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  • 1. Ross, Bjørn
    et al.
    Schneider, Magnus TessingStockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.Bayl, Benjamin
    Apollo og Daphnes kärlighed: et operadrømmespil af Pier Francesco Cavalli (1640)2014Collection (editor) (Other (popular science, discussion, etc.))
    Abstract [en]

    Programme book for a production of Cavalli's opera "Gli amori d'Apollo e di Dafne", Copenhagen 2014.

  • 2.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Allegory and intertextuality in La Statira, principessa di Persia2014Conference paper (Other academic)
    Abstract [en]

    An interpretation of Busenello's and Cavalli's opera "La Statira, principessa di Persia" (1656), centring on intertextual references to Ariosto's "Orlando furioso".

  • 3.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Apollo og Daphnes kærlighed2014In: Apollo og Daphnes kærlighed: et operadrømmespil fra 1640 af Francesco Cavalli / [ed] Bjørn Ross, Magnus Tessing Schneider, Benjamin Bayl, Copenhagen: Teatermuseet i Hofteatret , 2014, , p. 26p. 49-74Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    A singing translation into Danish of Busenello's libretto "Gli amori d'Apollo e di Dafne" (1640), music by Cavalli.

  • 4.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Arias for Stefano Mandini, Mozart’s First Count Almaviva ed. by Dorothea Link (review)2016In: Notes (Philadelphia, Pa.), ISSN 0027-4380, E-ISSN 1534-150X, Vol. 73, no 2, p. 339-345Article, book review (Other academic)
  • 5.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies.
    Billedskøn men overfladisk opsætning af Mozarts opera: Don Giovanni på Gamle Scene, iscenesat af Aniara Amos2014In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 14 majArticle, book review (Other academic)
  • 6.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Busenello's Secret History: An Allegorical Reading of L'incoronazione di Poppea2018In: Renæssanceforum: Journal of Renaissance studies, ISSN 1902-5041, Vol. 13, p. 141-168Article in journal (Refereed)
    Abstract [en]

    The 1623 publication of Procopius’ Secret History shocked the scholarly world. The ancient historian’s rejection of his official account of the reign of Justinian I forced humanists to reflect on the general reliability of historical sources. The article suggests that Giovan Francesco Busenello’s libretto L’incoronazione di Poppea (1643) reflects the challenge posed by Procopius’ book. Though its portrayal of historical figures adheres to Tacitus’ Annals, it plays with the possibility that even Tacitus himself was deceived by Machiavellian rulers. Did he, for example, condemn Nero and Poppaea while praising Octavia because this was the truth, or because Octavia was, in fact, a superior politician who had managed to craft a favourable epitaph for herself?

  • 7.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Calzabigi’s Elvira (1794) and the challenge of educating the public2015Conference paper (Other academic)
  • 8.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Det lille og det store drama: Maraton: Verdis Macbeth, Otello og Falstaff på Operaen2013In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 20, p. 145-154Article, book review (Other academic)
  • 9.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Digteren og nonnen: En allegorisk læsning af "Apollo og Daphnes kærlighed"2014In: Apollo og Daphnes kærlighed: et operadrømmespil af Pier Francesco Cavalli (1640) / [ed] Bjørn Ross, Magnus Tessing Schneider, Benjamin Bayl, Copenhagen: Teatermuseet i Hofteatret , 2014, p. 25-30Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    An interpretation of Cavalli's and Busenello's opera "Gli amori d'Apollo e di Daphne" (1640) as an Ovidian allegory of a convent romance.

  • 10.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    El viaje de un esposo con su alma de luto2016In: Orfeo & Euridice de Christoph W. Gluck / [ed] Gustavo Passerino, Buenos Aires: Juventus Lyrica , 2016, p. 4-Chapter in book (Other (popular science, discussion, etc.))
  • 11.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    En vandring i toner fra Helvede til Paradis: Puccinis Il trittico, iscenesat af Damiano Michieletto2013In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 2 aprilArticle, book review (Other academic)
  • 12.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Enquete2013In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 20Article in journal (Other academic)
  • 13.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Historisk bevidst dramaturgi2016In: Hvad med teaterhistorien? / [ed] Erik Hvidt, Per Lykke, Köpenhamn: Multivers, 2016, p. 259-277Chapter in book (Other academic)
  • 14.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Il matrimonio segreto: a family portrait2013Other (Other (popular science, discussion, etc.))
  • 15.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Kierkegaard and the Copenhagen Production of Mozart’s Don Giovanni2018In: European Romantic Review, ISSN 1050-9585, E-ISSN 1740-4657, Vol. 29, no 1, p. 43-50Article in journal (Refereed)
    Abstract [en]

    The article explores the early performance history of Mozart’s Don Giovanni (1787) at Copenhagen’s Royal Theatre, as a context for Søren Kierkegaard’s famous essay on the opera, which appeared in his philosophical work Either/Or: A Fragment of Life (1843). Focusing on the treatment of the supernatural elements in the opera, the author examines Lauritz Kruse’s Danish singspiel translation of the libretto, which was used by the theater from 1807 to 1839. Kruse turned Lorenzo Da Ponte’s enlightened comedy of manners into a romantic tragedy with religious overtones, but his radical reconceptualization of the drama conflicted with the portrayal of the title role by the Danish-Italian baritone Giovanni Battista Cetti who was the Don Giovanni of Copenhagen’s Royal Theatre from 1822 to 1837, and who partly inspired Kierkegaard’s interpretation. Cetti performed the role as a charming and sympathetic character, probably due to the influence of his teacher Giuseppe Siboni who, in his turn, was probably influenced by Luigi Bassi’s portrayal, the singer for whom Mozart had written the role. Hence the responses of Kierkegaard and other contemporary writers to Mozart’s seducer may be read as attempts to find meaning in a dramaturgically incongruous production.

