman, Pernilla2005In: Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Vol. 42, München: K.G. Saur Verlag, 2005, p. 430-Chapter in book (Other academic)
  • 28.
    Tillberg, Margareta
    Växjö University, Sweden.
    Frank, Nikolaus2005In: Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Vol. 44, München: K.G. Saur Verlag, 2005, p. 57-58Chapter in book (Other academic)
  • 29.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Fördomsfria vävar. Bauhaus idéer realiserades i textilverkstaden1999In: Dagens Nyheter, ISSN 1101-2447, no 30 oktoberArticle in journal (Other (popular science, discussion, etc.))
  • 30.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Huldt, Johan2012In: Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker, München: K.G. Saur Verlag, 2012Chapter in book (Other academic)
  • 31.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Huldt, Åke2012In: Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker, München: K.G. Saur Verlag, 2012Chapter in book (Other academic)
  • 32.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Hur ser människans förhållande till naturen ut?2004In: En gång en ort - 2: En utställning om en plats och om föreställningarna om en plats / [ed] Maria Backman, Falun: Dalarnas Museum , 2004Chapter in book (Other (popular science, discussion, etc.))
  • 33.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    I will make machines that fly under water: Electro-kinetic art/design in Latvia in 1970-802015In: Visionary Structures: From Johansons to Johansons / [ed] Ieva Astahovska, Riga: The Latvian Centre for Contemporary Art , 2015, p. 68-81Chapter in book (Refereed)
  • 34.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Iscensättning på gatan och på scenen: det ryska avantgardet2003In: Paletten, ISSN 0031-0352, Vol. 253/254, no 3-4, p. 66-69Article in journal (Other (popular science, discussion, etc.))
  • 35.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Karl Blossfeldts växtfotografier från tjugotalet upplever en renässans i dag2000In: Dagens Nyheter, ISSN 1101-2447, no 2 januariArticle in journal (Other (popular science, discussion, etc.))
  • 36.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Kultur. Tredje sidan. När framtiden försvann: Margareta Tillberg om hur det ryska avantgardet maldes ned av Sovjetunionen1998In: Dagens Nyheter, ISSN 1101-2447, no 27 augustiArticle in journal (Other (popular science, discussion, etc.))
  • 37.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Kyss, skrapa, madrass1992In: Dagens Nyheter, ISSN 1101-2447, no 12 aprilArticle in journal (Other (popular science, discussion, etc.))
  • 38.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Livets och växandets gåta: Om Elena Guro1993In: Paletten, ISSN 0031-0352, Vol. 212, no 1, p. 32-33Article in journal (Other (popular science, discussion, etc.))
  • 39.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Léon Bakst, Konstens värld och nordisk tradition1993In: Leon Bakst: Sensualismens triumf: Dansmuseet 29.4-5.9.1993, Stockholm: Dansmuseet , 1993, p. 34-39Chapter in book (Other academic)
  • 40.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Léon Bakst the World of Art Movement and a Nordic Tradition1993In: Léon Bakst: Triumph of Sensuality / [ed] Eric Näslund, Stockholm: Dansmuseet , 1993, p. 115-119Chapter in book (Other academic)
  • 41.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Martin Kelm: DDR, Moskau und die designszene innerhalb des ostblocks2014In: Gutes design: Martin Kelm und die designförderung der DDR / [ed] Christian Wölfel, Sylvia Wölfel, Jens Krzywinski, Dresden: Thelem , 2014, p. 218-233Chapter in book (Refereed)
  • 42.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Matiushin's Colour Theory: Expanded Optics in Application: A comparison with Chevreul, Ostwald, and Albers2015In: Colour is Optics / [ed] Serge-Aljosja Stommels, Albert Lemmens, Eindhoven: Van Abbemuseum , 2015, p. 24-37Chapter in book (Other academic)
  • 43.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Matiúsjins färglära1994In: Färgnotiser, ISSN 0283-507Xf, no 35Article in journal (Other (popular science, discussion, etc.))
  • 44.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Matiúsjins färglära1993In: Paletten, ISSN 0031-0352, Vol. 212, no 1, p. 28-29Article in journal (Other (popular science, discussion, etc.))
  • 45.
    Tillberg, Margareta
    Växjö universitet, Sverige.
    Michail Matjuschin und das Studium der Farbe2005In: Licht und Farbe in der russischen Avantgarde: die Sammlung Costakis aus dem Staatlichen Museum für Zeitgenössische Kunst Thessaloniki / [ed] Miltiades Papanikolaou, Köln: DuMont-Literatur-und-Kunst-Verl. , 2005, p. 194-202Chapter in book (Refereed)
  • 46.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Ny rysk tidskrift: Om Idioma, ny internationell tidskrift för post- totalitär kulturell teori och gender studies1992In: Dagens Nyheter, ISSN 1101-2447, no 12 marsArticle in journal (Other (popular science, discussion, etc.))
  • 47.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Olga Rozanova: en länk till modernismen1992In: Konsttidningen, ISSN 1101-8623, no 3Article in journal (Other (popular science, discussion, etc.))
  • 48.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Om kvinnans plats i den ryska konsten1993In: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, no 4/5Article in journal (Other (popular science, discussion, etc.))
  • 49.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Paradisisk propaganda fungerar än: några funderingar kring Stalinkonst i Sverige1996In: Eidos: Skrifter från Konstvetenskapliga institutionen vid Stockholms universitet, ISSN 1650-5298, no 14, p. 17-20Article in journal (Other academic)
  • 50.
    Tillberg, Margareta
    Stockholm University, Faculty of Humanities, Department of Art History.
    Pop Mechanika1988In: De nya från Leningrad: Novye chudožniki: [konstutställning med nya konstnärer, Kulturhuset, Löpsedeln 27 augusti-15 september 1988] / [ed] Sissi Nilsson, Stockholm: Konstavd., Stockholms kulturförvaltning , 1988Chapter in book (Other (popular science, discussion, etc.))
12 1 - 50 of 85
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