  • 16.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Kierkegaard’s struggle with Don Giovanni: a study in the tortuous interaction of performance and reception history2015Conference paper (Other academic)
  • 17.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    La Clemenza di Tito and the Dignity of Man2013Other (Other (popular science, discussion, etc.))
  • 18.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Laughing with Casanova: Luigi Bassi and the Original Production of Don Giovanni2016In: Mozart in Prague / [ed] Kathryn L. Libin, Praha: Etnologický ústav AV ČR , 2016, p. 403-419Chapter in book (Other academic)
  • 19.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Legacy of an anti-patriot: Calzabigi's Elvira in Naples, 17942016In: stage / page / play: Interdisciplinary Approaches to Theatre and Theatricality / [ed] Ulla Kallenbach, Anna Lawaetz, Köpenhamn: Multivers, 2016, p. 37-54Chapter in book (Refereed)
  • 20.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Metamorfoser: Apollo og Daphnes kærlighed af Francesco Cavalli2013In: Custos, ISSN 1603-8266, Vol. 11, no 4, p. 5-9Article in journal (Other (popular science, discussion, etc.))
  • 21.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Performing Premodernity Online, issue 1: Gli amori d'Apollo e di Dafne by Cavalli2014Conference proceedings (editor) (Other academic)
  • 22.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    På spaning efter den sentimentala hjältinnan2016In: "Kär och galen" eller "Pazzìe d'amore" / [ed] Eleonor Hjorth, Bo Ludvigsson, Vadstena-Akademien , 2016, p. 17-19Chapter in book (Other (popular science, discussion, etc.))
  • 23.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Richard den Anden og Hamlets spejl2017In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, Vol. 26, p. 29-40Article in journal (Refereed)
    Abstract [en]

    In Shakespeare’s Hamlet (1601), the title hero commissions an acting company to perform a play before Claudius, which recalls the murder of his father, but Claudius instead perceives the play as a threat to his life. The article analyses this episode as the dramatization of a real performance of Shakespeare’s Richard II, which took place on 7 February 1601.

  • 24.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    The judgement of Rousseau: Paride ed Elena by Gluck and Calzabigi (Vienna, 1770)2017In: Rousseau on stage: Playwright, musician, spectator / [ed] Maria Gullstam, Michael O'Dea, Oxford: Voltaire Foundation, 2017, p. 255-284Chapter in book (Refereed)
    Abstract [en]

    Paride ed Elena, the last of Gluck and Calzabigi’s three reform operas, is studied as a response to Rousseau’s juxtaposition of Italian and French music in the Lettre sur la musique françoise, and of French classical drama and Genevan public festivals in the Lettre à d’Alembert. On the one hand, the opera’s depiction of the cross-cultural love of the Trojan prince and the Spartan queen emerges as a rejection of Rousseau’s depreciation of French music and drama, along with his idealisation of Italian music and Genevan culture. On the other hand, as a theatrical reimagining of Rousseau’s novel Julie, ou La Nouvelle Héloïse, it suggests how he himself transcended these hard-edged dichotomies, paving the way for a new musical-theatrical language.

  • 25.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    The Poet and the Nun: Role Doubling and Petrarchan Allegory in Gli amori d’Apollo e di Dafne2015Other (Other academic)
    Abstract [en]

    A reconstruction of the doubling plan for Busenello's and Cavalli's opera "Gli amori d'Apollo e di Dafne" (1640), with an interpretation.

  • 26.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    The Serpent, the Mirror and the Woman with Two Faces: An Allegorical Reading of L’incoronazione di Poppea2014Conference paper (Other academic)
    Abstract [en]

    An interpretation of Busenello's and Monteverdi's opera "L'incoronazione di Poppea" (1643) as an allegory of the virtue of prudence.

  • 27.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    The Violettas of Patti, Muzio and Callas: Style, interpretation and the questions of legacy2013In: The legacy of opera: reading music theatre as experience and performance / [ed] Dominic Symonds, Pamela Karantonis, Amsterdam: Rodopi, 2013, p. 103-117Chapter in book (Refereed)
  • 28.
    Schneider, Magnus Tessing
    Stockholm University, Faculty of Humanities, Department of Musicology and Performance Studies, Musicology and Performance Studies.
    Trollflöjten och magins gränser2013Other (Other academic)
  • 29.
    Tessing Schneider, Magnus
    et al.
    Stockholm University, Faculty of Humanities, Department of Culture and Aesthetics.
    Tatlow, Ruth
    Mozart's La clemenza di Tito: a reappraisal2018Collection (editor) (Refereed)
1 - 29 of 29
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